2013: Day 10 – To Find What is Lost: Shadow Radio episodes from 1943 to 1945!

shadowlp

Seeking missing Shadow radio episodes from 1943-1945. It appears only 1 Shadow episode exists for 1943, THE TOUCH OF DEATH.

No episode exits from 1944.

And only two REAL episodes exists for 1945. GHOST WITHOUT A FACE and DESTROYER (the episode’s of OUT OF THIS WORLD and BRIEF FAME OF JOHN COPPER that are floating around out there are recreations [Australian or British] done much later and sporting a campy sounding narrator and a pathetic sounding Shadow.

So that means for the years 1943, 1944, and 1945, from episodes #204(3 Jan 1943/ The Glowing Death) to episode #292 (30 Dec 1945/ Back from the Grave) , over 80 shows are completely lost. 85 shows to be exact, 85 performances, and pieces of history, and fun entertainment…lost.

As a collector and a lover of this crazy genre called Old Time Radio, especially THE SHADOW, that strikes me as a monumental loss.

However, thankfully episodes of once lost movies, manuscripts and even radio shows have a way of turning up when people really start looking for them. So I’m hoping the same can be said for the 1943 to 1945 episodes of THE SHADOW.

So I’m putting the call out there, this is a bounty on the head of all Shadow episodes from 1943 to 1945. And your reward while not money will be something perhaps more lasting… being part of adding to a medium and a nation’s cultural history.

Oooohhhh…. Deep. :). But seriously, let’s spread the word and do our part in making heard the silent, and found the lost. [If you uncover a SHADOW episode from 1943-1945 drop me a comment (comments come right to me and are not posted) and I'll work with you to get the episode to the right OTTR/Old Time Radio Preservation Group.]

Thanks!!

Crazy Rambling Short Story of the Day?! The War on the Public

This is a work of fiction. Any resemblance to a mad tirade is a complete coincidence. :)

Quick update, we have the WEDNESDAYS WORDS installment scheduled for tomorrow, that’s going to be a rough one, to get out on time. And I want to get up the MONARCHS OF MAYHEM interview with Charles Saunders for Thursday, which will push part two of 15 FAVORITE PULP HEROES into the weekend. So yeah just check back this weekend for part II.

But to give you pulp fans something in the interim, I bring you… The War on the Public! A mad, slightly quixotic rant (for those of you who’ve never seen me rant before… run away. The water is deep here, and in the words of Alan Moore, “the idea of a God… a real idea.” :)) :

CONDE NAST vs BLACK MASK – This is an oldie but an interesting read nevertheless about the first significant volleys in the war to eradicate public domain.

Here are some additional public domain links:

“Supreme Court Lands Final Blow Against the Public Domain! In Golan v. Holder (Jan. 18, 2012), the Court upheld the power of Congress to withdraw works from the U.S. public domain”

and

“What do we do now if Congress adopts a term of, say, life + 1000 years, or seeks to award a new copyright in Huckleberry Finn to Disney or to the Mark Twain estate?”

Public domain, public domain, public domain. Why is it disappearing? And Why should you care?

Well the first question is simple, it’s disappearing because people with money can make it disappear. It’s disappearing because of greed.

‘But’, you say, ‘there have always been rich people. and there have always been greedy people, so why is it disappearing now?’

Well it is disappearing now, because business has made such inroads into having the ear of our senate and house, and our courts, that the people who previously were elected to represent the citizens, are instead representing corporations.

The second question, “Why should you care?” I can’t answer that for you, I can only tell you why I care.

Now as a creative person and a writer, and as a friend of writers, I believe in copyright. I think it’s a great thing. But I also believe in Public Domain, and I think that is an equally great thing.

And I think before big business stepped in with their “more, more, more” mindset we had a perfectly workable compromise.

When I was coming up, public domain was very simple, after 50 years, a concept went into public domain

It became the property of the people. Of we, the people.

The writer doesn’t stop being the creator, he is still the creator, his or her name is still on the work. It’s just that after fifty years, his creation can be used by others.

The idea being that if an idea or concept has survived for 50 years that a/ it’s enough time for the creator to profit, sans competition, from the creation and 2/if people are still talking about a character or an idea 50 years later it has become part of the cultural conversation. It has become like an urban legend or a myth or a tale of Grendel and Beowulf, something that transcends the teller. Something that is part and parcel of a larger conversation and the basis for new creations.

(And notice I said people, Public domain is about insuring people, creators get compensated in their lifetime, it is not about ensuring the perpetual unending market share for an undying corporation. Why are companies, that don’t even have the welfare of this country at heart, given the right to lobby our representatives like citizens?

Companies that I can assure you don’t pay the percentage of tax that I do. I’d love to see Disney and Exxon and Shell paying 20% of their income a year in taxes. This nation would not have a deficit.

Corporations shouldn’t in a civilized world, have more rights than citizens. They don’t care about creators, they don’t care about this nation or any nation, they care about themselves. Which is fine if they are not drafting the laws for an entire nation, but they are, so their lack of concern for what is best for anyone besides them… becomes a problem.

A corporation without a sense of cultural and social responsibility… is a mob, to be watched, to be feared, and ultimately to be put down.)

That’s how culture and art works. New things building upon the old. And old ideas being re-imagined into the new. But the coming of the 21st century saw greedy companies rather than earn customers through the new, instead adopt a policy of profit through protection rackets, through intimidation.

So you get corporations lobbying for aggressive changes in the laws of copyright and trademark and patents. And suddenly public domain is an enemy for corporations to avoid and destroy at all cost, instead of what it should be, a necessary part of making old ideas the birth ground for the new.

Art doesn’t get made in a vacuum, it’s part of a continuing conversation. And we are made better for that open resource, for Universal Studios being able to do their version of Frankenstein or Dracula, and for Hammer Studios to be able to do their version, and for any writer or indie filmmaker to be able to do their version.

Without having to clear the usage of Mary Shelly’s concepts with Disney, or Bram Stoker’s concepts with Time Warner, anyone can do a Frankenstein children’s book, or produce a Dracula song or stuffed animal. And that’s wonderful, and cute, and beautiful, and healthy. So it’s about creativity, but it’s also about healthy commerce, and true free enterprise. Companies that want to generate wealth in a country, rather than just taking wealth out. And by Wealth I mean more than money, I mean the ability of people to be able to produce and own products of cultural recognition and interest, without having to pay tribute and protection money… to monopolies.

It’s especially galling to hear from these pompous companies, when the characters they are looking to lock down are, in many cases, popular inspite of them.

Who has kept the Shadow and Doc Sampson and even Spider characters viable? It wasn’t the bloody companies. The pulps and old time radio shows exist not because of the companies, that couldn’t erase the tapes and dispose of the pulps fast enough, it was the bloody collectors. These insane, lovely human beings, who threw together out of their own pocket, these things called conventions, at a time when a company’s initial response was, “Why are they talking about that lame, dead crap, come see my latest Disco Ball action figure! Look at the nerds still talking about the Shadow and Doc Sambo, or whatever his name is! Hey Nerds, the 1930s called they want their hero back! Ha! Ha! Ha!!”

:) (I just made myself chuckle)

Unfortunately much to businesses’ amazement, this old stuff, due to the passion of fans, actually had staying power. And if anyone has been to a movie theater in the last couple decades, monetary value.

However, as I’ve said before, it was the people, the collectors, the very obsessive types who corporations seek to criminalize today as filesharers, infringers, etc.,, that have saved and preserved much of the culture we now are able to still enjoy, that without them would have been lost.

I love the Old time Shadow radio shows, along with many other radio shows. Those shows, those great pieces of not just entertainment, but of art and culture and history largely exist, not because of Conde-Nast, or insert corporation here… those shows exist because rabid collectors, copied them off the air, made copies, and shared them down the years.

Same with the pulps. Same with silent movies, and sound movies, and film noir.

In the absence of companies finding a monetary value for something they destroy it. They erase over the tape of Doctor Who, they throw out the audio tapes of the Shadow, they burn original artwork of cartoonists.

Why? Because the number crunchers at companies, are not the creative people, they weren’t then and they aren’t now. They make decisions based solely on dollars and cents, and that tunnel vision is always flawed when dealing with work that is also about the imagination of man.

An ‘only Dollars and cents’ mentality will let what is quirky, and manic, and fun, and childish, and challenging in this world die. So these gentle angels of our nature survive because of people who love them. People like the owner of BLACK MASK. Rather than suing that man, Conde-Nast should have got down on their knees and thanked him.

Because he and his kind, collectors preserve these things, when Conde-Nast could not see financial gain to them. But in the wake of renewed interest from Hollywood at the end of the 20th century, and the gangbusters showing of comic and pulp related properties, suddenly everybody wants to sweep in and be the owner of old things made new.

Here’s the thing about public domain. It doesn’t stop you from making money if you have a good idea and a good product. So you don’t need to take Doc Savage or Shadow or Spider out of public domain, to do a book, or a movie, or a audio drama or a cartoon.

No one is stopping you. Build it and they will come. I don’t need to buy Spider Books or Shadow Books, however I do so all the time, when I see a great packaged product. However, if you’re a morally bankrupt company, that has no intention of putting out an attractive product, I can see how competition may not be for you. And you try to sue yourself into business rather than earning business.

And that is where we are at with these companies. They are so petty and greedy for every single penny, it is sickening.

Those…. bloodsuckers!! (Sorry, couldn’t resist! :) )

Disney’s one of the biggest companies in the world, they can throw around 200 million dollar movies, like you and I throw around nickles, and yet they are afraid to death if a grade school kid creates and passes out her mickey mouse comic.

You can not have it both ways. You can not want something to be culturally iconic and generational, yet remain proprietary and exclusionary. No. We are creatures raised to spread stories over an open flame and for that story to travel from person to person, being changed by each person, owned by each person, passed on by each person, and becoming changed and new and different with each telling.

If you look at all the martial arts, they are pretty much the same art, changed over time, and over region. And we as a culture are better and stronger and richer for that migration, that cross pollination, that cross ownership… we are better for having silat, kung-fu, aikido, hapkido, capoeira, savate, kenpo, krav maga, systema… etc., we are better for free association, no fences, open source, public domain.

We have always been better for it. But now in the last few decades, fences are being put up by a few gatekeepers, on everything. And that cannot stand.

It is an unsupportable policy/mindset, utter control of the culture, art, and interactions of a mass of people by a few outside those people. There is a name for that, and it has always been the same name.

Because if you think that it is a nightmare and an outrage just getting rights to a song to use in your film or project or play, imagine wanting to do your short film of Poe’s TELL TALE HEART, and being told you have to get that approved through Disney, and if they approve you, fees start at $500000.

You wouldn’t have a filmmaker like Roger Corman, if the copyright and trademark environment of today was in existence yesterday. And then you lose all his Poe films, you lose all his collaborations with Vincent Price, you lose his part in the ascension of creators like Nicholson and Howard and Coppola. And who knows what we all lose for loss of those mad, creative cranked out Gothic films.

All that because one man was allowed to follow his muse without crippling interference or exorbitant costs imposed by ‘rights’ holders. How many possible Cormans are we killing, in multiple fields, today? Killing them because we are allowing dinosaurs to sit on our shared cultural conversation and art like a dragon sitting on eggs.

Doc Savage is public domain. Superman is Public domain as much as Robin Hood. Batman is public domain. The Shadow is public domain. Fifty years is a good run for exclusive rights to profits. None of this nonsense about renewal of copyrights, or trademark used to get around expired copyright.

[And speaking of trade-mark. MARVEL and DC have 'jointly' trade-marked the term 'Super-Hero". What is that about? So tomorrow do you trade mark the term 'hero' or 'myth' or god'? Do you trademark the term God? Who is at the trademark office just handing out the rights to every word in the dictionary to the highest bidder?

They haven't begun invoking it yet, their 'super-hero' trademark, largely because I think they are waiting for some of the smaller comic companies to fold up shop, and don't want a challenge to come up when their hand isn't strong enough. But Like Microsoft, make no mistake, they will give it away for free today, to set themselves up to own the market share and charge you through the teeth tomorrow.

All you small comic-book companies need to come together and publish one big omnibus anthology called 'Best Super-hero Tales' or something, and get that trademark challenged and thrown out today. Now while the challenging is good. and all the old creators they are waiting to die before they can bring evidence, are still around. Because if you don't, mark my words, ten years from now anyone who wants to use the term 'Super-hero', in the title to anything, will have to pay for the pleasure.]

I’m not saying companies can’t continue to sell and market their items past the 50 year mark, but what I am saying is that everyone else can produce their take on that idea as well.

(Quick aside here… A word on this copyright extended to 70 years after a writer’s death nonsense. Who the heck does that benefit, if not the money grubbing corporations? Did someone just say ‘the family’?

This isn’t about your family, fool! :)

Your family can make money, sell books, shoot movies, whether or not your book is in the public domain. We all know, the rights to a writer’s work ends up snatched up by the publisher. And with only about half a dozen conglomerates owning all the book publishing divisions as it is, that’s a troubling proposed consolidation of intellectual property.

See, what we’re talking about is every work after 1923 [that is the date today, tomorrow they might push it back to works in copyright being only stuff before 1823], all the accumulated wisdom, and hopes, and dreams, and pathos, and joy, and horror, and striving, and yes fighting against oppression of millions upon millions of writers, being owned, with this continued push toward extermination of public domain, the wealth of the world… owned by half a dozen oligarchies. What greater betrayal could there be? To any writer, to every writer. To have the work of the most imaginative, and moral people (which is what on a whole, I find writers to be), owned by people bereft of either imagination or morality.

And to that plan, of mad, sick twisted companies, their dream of a world devoid of public ownership, I say the only thing I can say, the only thing a life-time of loving books has taught me to say to such over-arching presumption and tyranny. I say… no. )

Public domain can work for all

Disney will still have Mickey Mouse, but if Tarantino or Seth Green or anyone wants to do a Mickey Mouse movie, they can. I’m not saying DC/Time Warner can’t still make Batman or Hulk comics or movies, but I’m saying past 50 years from date of creation, so can everyone else. How about a Batman movie by Werner Herzog or a Superman tv series by the Hughes Brothers?

Both those ideas just made me chuckle.

I can’t say you won’t get your share of train wrecks with such freedom, but you’ll also get get your share of wonders. You’ll get Baz Luhrmann’s Shadow next door to Branagh’s Doc Savage. And we are made richer when we can build on the culture we grew up in, rather than this new corporate policy of paying tribute to entrenched monopolies, Disney’s Culture or Time Warner’s culture.

This is very much a land grab, but not land rights this time, not water rights, not airwave rights (which they recently removed from Americans), this is about dreams… being fenced off.

We are on a perilous path. When I think of how much we have lost in the 6 years since Conde Nast sued BLACK MASK out of existence, it gives me pause. Because it is very much a culture where only the few will own anything, that we are pushing toward.

Not software, not hardware, not books, not houses, not music, not comics, not land, not our airwaves, perhaps not even our food or our air, do we get to own. Where everything we interact with is rented to us, is timed, our reactions to it… judged, to insure they are in acceptable non-infringing levels.

That is the end of culture my friends.

Fiction you say?

Yes… Fiction, I say.

Want to learn more?

Want to fight? You? Want to fight? After all I told ya Boy, ya want to fight the dragons of the world?! Swing at windmills like your uncle HT?!!

Aye, you bring a tear to an old man’s eyes. Aye, if I had five more like ya, I could ride into hell and put out all the fires! :)

Well get ya some education first boyo, read the following takes on public domain:

It’s a start.

OPEN RIGHTS- Ah, I love these passionate, mad Brits.

CR Fight ArticleYet another Brit! Where the hell are the Americans working to repeal copyright extension! Hold on, I’m still looking.

EFF- Ah, here’s the beloved Yanks! Over there! Over there! And the Yanks are coming! The Yanks are coming! Over there! WHAT??? Don’t you guys watch James Cagney musicals?!!

Stanford Overview of copyright

CR article

Public Domain info

OKFN

15 Favorite Pulp Heroes / Characters and the meaning of Pulp! Pt. 1 of 2!


Price The Avenger Chronicles Here!

We’ll begin this with a definition of pulp, pulp heroes, and pulp writing, then get into my list of favorite pulp characters and pulp runs.

The perceived definition of a pulp character tends to be a character that takes place in the 20s to 40s, in an America besieged by the spectre of War, and consists of slam-bam action, and a colorful larger than life hero and outlandish villains.

It’s with the cementing of pulp heroes to a specific milieu, a specific time, that I take issue with that definition. Characters such as THE SHADOW and DOC SAVAGE and the AVENGER were pulp sensations AT THE TIME OF THEIR PUBLICATION because they spoke to present fears and issues, in colorful imaginative ways.

But now the nostalgia bunch wants to calcify the definition of pulp adventure to a particular time frame or particular writers. I don’t think pulp heroes need to be set 80 or a 100 years in the past, that’s not what Marcel Allain, Norvell Page or Walter Gibson or Paul Ernst (writing as Kenneth Robeson) or any of the pulp writers we idolize today, were doing.

Now I’m not saying ignore the pulp heroes of yesterday, or not set new pulp stories in the 20s or 30s if you want. But what I am saying is… you’re largely missing the point of what the pulp writers were really doing. They were putting these heroes in a world that really needed them, the present world.

I am saying the pulp fiction of Warren Murphy’s REMO WILLIAMS or Marc Olden’s BLACK SAMURAI or Don Pendleton’s MAC BOLDEN are far truer representations of pulp fiction, pulp heroes, than today’s current writers who are making nostalgic re-workings of 1920s, 1930, and 1940s stories.

Again I have no problem with modern writers setting stories in that time frame, I quite enjoy and have championed many of them, but there seems to be this faulty conclusion in the minds of modern writers and readers that setting them in a specific past time frame, makes it pulp. No. Nothing could be further from the truth. Setting it in that time frame makes it a pastiche.

If Gibson or Page or Allain were writing today their heroes would be set in today, and their horror and villains… expressions of timely concerns. Allain’s FANTOMAS or Gibson’s SHADOW would be hanging the president of Exxon or Shell out of a window, saying “You want to explain those gas prices to me now?”

That’s why I love books like BLACK SAMURAI and THE DESTROYER because they are the pulp aesthetic continued, and have original things to say and original menaces to say it to, rather than simply the tendency to nostalgia, and aping dead writers.

When pulp heroes of yesterday fought nazis and gangsters, that wasn’t simply kitschy entertainment, that took some balls. Because gangsters were very much real things, and Nazis a very real threat, and nobody wanted to touch these topics. The way no one today wants to deal with topics of Guantanamo Bay, or Middle Eastern massacres, or corporate over-lobbying of representatives.

Pulp fiction of the 10s (the wonderful, and horrifying Fantamos),20s and 30s and 40s… was timely and controversial. Pulp fiction (and pulp heroes) was about giving the common man a hero who could stand up against the evils of the day, be those evils foreign or domestic. That is pulp fiction, not this nostalgic, safe, hermetically sealed, removed from any relevance of today, pastiches that people want to sanctify.

True pulp fiction, is a fantastic, white-knuckled, adrenalin inducing and entertaining tirade against the evils of its time. Sometimes in-dispute evil.

People forget there was a portion of America, the loud vocal right wing that were pro-hitler and pro the nazis, right up to and even after Pearl Harbor. So for these books to come out in the 1930s with Nazi Villains took balls. It was controversial. They got their share of grief from the Rush Limbaugh’s of the day.

So when people say “Well, true pulp fiction/pulp heroes needs to be set in the 20s to the 40s”, to that I say “only if you’re living in the 20s to the 40s”. True pulp heroes are an answer… an answer to the truths and the lies of your nightly news.

So while it’s wonderful we have this resurgence of so many writers doing pastiches in the pulp vein, it’s unfortunate so few modern writers are actually doing real pulp novels ala Warren Murphy or the late Marc Olden or even the late Ian Flaming.

So few current writers are doing books with great, even salacious covers, breakneck speed, thrilling action, and larger than life protagonists in conflict with outlandish villains, set in a present/timely context. That is the definition of true pulp fiction, and true pulp heroes… and what we are in dire need… of more of.

-to be continued-

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Part II will bring you the list of 15 favorite pulp heroes. Your jaw will drop!!! :)

Copyright 2000-2012 Masai Inc

PULP OF THE DAY! The Best Norvell Page Spider Covers!!

PULP IMAGES OF THE DAY!

This section is dedicated to great pulp covers whether classic or current.

Today we showcase a few covers of that 1930s creation, The Spider!

While I really enjoy Novell Page’s SPIDER writing (Norvell Page being the primary writer of the Spider), the covers tend to be variations on a theme.

There are more than a few Spider covers that are not the most imaginative and art-wise come off a bit as a poor man’s Shadow, which is something of the truth, the Spider being created to ride the popularity of the Shadow.

Fortunately for the series Norvell Page didn’t write an imitation, his Spider was its own animal, and his stories are arguably more excitingly written and entertaining than the Shadow novels. So any generic, uninspired covers could generally be forgiven when the stories were as bat-addled insane and gripping as Norvell Page could make them.

Though to be fair, compared to the covers that pulp writers of today use, even the most boring SPIDER cover is a masterpiece.

Here for your viewing pleasure are a few examples of the best of those SPIDER pulp covers:

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And if you like that, for more on The Spider go here:

The Spider: City of Doom (Spider (Baen Books))

The Spider VS. The Empire State: The Complete Black Police Trilogy

When the Death-Bat Flies: The Detective Stories of Norvell Page

COMIC BOOK COVERS OF THE DAY!

COMIC BOOK COVERS OF THE DAY!

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Sponsored by Ebay Store: Deals of the Day!

FOLLOWING THE FOLLOWERS Episode #2


Well the first episode of FOLLOWING THE FOLLOWERS was well received, so I thought it was worthwhile to kick out episode #… TWO!!!!

This new segment basically will select four or five followers of this blog (thanks to all of you who are now following this blog) and/or blogs I follow and just promote particularly interesting things I find on their pages:

Okay onto the promoting :):

Derrick Ferguson who is a fantastic pulp writer, a podcasting guru (I gave praise to his podcast BETTER IN THE DARK last time, you can subscribe to it here), as well as a great supporter of this blog, runs his own fun blog that covers flicks old and new. And even when I don’t share his enjoyment for certain movies (Ang Lee’s HULK,CLASH OF THE TITANS remake :)) his reviews are informed and fun reads. Great reviews on current flicks such as JOHN CARTER and classic flicks such as BUCK AND THE PREACHER. Take a gander here.

Jill of All Trades who writes the blog EXPERT OF NONE, has a really great blog post, that I think is applicable to a growing number of people in this economy. Namely, adults returning to school to advance their career or change their career path.

In my Dad’s day you got hired onto a job, and you stayed in it, till you retired with a pension and the thanks of a grateful company, or you dropped dead… whichever came first. But times have changed, corporate America has for the most part done away with the concept of pensions and indeed long term employees.

It’s a far more mercenary market today, where employers feel adversarial to employees and often to their customer base. So in this market, an employee has to expect to spend more time in job transition scenarios.

So Jill of All Trades really sums it up in one incredibly informative post. Her post was just what I needed to come across. Excellent job Jill of All Trades! And to those of you out there, like me, thinking of getting in some more education, whether for credit or just for life experience… swing by and check out her post here.

MesAyah- – Norwegian rapper does a writing a day, and also lists some of his favorite music. Swing by the blog and take a look here. Good stuff.

Brad runs the popular blog JIVIN ME TURKEY and on his site he picks out a movie and a quote from it, to highlight. Always fun stuff, the Mark Twain quote being a personal favorite. Swing by here and give a gander.

Jackie runs the site GET READING NOW. She has a fun review of several books. take a look here.

And last but certainly not least for this installment, Lesley and her husband run the hugely popular travel and adventure website BUCKET LIST PUBLICATIONS. One look at her site will either make you want to run out and jump out of perfectly good planes or seek medical attention. I’m leaning toward the latter. :) But in all seriousness it’s a great site for the travel and adventure minded!!

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Thanks for looking and come back next time for more… FOLLOWING THE FOLLOWERS! :) . Oh and here’s the link to episode #1.

COMIC BOOK COVERS OF THE DAY!

COMIC BOOK COVERS OF THE DAY!

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FOLLOWING THE FOLLOWERS Episode #1

Holy Hanna my frigging back is killing me!

Is there a chiropractor in the house? A buxom masseuse? :)

This is what comes of my Shaolin Temple training methods. Damn David Caradine and his Kung Fu TV show!! :) .

Well enough about that, onto some crazy (crazier?) blogging. I came up with this new segment that basically will select four or five followers of this blog (thanks to all of you who are now following this blog) and/or blogs I follow and just promote particularly interesting things I find on their pages:

Okay onto the promoting :):

THE SHADOW: The History and Mystery of the Radio Program, 1930 – 1954

Martin Grams Jr, the writer of the indispensable THE SHADOW:THE HISTORY AND MYSTERY OF THE RADIO PROGRAM:1930-1954 has an intriguing post on Studios cutting corners when it comes to presenting box sets of classic television programs, specifically why some episodes may be missing or music changed, from the show you remember, once it reaches DVD.

He Writes: “When Season Two of HAWAII FIVE-O came out, fans were shocked to learn that the episode, “Bored, She Hung Herself,” was not included. Taking a second look at the cover art, the box states “The Second Season” —- not “The Complete Second Season.” In this particular episode, a person was found hung to death and it appeared they performed a stunt of Yoga so complicated, they they strangled themselves to death. In real life, a man who did Yoga wondered if that position would indeed strangle the breath out of himself. He tried it, he died, and the family sued. During the settlement, producer Leonard Freeman agreed not to re-air the episode in re-runs. And it seems CBS preferred not to include it that episode in the Second Season box set.”

Well that’s pretty wild. I had never heard that story before. And while I definitely feel for the family, I seriously don’t see how you can hold the studio responsible, for what strikes me as, again with all possible respect, an act of incomprehensible stupidity.

It’s like me watching Looney Tunes, and deciding to drop a safe on my head to see if it will make me flat. :). I think my family would have sense enough to know I had gone insane, and the fault lies with me and not a TV show :), It’s ludicrous.

Anyhow, I’m not even a HAWAII FIVE-O fan, and now I have to see that stupid episode. Read the full very intriguing article here .

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Conductors of the Pit: Artaud, Holan, Cesaire, Vallejo, Csoori, Breton, Neruda, Radnoti, Rimbaud, Hierro, Bador, Juhasz, Szocs

Stella is one of my newer followers, and I do eventually make time to check out web links if you include them when you sign up. I followed Stella’s link and saw a poem she wrote called ‘You Might Kill Me” . The poem, her structure is very reminiscent of the poetry of Pablo Neruda as translated by Clayton Eshleman. Mixing elegantly our hopes with our despairs, our beauties with our horrors.


“I can tell by your eyes

you’ve seen the vacant buildings’

toothless mouths”

It’s quite a stunning poem. You should go read it. And I hope she does more poems.

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One of the earliest followers I have is Wayland Productions, the crew who runs the audio series http://www.zombiepodcast.com. No doubt my coverage of all things audio drama, be it podcasts or old time radio put me on their radar. That said I’m not a fan of ghoul/flesh eating horror, what the west has misnamed zombie horror. Just no interest in the fetishizing of cannibalism and barbarism. I’m just not interested. That said, a lot of people are.

I’m a grumpy old fogie, and my weak stomach aside you have to give the talented cast and crew huge respect for their consistency. They’ve been putting out episodes since 2009. add to that they have one of the best designed websites out there. So give the site a gander and if ‘ghoul type’ horror is your thing, then give a listen here. I always support creativity… particularly in audio productions, and you don’t get any more creative than these guys and gals!

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Author and Monarch of Mayhem crowned writer Derrick Ferguson’s BETTER IN THE DARK is a podcast I’ve praised before, so I’m going to do it again and urge you to take a listen to their latest episode here.

Fun times!

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Thanks for looking and come back next time for more,,, FOLLOWING THE FOLLOWERS! :) .

DEALS OF THE DAY! From comics to DVDs to bookbags to survival gear!

So I’ve been putting off buying a lot of this stuff, but I can’t wait anymore!!

All of this stuff gets the big BUY from me today. I think when you see the list you’ll agree:

Sam Peckinpah’s Legendary Westerns Collection (The Wild Bunch / Pat Garrett and Billy the Kid / Ride the High Country / The Ballad of Cable Hogue)

Sam Peckinpah’s Legendary Westerns Collection (The Wild Bunch / Pat Garrett and Billy the Kid / Ride the High Country / The Ballad of Cable Hogue) – Four Peckinpah movies with special features including commentaries for less than $20!!!??? Nearly 80% off??? Duh! Talk about a no-brainer.

I’m on the whole sustainability/self-sufficiency kick, so the following wacky items were priced right for me today:

SE 6-1 Camping S. Steel Detachable Knife 4″ Body

SE 6-1 Camping S. Steel Detachable Knife 4″ Body- I’m a hobo at heart, so this well-reviewed stainless steel mobile cutlery set has my name written all over it. Just think how much plastic wouldn’t end up clogging up landfills if everyone carried around their utensils with them! :) (Yes, I do know I’m crazy. :)) And currently priced at nearly 70% off?! Comeon!! What more can you ask?

Well how about a candleless candle that burns for 100 hours.

100 Hour Plus Emergency Candles, Clear Mist – SET OF 3 Long-Burning Survival Candles

100 Hour Plus Emergency Candle Clear Mist – Emergency Essentials

Man my power goes down more than a hooker when the fleet comes in, so this candle was for me. I buy one every week or two, so now I have one in every room in my house. They don’t call me Heat Miser for nothing! (I have no idea, what that means. :) ) [One note on this, be careful of poor shipping from the seller, particularly if you're getting the 3 pack. Stress that they securely pack and ship it.]

Brown Vintage Wayfarer Tear Drop Backpack with Leather Accents

Brown Vintage Wayfarer Tear Drop Backpack with Leather Accents

It takes me a lot of research before I decide on something worth buying. I mean minimum of a couple hours per item, just comparing styles, prices, reviews, construction. This book-bag is a case in point. Up all damn night, deciding on the right bag. Both stylish, and yet functional for carrying books, laptops, etc. My time… your gain.

And let’s round all this functional stuff off with some pure enjoyment:

THE SHADOW: The History and Mystery of the Radio Program, 1930 – 1954

THE SHADOW: The History and Mystery of the Radio Program, 1930 – 1954
Huge Old Time Radio and Shadow fan, so this exhaustive 800 page book is a must own.

Alexander the Great

Alexander the Great (1956) and Anthony & Cleopatra DVDs for less than the cost of rental??? Say it with me… No Brainer.

Targus CityGear 320 Capacity CD/DVD Album Case TDP019US (Black with Grey Contrasting)

Targus CityGear 320 Capacity CD/DVD Album Case TDP019US (Black with Grey Contrasting)- Holds over 300 DVDs/CDs for only $30 shipping included. SOLD!

Farscape: The Complete Series

Farscape: The Complete Series- The Bluray is coming out so you would think the DVD would go down in price. But Noooooo! The stupid thing has gone up over $20 from the cheap prince of $49 that it was at. But even at its new price… it’s a great deal.

The Well

The Well (1951)- Is a nice little 50s Drama/thriller that plays as a nice counterpoint to THE WORLD, THE FLESH, AND THE DEVIL.

Captain America by Jack Kirby Omnibus (Marvel Omnibus)

Captain America by Jack Kirby Omnibus (Marvel Omnibus- I own the comics and am still buying the Omnibus. Great stuff!

X-Men – Volume 2 Omnibus (Marvel Omnibus)

X-Men – Volume 2 Omnibus (Marvel Omnibus)- Neal Adams great run collected in over-sized format. Nuff said.

Okay, I’m broke now.

Enemies of the State: The Shadow and Metropolis and Ebay vs the Supreme Court, Alex Kozinski, Oracle, MPAA/RIAA and Google??!


The logo belongs to the brilliant website shadowsanctum.net, and I urge you to check her site out here. It’s great!

“Dead Cobras are better playthings than live ones.”
—The Shadow in THE TEMPLE BELLS OF NEBAN

“My reward, like yours Commissioner, is in protecting the defenseless from those who have not learned… that crime does not pay.”
—The Shadow

The TEMPLE BELLS OF NEBAN is a very intriguing Shadow episode from 1937, over 70 years ago at the dawn of the age of radio, starring the inimitable Orson Welles. And I highly recommend people seeking it out, and giving it a listen.

It’s not the best sounding recording available, but you can clearly hear why this show was an immediate hit, as the Shadow spars, almost lovingly, with a beautiful Indian dancer, whose powers may rival his own.

You can listen to a copy here.

And It’s also worth mentioning these shows only exist because of collectors, what today we would call filesharers, or bootleggers, these shows and thousands like them only exist because of the loving collector who recorded them off the air and kept them and shared them for the love, while the very companies that produced them, could not erase the tapes fast enough after the initial airing, seeing no long term value/profit to them.

I’m saying it’s ironic that what companies race today to make illegal, is the very people who have preserved the intellectual property many of them today… build their fortunes off of.

They seek to make illegal… the people who we need. The ones who keep things alive not for the money… but the love.

How lucky we are to have these recordings. Unfortunately thanks to Congress and the Supreme court working in tandem to put the rights of businesses above citizens…not only are clear Public Domain concepts like the Shadow radio show and pulp novels no longer in public domain, but they’ve recently upheld a law that allows the REMOVAL of certain foreign based works (Section 514 of the Uruguay Round Agreements Act (“Section 514”), which restores copyright protection to certain foreign works that were previously in the public domain), including compositions and the works of silent film directors such as Fritz Lang, out of Public Domain.

How the hell does Congress perceive they have the right to do that? Or does the Supreme court support them in that?

Fritz Lang is taken out of copyright today, what happens tomorrow… Poe? Shakespeare? All so companies can get you to pay, pay, pay.

And making this a one two punch, the Supreme Court has recently upheld (by failing to overturn the 9th circuit court ruling) Software companies rights to stop you from reselling your software on grounds of— well honestly the grounds make no sense— basically it’s companies intent on destroying the secondary market of used resellers, a huge and vital part of any economy, so they alone determine what in essence can be sold. And more, they alone can profit.

The story reads in part:

“The Supreme Court is refusing to review a federal appellate panel’s decision that software makers may use shrink-wrap and click-wrap licenses to forbid the transfer or resale of their wares.

Without comment, the justices on Monday let stand a 9th U.S. Circuit Court of Appeals ruling that is another erosion of the so-called “first-sale” doctrine, which the Supreme Court began to chip away at last year.

The first-sale doctrine generally is an affirmative defense to copyright infringement. It usually allows legitimate owners of copyrighted works to resell those copies.

That 3-0 circuit court decision means copyright owners may prohibit the resale of their wares by inserting clauses in their sales agreements. Autodesk had done that with a version of its popular AutoCAD software. The San Rafael, Calif. company sued to enforce those terms in its sales agreement and prevailed.

The Motion Picture Association of America and Software & Information Industry Association, whose members include Google, Adobe, McAfee, Oracle and dozens of others, urged the appellate court to rule as it did.”

–This is from the excellent guys at WIRED (it’s not lost on me that WIRED unfortunately is owned by CondeNast, one of the companies particularly active in chipping away at Public Domain), and the full story, along with other shocking abuses and erosions of liberty can be read here.

This ruling by the 9th circuit court, inherently cripples and destroys a healthy monetary model, in favor of a model geared entirely on creating a monopolistic system, and an entrenched protected powerbase that flies in the face of a free enterprise system.

The idea that I can’t, or you can’t resell something you bought, is itself an overstepping of liberties, and an infringement on liberties, so great as to be in and of itself… criminal.

Where does it end?

You do this first with the used software market, what is next? You can’t sell used DVDs? You can’t sell used books? You can’t sell used cars? You can’t sell used houses? At what point are you bankrupt of owning and controlling anything you purchase? Even the air you breathe, the food you eat, everything eventually gets leased to you?

Absurd right? We’re on an absurd and dangerous path.

This is a law that must be challenged and thrown out. And stands once more as clear and present proof that the congress and the supreme court are in the pocket of big business.

And that we have become a country at the mercy of crooks and liars and cowards and scum and thieves.

We have become a country, at the mercy of our neutered Congress and our spade Supreme Court.

The purpose of government is not to protect business at the expense of the citizens, it is to protect citizens at the expense of business.

It is not the job of government to insure the status or the livelihood of Sony or Microsoft or Disney. Businesses come and businesses go. Most of the business around at the start of the 20th century didn’t make it to the end of the 20th century, and that is how it should be.

And part of it is we have 20th century judges ruling on 21st century cases, and quite frankly they are out of their depth.

These are people who can barely turn on a computer or send an email, and yet they are the defenders of the slippery digital slope, and preserving liberties in this brave new field of law. And the judges often rely on opinions of ‘experts’, which is to say the very people that have a stake in seeing laws go their way.

So increasingly judges are deer in technological headlights, and rule when in doubt with the big named company they think knows what they are talking about.

Example?

Alex Kozinski, one of the highest judges in the land. And the chief judge of the U.S. 9th Circuit Court of Appeals, that allowed Software companies to make resale of software illegal… This is how technologically savvy this guy is…

The following is an excerpt from the LA times:

“Alex Kozinski, chief judge of the U.S. 9th Circuit Court of Appeals, acknowledged in an interview with The Times that he had posted the materials, which included a photo of naked women on all fours painted to look like cows and a video of a half-dressed man cavorting with a sexually aroused farm animal. Some of the material was inappropriate, he conceded, although he defended other sexually explicit content as “funny.”

Kozinski, 57, said that he thought the site was for his private storage and that he was not aware the images could be seen by the public, although he also said he had shared some material on the site with friends. After the interview Tuesday evening, he blocked public access to the site.”

—By Scott Glover
Los Angeles Times Staff Writer
June 11, 2008

This is the judge of one of the highest courts of the land? And shaping the laws that bind us all?? He doesn’t even know how the web works and he’s defining the legal length and breadth of it? Not even getting into the moral implications.

It is a sad and dangerous pattern, when our rights are given away at a whim.

Businesses are here to serve the people, and when they fail to do that, or choose not to do that, they deserve to fail. The very opposite of what is happening.

Case in point, Obama’s bailout of Wallstreet? Forget Wallstreet. Bail out the homeowners, and the unemployed and underemployed. Generate new business in the vacuum of businesses that don’t want to pay American taxes, or hire American employees at a live-able wage. These companies, Exxon, Shell, take billions of dollars out of the United States, but have a fit if you talk about raising the minimum wage, or paying workers $20/hr.

But we have a corrupt Congress and a corrupt Judiciary, so we bail out billionaires and aggressively tax, broke and breaking, American citizens to pay for that immoral bailout.

Our Congress and our Judiciary are crooks.

Except… that’s not true.

We have corrupt or incompetent people in Congress and the Courts, but the disease is not the man.

The idea of Congress and the idea of a Supreme Court, are good ideas.

There are people in Congress and the Courts who are there because they believe in this under attack idea of.. A government of the people, by the people, and for the people.

But they get lost, their good lost in the bad. We owe them more than that.

And how do we do that?

By naming names. Specific people vote these abhorrent laws into being. And they count on being a nameless part of a mob, just as the RIAA and the MPAA are klan hoods for companies doing under the shelter of their hood, things they would shy from by themselves or in the brightness of day.

It’s not enough to say Congress passed this and the Judiciary allowed this. We must name names, of those who in our darkest hour went around putting out lights, as well as those few who stood against them, and tried to light candles.

We must name… the enemies of our state. So we remember them, and push for their ousting for their crimes against us. It’s not enough to just concentrate on who is or isn’t president, we must concentrate just as hard on who we fill Congress with, and the courts.

Enemies of the State.

Enemies of the People.

We must name our betrayers.