My previous tirade on public domain abuse and Shakespeare made me think of a few more incredible opening credit sequences.
WILLIAM SHAKESPEARE’S ROMEO AND JULIET- Brilliantly directed by Baz Lurhmann (the only one of his four films I’ve seen all of, the other three I’m not positive are for me) this is a great film, great trailer, and…. Great opening credit sequence.
PISTOL WHIPPED- Seagal’s movies of the last decade or two have been of questionable quality. PISTOL WHIPPED is a surprisingly good film, that I actually enjoy more, every time I watch it. And one of the impressive things for me with this film was that opening credit sequence. Bullets and Gravestones, a nicely done combination.
MENACE II SOCIETY- Doesn’t actually have a credit sequence, it has a title sequence. But what a sequence. It is a horrific, horrific film, that remains almost 20 years later brilliantly directed, and wrenchingly performed. To think this is someone’s debut film is amazing. Offensive, vulgar, sad, twisted, and unfortunately still too accurate a portrait of generational ignorance, lost souls, and man made hells. But the film is also quite engrossing, with moments of levity and even fleeting moments… of love.
Menace II Society [Blu-ray]
—I’m a DVD guy, I really don’t care for Bluray. The packaging sucks (The moronic blue bar, was it designed by a blind guy? Cheap materials, poorly designed. Everyone I own (METROPOLIS, WATCHMEN Director’s Cut) looks like crap on my shelf, compared to the simple, functional design of a DVD case), and the quality difference between DVD, for me isn’t enough to justify paying more. So, I only recommend Blu-rays over DVD, if they offer special features not found on the DVD, and the price is right. This Blu-Ray qualifies.
KISS ME DEADLY- Sports one of the most striking and haunting credit sequences. The Scrolling text, with the woman panting inconsolably beneath it.
That’s all for now!