Title says it all, enjoy:
Beksinski has been called, and rightly, the master of the Aftermath, check out my previous posts on him.
Now a landscape painter I was introduced to just today, who was born nearly two centuries before Zdislaw Beksinski, and does not deal in Beksinski’s fantastic/visionary imagery, however in mood, in languid foreboding and beauty, he is very much a kindred spirit to Beksinski. I speak of German landscape painter Caspar David Friedrich.
However where Caspar David Friedrich was the greatest painter of German Romanticism, the American Romantic movement would broaden that movements intimate, small scope, and improve upon it, introducing the world to the grandeur and beauty of the landscape en masse. There was and is no better representative of American Romanticism/Landscape Painter, than the criminally neglected Robert Scott Duncanson, Abolitionist, Painter, World traveler. Born in Cincinati to a Scottish Father and African Mother, Duncanson’s work unfortunately remains underseen and underdocumented (unlike Beksinski and Friedrich, we still await the beautiful over-sized art book on Duncanson) . Where Beksinski is the master of the Aftermath, Duncanson is the master of the Grandeur.