DCs RELAUNCH! 52 Books coming in September! Tips on ones to get & ones to avoid!

DC has announced its lineup of 52 new titles starting September. As stated in my previous post DC is doing a lot of things right, with this publishing revamp of their comic-book line; namely pushing digital distribution, and creating new jumping on points to coincide with that distribution.

But the major thing I see DC Publishing (owned by Time Warner)is doing wrong is ignoring the root reason they were not selling books in the first place, which is that there books were not that good.

Their esteemed major competitor, MARVEL COMICS GROUP, has the better writers, and without question the superior artists. And I see very little in this revamp that addresses that quality problem.

You can see the full list of the 52 titles to be released in September here, and for the most part they look uninteresting at best, and 90s retread crap fodder at worst.

Uninteresting writers with very dated looking artists. And often artists, untried as writers, writing major characters?!! WTF?? Nice way DC to sabotage your own facelift/revamp.

You want to do a revamp and make it count then pay the money, and get the name writers, and the hot artists. Get the best. Liefield? Really??? God bless him, but really? That’s who you choose to launch a new book geared to galvanize and attract new readers? This is not the 90s.

SAVAGE HAWKMAN, good artist, but needs a name writer to get my money. Tony Daniels? Sorry, just don’t care. STATIC SHOCK, great character, no interest in that creative team… at all. NIGHTWING, TEEN TITANS, LEGIONS LOST, JUSTICE LEAGUE, FLASH, GREEN LANTERN books, most of the BATMAN books, most of the SUPERMAN books (Grant Morrison is too hit and miss for me to trust him monthly, I wait till his stories are collected and listen to the general feedback to see if he’s the good Morrison, or the hodgepodge one), all look like the poorly written, poorly drawn tripe no one was buying before.

Now the ones I think are (or could be)exceptions to DC’s general trend of mediocrity and lack of quality are as follows:

SUPERGIRL #1
Written by MICHAEL GREEN and MIKE JOHNSON
Art and cover by MAHMUD ASRAR
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
Meet Supergirl. She’s got the unpredictable behavior of a teenager, the same powers as Superman – and none of his affection for the people of Earth. So don’t piss her off!

The writers did good work on Batman/Superman, and I like the art.

VOODOO #1
Written by RON MARZ
Art and cover by SAMI BASRI
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T+
Who is Voodoo? Is she hero, villain – or both? Learn the truth about Priscilla Kitaen as she leaves a trail of violence across America. Discover the new DCU through her eyes, because the things she sees are not always what they seem

Ron Marz doesn’t do anything for me, but Sam Basri I consider one of the few great artists DC has (that Marvel hasn’t stolen away from them yet) and this book is worth getting for his art alone.

BATMAN #1
Written by SCOTT SNYDER
Art by GREG CAPULLO and JONATHAN GLAPION
Cover by GREG CAPULLO
Variant cover by ETHAN VAN SCIVER
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for more information.
Be here for the start of a new era for The Dark Knight from writer Scott Snyder (AMERICAN VAMPIRE, BATMAN: GATES OF GOTHAM) and artist Greg Capullo (Spawn)! A series of brutal killings hints at an ancient conspiracy, and Batman learns that Gotham City is deadlier than he knew.

Only Batman book that has me really interested, and it is because of the writer, Scott Snyder.

BATWOMAN #1
Written by J.H. WILLIAMS III and W. HADEN BLACKMAN
Art and cover by J.H. WILLIAMS III
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
At last! Batwoman’s new series begins, from the multiple award-winning creative team of J.H. Williams III and Haden Blackman!
In “Hydrology,” part 1 of 5, Batwoman faces deadly new challenges in her war against Gotham City’s underworld – and new trials in her life as Kate Kane.
Who or what is stealing children from the barrio, and for what vile purpose? Will Kate train her cousin, Bette Kane (a.k.a. Flamebird), as her new sidekick? How will she handle unsettling revelations about her father, Colonel Jacob Kane? And why is a certain government

I had mentioned Sam Basri being one of DC’s great artist, here’s the other, the brilliant JH Williams III. Now whether he can write is another story, but I’ll definitely check this one out to see.

MISTER TERRIFIC #1
Written by ERIC WALLACE
Art by ROGER ROBINSON
Cover by J.G. JONES
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
The world’s third-smartest man – and one of its most eligible bachelors – uses his brains and fists against science gone mad in this new series from Eric Wallace (TITANS) and Roger Robinson!
Michael Holt is the head of a successful high-tech corporation and an institute that recruits and encourages the finest minds of the next generation to excel. As Mister Terrific he inhabits a world of amazement few others know exists, let alone can comprehend.

Premise sounds interesting, and I really like the character, but once again we have an unknown writer, and generally unknown, serviceable (but not awesome) interior artist. I’ll give it a try but have serious doubts.

JUSTICE LEAGUE DARK #1
Written by PETER MILLIGAN
Art by MIKEL JANIN
Cover by RYAN SOOK
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T
The witch known as The Enchantress has gone mad, unleashing forces that not even the combined powers of Superman, Batman, Wonder Woman and Cyborg can stop. And if those heroes can’t handle the job, who will stand against this mystical madness?
Shade the Changing Man, Madame Xanadu, Deadman, Zatanna and John Constantine may be our only hope – but how can we put our trust in beings whose very presence makes ordinary people break out in a cold sweat?

- I was going to pass on this book, but the artwork by Mikel Janin looks great, my only concern is a gaudy colorist could ruin his beautiful gray-scale washes/artwork. If they were smart they would use spot coloring and leave it mostly gray-scale.

SWAMP THING #1
Written by SCOTT SNYDER
Art and cover by YANICK PAQUETTE
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
One of the world’s most iconic characters has returned to the heart of the DC Universe, and every step he takes will shake the foundations of the Earth!
Alec Holland has his life back…but the Green has plans for it. A monstrous evil is rising in the desert, and it’ll take a monster of another kind to defend life as we know it!

ANIMAL MAN #1
Written by JEFF LEMIRE
Art by TRAVEL FOREMAN and DAN GREEN
Cover by TRAVEL FOREMAN
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
Buddy Baker has gone from “super” man to family man – but is he strong enough to hold his family together when Maxine, his young daughter, starts to manifest her own dangerous powers? Find out in this dramatic new series from writer Jeff Lemire (SWEET TOOTH) and artist Travel Foreman (The Immortal Iron Fist).

FRANKENSTEIN, AGENT OF S.H.A.D.E. #1
Written by JEFF LEMIRE
Art by ALBERTO PONTICELLI
Cover by J.G. JONES
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
It’s Frankenstein as you’ve never seen him before, in a dark new series from acclaimed writer Jeff Lemire (SWEET TOOTH) and artist Alberto Ponticelli (UNKNOWN SOLDIER)!
Frankenstein is part of a network of strange beings who work for an even stranger government organization: The Super Human Advanced Defense Executive! But can he protect the world from threats even more horrifying than himself? And since he’s vilified for who and what he is, will he even want to take on this mission?

—Scott Snyder, Jeff Lemire, interesting premises, and decent artists, what is not to like.

DEMON KNIGHTS #1
Written by PAUL CORNELL
Art by DIOGENES NEVES and OCLAIR ALBERT
Cover by TONY S. DANIEL
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
Set in the Dark Ages of the DC Universe, a barbarian horde is massing to crush civilization. It’s fallen to Madame Xanadu and Jason Blood, the man with a monster inside him, to stand in their way – though the demon Etrigan has no interest in protecting anyone or anything other than himself! It’ll take more than their own power to stop an army fueled by bloodlust and dark sorcery, and some very surprising heroes – and villains – will have no choice but to join the fray!

STORMWATCH #1
Written by PAUL CORNELL
Art and cover by MIGUEL SEPULVEDA
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
They are Stormwatch, a dangerous super human police force whose existence is kept secret from the world Directly following the ominous events of SUPERMAN #1, Adam One leads half the Stormwatch team to recover the [INFORMATION REDACTED] from deep in the Himalayas. Meanwhile, Jack Hawksmoor and the rest of the Stormwatch crew look to recruit two of the deadliest super humans on the planet: Midnighter and Apollo! And if they say no? Perhaps the Martian Manhunter can change their minds…

— Both of these by Paul Cornell sound interesting

ALL-STAR WESTERN #1
Written by JUSTIN GRAY and JIMMY PALMIOTTI
Art and cover by MORITAT
On sale SEPTEMBER 28 • 40 pg, FC, $3.99 US • RATED T+
Even when Gotham City was just a one-horse town, crime was rampant – and things only get worse when bounty hunter Jonah Hex comes to town. Can Amadeus Arkham, a pioneer in criminal psychology, enlist Hex’s special brand of justice to help the Gotham Police Department track down a vicious serial killer? Find out in this new series from HEX writers Justin Gray and Jimmy Palmiotti, with lush artwork by Moritat (THE SPIRIT)!

-This is a great and proven creative team.

MEN OF WAR #1
Written by IVAN BRANDON
Art by TOM DERENICK
Cover by VIKTOR KALVACHEV
On sale SEPTEMBER 7 • 40 pg, FC, $3.99 US • RATED T+
On the ground and on the front lines, a young, headstrong soldier known as Joe Rock assumes command of Easy Company – a team of ex-military men turned contractors. Will they survive the battle-scarred landscape carved by the DCU’s Super-Villains? Find out in this explosive new series from Ivan Brandon (Viking, DOC SAVAGE) and Tom Derenick (JUSTICE LEAGUE OF AMERICA)!

-Premise has me interested, and Derenick is a good artist.

SUICIDE SQUAD #1
Written by ADAM GLASS
Art by MARCO RUDY
Cover by RYAN BENJAMIN
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T+
They’re a team of death-row super villains recruited by the government to take on missions so dangerous – they’re sheer suicide!
Harley Quinn! Deadshot! King Shark! Defeated and imprisoned, they’re being interrogated about their mission – and about who’s pulling the strings behind this illegal operation. Who will be the first to crack under the pressure?

-Not familiar with the writer but Marco Rudy’s work an ACTION COMICS was stellar

DEATHSTROKE #1
Written by KYLE HIGGINS
Art by JOE BENNETT and ART THIBERT
Cover by SIMON BISLEY
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T+
“Friends die, family disappoints, but a legacy… That lives forever.”
Slade Wilson is the best mercenary in the DCU, and he’s been doing this a long time. Some might say too long. But they’ll learn: Never turn your back on Deathstroke the Terminator. He won’t quit, no matter how high the stakes. Kyle Higgins (BATMAN: GATES OF GOTHAM) and Joe Bennett (TEEN TITANS) team up to bring you the finest in mayhem and gore.


-An unknown writer, and the premise doesn’t fill me with confidence, anything that uses gore as a selling point is usually braindead, lowest common denominator tripe, but Joe Bennett (THE CREW) is a great artist, and I would like to be proven wrong on this one

LEGION OF SUPER-HEROES #1
Written by PAUL LEVITZ
Art by FRANCIS PORTELA
Cover by KARL KERSCHL
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
The Legion of Super-Heroes has been decimated by the worst disaster in its history. Now, the students of the Legion Academy must rise to the challenge of helping the team rebuild – but a threat of almost unstoppable power is rising at the edge of Dominator space, and if the new recruits fail, the Legion Espionage Squad may be the first casualties in a war that could split worlds in half!

-solid creative team, so worth a look.

THE FURY OF FIRESTORM #1
Written by ETHAN VAN SCIVER and GAIL SIMONE
Art by YILDIRAY CINAR
Cover by ETHAN VAN SCIVER
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T
Jason Rusch and Ronnie Raymond. These two high school students are worlds apart – and now they’re drawn into a conspiracy of super-science that bonds them forever in a way they can’t explain or control. The dark secrets of the murderous Dog Team and its Firestorm Protocol force them to put aside their differences to confront a threat so terrifying that it may lead to a new Cold War! Welcome to a major new vision of nuclear terror from writers Ethan Van Sciver and Gail Simone with astonishing art by Yildiray Cinar!

- I’ve seen some sample art by Cinar, and Gail Simone is a good writer and should keep Ethan’s ideas from imploding. Though from this premise sounds like this is a miniseries rather than an ongoing. Worth a look.

The Following are MAYBEs:

BATWING #1
Written by JUDD WINICK
Art and cover by BEN OLIVER
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T
Africa, a land of beauty – and of great horror. A land of creation and conflict. It is in desperate need of a defender, and from the ranks of Batman Incorporated comes a soldier to carry on the legacy of The Dark Knight in the most tumultuous region on Earth. Meet Batwing, the Batman of Africa!

I’m intrigued by this one, the premise sounds like a Bat take on Unknown Soldier, but I’m not sold on the art, and that costume is horrible. This one is a wait for the trade.

BATGIRL #1
Written by GAIL SIMONE
Art by ARDIAN SYAF and VICENTE CIFUENTES
Cover by ADAM HUGHES
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T
Yes, it’s really happening!
Barbara Gordon is back as Batgirl – and she’s going to have to face the city’s most horrifying new villains as well as the dark secrets from her past. You won’t want to miss this stunning debut issue from fan-favorite BIRDS OF PREY writer Gail Simone!

Gail Simone has me interested, but not interested in the artists. I’ll wait for the trade.

CATWOMAN #1
Written by JUDD WINICK
Art and cover by GUILLEM MARCH
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T+
Meet Catwoman. She’s addicted to the night. Addicted to shiny objects. Addicted to Batman. Most of all, Catwoman is addicted to danger. She can’t help herself, and the truth is – she doesn’t want to. She’s good at being bad, and very bad at being good. Find out more about what makes Catwoman tick in this new series from writer Judd Winick (BATMAN: UNDER THE HOOD) and artist Guillem March (GOTHAM CITY SIRENS)!

I do like the art on this one but not interested in the character. It’s a weak maybe.

Well those are the titles I think are worth a try, and you may agree. Try them and let me know.

Change comes to one of Comics’ Biggest Publishers! Does it spell DC New or DC Eww??? or DC vs Marvel

Change comes to one of Comics’ Biggest Publishers! Does it spell DC New or DC Eww???

by
Heroic Times
Copyright Heroic Times Jun 2011
All Rights Reserved

Okay most of you comic fans reading this know the gist of the big news that has recently been released. Specifically the recent announcement by Top 2 Comic Book Publisher DC Comics, a subsidy of Time Warner, to in essence revamp their entire publishing line, and their publishing model in September of this year.

Comics being very much serialized entertainment, like soap operas or television shows they build up a history. Overtime, some view that history as a resource and some as baggage. In the face of dwindling sales DC is taking the latter approach and cleaning house, restarting their whole line of books, from number one.

Come September, 52 titles will be kicked out by DC, starting at # 1, with the characters and stories supposedly streamlined to allow easy adoption, by new readers. On top of this they will offer the books via digital distribution, as well as through the traditional dwindling markets of the comic book store.

It is an unprecedented and bold move, in an age where all print media, from newspapers to books, is losing readers. And specifically a necessary move for DC, that has seen its place in the market continue to slip, as its major competitor MARVEL COMICS GROUP owned by Disney, continues to trounce them in sales/market share.

So all in all, I think this bold move by DC, while unexpected, is overall a good one, as obviously they needed to do something.

It’s a hail-Mary pass, and I see it working for them in the short term, generating interest in their books through the line wide shake-up, and the day and date (digital publication that coincides with print publication) digital distribution option, opening them up to a world of new potential readers/consumers. If they capture just a fraction of the digital market, they could potentially move very quickly from servicing tens of thousands of people to hundreds of thousands, if not millions of people per issue.

There are some potential roadblocks, most remarked on being the pricing of the digital comic, as most agree the 99 cent or $1.99 cent model is the better price-point for easy mass adoption. However I have no doubt the pricing structure will work itself out in time.

So in short term I see this being a success for the company, however potentially not as great a success as it could be, and potentially not a lasting success as their competitors invariably jump into Digital distribution to compete.

No, I see DC’s biggest drawback to this line-wide overhaul, is the appearance (now this is only going by the miniscule data so far released on the books to come out in September, this is speculation not fact) that the streamlined books suffer the same problem as the pre-streamlined books, which is basically… they are not that good or interesting.

That’s harsh to say, but that is the current problem with DC comics that they seem to, with well meaning overtures to price and distribution and character’s costumes, overlook.

The main problem DC overlooks, to why their sales are dwindling… is the fact that their books themselves, particularly when compared to their main competition Marvel Comics, are not that interesting, they are in fact… lacking.

And it pains me to say this as someone who is not a fan of much of what Marvel does, and infact actively does not purchase Marvel Comics’ individual issues. Generally because of ads breaking up the story, and lack of back-matter or letters pages, failing these things I’ll just wait for the trade, and monthly buy Indie books, such as CHEW or WALKING DEAD that do offer these extras, that for me make the individual issues… worth their price.

If there is a story from Marvel that is getting particular buzz I’ll wait for the trade and pick it up at my local library or on Ebay or not.

On the other hand, DC comics stories are not particularly interesting, I listen to a number of podcasts and read reviews and articles to stay abreast of what’s drawing the buzz in this niche market of comics, and DC seldom… draws the buzz, in any meaningful way. The ones that do I’ll pick up via Ebay or Library, and am generally underwhelmed.

Particularly glaring is the fact that DC’s artwork is bland to subpar. For a medium defined by its art.. that’s not good. In general (in general, not across the board) the writers and artist of DC are not setting the world on fire.

There are exceptions such as Irving Frazier, Basri, Jock, J.H. Williams III (to name ones that spring to mind) in the art camp, and Scott Snyder, Morrison (when he’s the good Morrison) and Rucka (who DC has lost) in the writing camp; but in general the rule applies.

And having looked at some of the talent launching their 52 new books (again not privy to all of them, just going by the early news released as of this date), I see the rule of bland storytellers and bland art and bland takes on characters… continuing.

Where is the talented, amazing writers that are blowing the roof off the place, and everyone is talking about for their Indie work? Where are the Remenders and Aarons and Hickmans and Van Lente’s and Spurrier’s?

With very few exceptions all the exciting writers in comics are working for Marvel. Add to that the fact that Marvel blows DC away in terms of art, and it is a powerful combination.

DC’s art style is largely still stuck in the 90s Image era, and with DC co-headed by Jim Lee, perhaps that’s no wonder, but it is a mistake.

This is the age of the Simone Bianchis and Copiels and Djurdevics and Eptings and Braithwaites and Molinas, guys who offer a level of detail and beauty and storytelling that makes you want to turn pages. And all those guys are Marvel artists.

Now it’s true none of those names, either writer or artist, is known to this new potential readership, that digital distribution offers the opportunity to tap, however my point is… quality will out.

Which means people may be introduced to comics through DCs digital books, but just as in the paper books… they will quickly transition to more sophisticated art and story; which means Independents and Marvel. And they will gravitate to the artists and writers that are steering, capably, the ship.

Now, best of luck to DC’s policy of giving artists they are trying to keep (they tend to lose creators to Marvel), writing assignments of popular characters… to entice them not to jump ship. However, It is a suspect policy.

Not every artist is a Frank Miller (who before being Hollywood Frank Miller, started out as an artist, than became an iconic writer, DARK KNIGHT, 300 etc) and even Frank Miller took a while to be THE Frank Miller.

I am saying it is idiotic to give your flagship titles/characters to unproven writers. No disrespect, beyond the truth, intended to David Finch and Tony Daniels (two popular DC artists and now Writer/Atists), but I’ve never been a huge fan of their art, and by all reports their writing isn’t setting the world on fire. Now it is quite possible with practice they could become kick-ass writers, but you don’t let them practice on your flagship characters such as Batman. It’s thinking like this from DC, again that 90s Image model, mantra of “art is all”, that has been hurting their market share.

Art is important, desperately important. But the writing is also desperately important. And when you can bring top writers AND top artists to a title (which is what Marvel does), then you have a title to hype and to generate sales. And DC fails with both aspects, the writing… and the art.

Nearly every single book Marvel puts out, looks great. That’s how deep their pool of artists is; as opposed to DC that has probably less than a handful of artists I consider great, and the rest, are a “grin and get through it” bunch.

Add to this Marvel Comics are better art designed, and you point out another major failing of DC. The first thing you see of a comic is its cover, and Marvel’s covers are not just better in terms of the actual cover art, they are better in terms of typography and design.

They are, as a whole, as a gestalt, the more interesting covers (exceptions to this being Sam Basri’s phenomenal covers for POWER GIRL).

And fault Marvel for what you will, I think a lot of this has to do with artists such as Quesada and Bendis, who have strong visual instincts, being in editorial control of Marvel and knowing what a compelling cover should look like.

These are the reasons Marvel is # 1. And this whole DC overhaul of their universe and digital delivery announcement while groundbreaking and exciting, will be less effective than it can be if it does not also look at improving quality.

For DC’s announcement to really have had teeth in it, and pit-bull like hang on staying power, they needed to release these 52 titles with a substantial number of amazing creative teams, and from the early solicits, I don’t see this happening.

The most high profile announcement of the new books is Geoff Johns and Jim Lee on the JLA.

Jim Lee’s style was interesting to me in the 90s, but I find it less so in the 2010s. I think part of that is… he’s not the artist he was 20 years ago, looking more like Lee acolyte Ed Benes… than himself, and paradoxically he’s enough of the old Jim Lee for his style to seem very dated. Of course that’s to me, there are huge fans of his, so no doubt the relaunched JLA will garner huge numbers. I just don’t think I’ll be among them.

Along with the art, another thing that raises early flags regarding this new JLA title… is the makeup of this new team. DC makes lip service to diversity, but tokenism is not diversity. First you remove John Stewart as the Green lantern, which is this generation’s Green Lantern (thanks to the JLA cartoon), and you fill it with a boring 70s lineup, and add Cyborg as a concession to tokenism?

I would prefer people not use any characters of color, then drag out just one Black character on a team. I hate seeing just one Black character on a team, give me at least two Black characters, or don’t do it at all. Because without exception that one Black character will be poorly and stupidly written.

And I dislike Cyborg in particular as a character. What is it with Black male characters in comics having to be missing limbs or in someway physically or psychologically damaged? What is that? for the writers to feel comfortable writing him? Be it Cyborg or War-machine over at the esteemed competition. Which is why if you’re going to do diversity, the mass media familiar John Stewart makes more sense than Cyborg, and toss in Vixen and/or Firestorm to go with him. Both characters offering a lot more to work with than the neutered Cyborg. Or don’t do it at all, because (say it with me) tokenism is not diversity.

And while we’re on the subject of Firestorm, what the eff is it with Black characters having to wear yellow? What is that about? You see all these sly little digs they get in? Even as a kid reading Power Man in the day, I was like…”he’s cool and all, but what the f–k is he wearing a big yellow shirt for?!” Even at age 7, I knew that just wasn’t kosher. I mean really? WTF?

Seriously, Mix non-people of color, writing people of color, and typically this is the kind of almost subconscious bs you get. Sad isn’t it? :)

Beyond the JLA, everything else mentioned suffers a bit from that underwhelming writer/artist syndrome that DC has.

Now I am interested in the MR. TERRIFIC comic announced, though I’m not familiar with the writer, and while the cover art is good, the interior art… not making me do handstands.

So yeah, it’s great that DC is doing this massive overhaul, and particularly pushing the digital distribution issue, but ultimately how ever you distribute the books… they have to be good, and if DC’s books, can’t currently compete with Marvel traditionally, digital delivery won’t change that.

DC will have the upper-hand for the time it takes Marvel to get a digital presence, but once the playing field is even again, DC loses again… unless they address the underlying problems with their comics. Those being: 1/ that they are still written for a white 1950s audience, rather than a multicultural 2011 audience, and 2/that they actively need to court the hot writers and artists, ala Marvel.

That’s the bottom line. There ain’t no more. I do wish DC well, and here’s hoping they evolve sooner rather than later.