DCs RELAUNCH! 52 Books coming in September! Tips on ones to get & ones to avoid!

DC has announced its lineup of 52 new titles starting September. As stated in my previous post DC is doing a lot of things right, with this publishing revamp of their comic-book line; namely pushing digital distribution, and creating new jumping on points to coincide with that distribution.

But the major thing I see DC Publishing (owned by Time Warner)is doing wrong is ignoring the root reason they were not selling books in the first place, which is that there books were not that good.

Their esteemed major competitor, MARVEL COMICS GROUP, has the better writers, and without question the superior artists. And I see very little in this revamp that addresses that quality problem.

You can see the full list of the 52 titles to be released in September here, and for the most part they look uninteresting at best, and 90s retread crap fodder at worst.

Uninteresting writers with very dated looking artists. And often artists, untried as writers, writing major characters?!! WTF?? Nice way DC to sabotage your own facelift/revamp.

You want to do a revamp and make it count then pay the money, and get the name writers, and the hot artists. Get the best. Liefield? Really??? God bless him, but really? That’s who you choose to launch a new book geared to galvanize and attract new readers? This is not the 90s.

SAVAGE HAWKMAN, good artist, but needs a name writer to get my money. Tony Daniels? Sorry, just don’t care. STATIC SHOCK, great character, no interest in that creative team… at all. NIGHTWING, TEEN TITANS, LEGIONS LOST, JUSTICE LEAGUE, FLASH, GREEN LANTERN books, most of the BATMAN books, most of the SUPERMAN books (Grant Morrison is too hit and miss for me to trust him monthly, I wait till his stories are collected and listen to the general feedback to see if he’s the good Morrison, or the hodgepodge one), all look like the poorly written, poorly drawn tripe no one was buying before.

Now the ones I think are (or could be)exceptions to DC’s general trend of mediocrity and lack of quality are as follows:

SUPERGIRL #1
Written by MICHAEL GREEN and MIKE JOHNSON
Art and cover by MAHMUD ASRAR
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
Meet Supergirl. She’s got the unpredictable behavior of a teenager, the same powers as Superman – and none of his affection for the people of Earth. So don’t piss her off!

The writers did good work on Batman/Superman, and I like the art.

VOODOO #1
Written by RON MARZ
Art and cover by SAMI BASRI
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T+
Who is Voodoo? Is she hero, villain – or both? Learn the truth about Priscilla Kitaen as she leaves a trail of violence across America. Discover the new DCU through her eyes, because the things she sees are not always what they seem

Ron Marz doesn’t do anything for me, but Sam Basri I consider one of the few great artists DC has (that Marvel hasn’t stolen away from them yet) and this book is worth getting for his art alone.

BATMAN #1
Written by SCOTT SNYDER
Art by GREG CAPULLO and JONATHAN GLAPION
Cover by GREG CAPULLO
Variant cover by ETHAN VAN SCIVER
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
Retailers: This issue will ship with two covers. Please see the order form for more information.
Be here for the start of a new era for The Dark Knight from writer Scott Snyder (AMERICAN VAMPIRE, BATMAN: GATES OF GOTHAM) and artist Greg Capullo (Spawn)! A series of brutal killings hints at an ancient conspiracy, and Batman learns that Gotham City is deadlier than he knew.

Only Batman book that has me really interested, and it is because of the writer, Scott Snyder.

BATWOMAN #1
Written by J.H. WILLIAMS III and W. HADEN BLACKMAN
Art and cover by J.H. WILLIAMS III
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
At last! Batwoman’s new series begins, from the multiple award-winning creative team of J.H. Williams III and Haden Blackman!
In “Hydrology,” part 1 of 5, Batwoman faces deadly new challenges in her war against Gotham City’s underworld – and new trials in her life as Kate Kane.
Who or what is stealing children from the barrio, and for what vile purpose? Will Kate train her cousin, Bette Kane (a.k.a. Flamebird), as her new sidekick? How will she handle unsettling revelations about her father, Colonel Jacob Kane? And why is a certain government

I had mentioned Sam Basri being one of DC’s great artist, here’s the other, the brilliant JH Williams III. Now whether he can write is another story, but I’ll definitely check this one out to see.

MISTER TERRIFIC #1
Written by ERIC WALLACE
Art by ROGER ROBINSON
Cover by J.G. JONES
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
The world’s third-smartest man – and one of its most eligible bachelors – uses his brains and fists against science gone mad in this new series from Eric Wallace (TITANS) and Roger Robinson!
Michael Holt is the head of a successful high-tech corporation and an institute that recruits and encourages the finest minds of the next generation to excel. As Mister Terrific he inhabits a world of amazement few others know exists, let alone can comprehend.

Premise sounds interesting, and I really like the character, but once again we have an unknown writer, and generally unknown, serviceable (but not awesome) interior artist. I’ll give it a try but have serious doubts.

JUSTICE LEAGUE DARK #1
Written by PETER MILLIGAN
Art by MIKEL JANIN
Cover by RYAN SOOK
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T
The witch known as The Enchantress has gone mad, unleashing forces that not even the combined powers of Superman, Batman, Wonder Woman and Cyborg can stop. And if those heroes can’t handle the job, who will stand against this mystical madness?
Shade the Changing Man, Madame Xanadu, Deadman, Zatanna and John Constantine may be our only hope – but how can we put our trust in beings whose very presence makes ordinary people break out in a cold sweat?

- I was going to pass on this book, but the artwork by Mikel Janin looks great, my only concern is a gaudy colorist could ruin his beautiful gray-scale washes/artwork. If they were smart they would use spot coloring and leave it mostly gray-scale.

SWAMP THING #1
Written by SCOTT SNYDER
Art and cover by YANICK PAQUETTE
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
One of the world’s most iconic characters has returned to the heart of the DC Universe, and every step he takes will shake the foundations of the Earth!
Alec Holland has his life back…but the Green has plans for it. A monstrous evil is rising in the desert, and it’ll take a monster of another kind to defend life as we know it!

ANIMAL MAN #1
Written by JEFF LEMIRE
Art by TRAVEL FOREMAN and DAN GREEN
Cover by TRAVEL FOREMAN
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
Buddy Baker has gone from “super” man to family man – but is he strong enough to hold his family together when Maxine, his young daughter, starts to manifest her own dangerous powers? Find out in this dramatic new series from writer Jeff Lemire (SWEET TOOTH) and artist Travel Foreman (The Immortal Iron Fist).

FRANKENSTEIN, AGENT OF S.H.A.D.E. #1
Written by JEFF LEMIRE
Art by ALBERTO PONTICELLI
Cover by J.G. JONES
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
It’s Frankenstein as you’ve never seen him before, in a dark new series from acclaimed writer Jeff Lemire (SWEET TOOTH) and artist Alberto Ponticelli (UNKNOWN SOLDIER)!
Frankenstein is part of a network of strange beings who work for an even stranger government organization: The Super Human Advanced Defense Executive! But can he protect the world from threats even more horrifying than himself? And since he’s vilified for who and what he is, will he even want to take on this mission?

—Scott Snyder, Jeff Lemire, interesting premises, and decent artists, what is not to like.

DEMON KNIGHTS #1
Written by PAUL CORNELL
Art by DIOGENES NEVES and OCLAIR ALBERT
Cover by TONY S. DANIEL
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T
Set in the Dark Ages of the DC Universe, a barbarian horde is massing to crush civilization. It’s fallen to Madame Xanadu and Jason Blood, the man with a monster inside him, to stand in their way – though the demon Etrigan has no interest in protecting anyone or anything other than himself! It’ll take more than their own power to stop an army fueled by bloodlust and dark sorcery, and some very surprising heroes – and villains – will have no choice but to join the fray!

STORMWATCH #1
Written by PAUL CORNELL
Art and cover by MIGUEL SEPULVEDA
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T+
They are Stormwatch, a dangerous super human police force whose existence is kept secret from the world Directly following the ominous events of SUPERMAN #1, Adam One leads half the Stormwatch team to recover the [INFORMATION REDACTED] from deep in the Himalayas. Meanwhile, Jack Hawksmoor and the rest of the Stormwatch crew look to recruit two of the deadliest super humans on the planet: Midnighter and Apollo! And if they say no? Perhaps the Martian Manhunter can change their minds…

— Both of these by Paul Cornell sound interesting

ALL-STAR WESTERN #1
Written by JUSTIN GRAY and JIMMY PALMIOTTI
Art and cover by MORITAT
On sale SEPTEMBER 28 • 40 pg, FC, $3.99 US • RATED T+
Even when Gotham City was just a one-horse town, crime was rampant – and things only get worse when bounty hunter Jonah Hex comes to town. Can Amadeus Arkham, a pioneer in criminal psychology, enlist Hex’s special brand of justice to help the Gotham Police Department track down a vicious serial killer? Find out in this new series from HEX writers Justin Gray and Jimmy Palmiotti, with lush artwork by Moritat (THE SPIRIT)!

-This is a great and proven creative team.

MEN OF WAR #1
Written by IVAN BRANDON
Art by TOM DERENICK
Cover by VIKTOR KALVACHEV
On sale SEPTEMBER 7 • 40 pg, FC, $3.99 US • RATED T+
On the ground and on the front lines, a young, headstrong soldier known as Joe Rock assumes command of Easy Company – a team of ex-military men turned contractors. Will they survive the battle-scarred landscape carved by the DCU’s Super-Villains? Find out in this explosive new series from Ivan Brandon (Viking, DOC SAVAGE) and Tom Derenick (JUSTICE LEAGUE OF AMERICA)!

-Premise has me interested, and Derenick is a good artist.

SUICIDE SQUAD #1
Written by ADAM GLASS
Art by MARCO RUDY
Cover by RYAN BENJAMIN
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T+
They’re a team of death-row super villains recruited by the government to take on missions so dangerous – they’re sheer suicide!
Harley Quinn! Deadshot! King Shark! Defeated and imprisoned, they’re being interrogated about their mission – and about who’s pulling the strings behind this illegal operation. Who will be the first to crack under the pressure?

-Not familiar with the writer but Marco Rudy’s work an ACTION COMICS was stellar

DEATHSTROKE #1
Written by KYLE HIGGINS
Art by JOE BENNETT and ART THIBERT
Cover by SIMON BISLEY
On sale SEPTEMBER 14 • 32 pg, FC, $2.99 US • RATED T+
“Friends die, family disappoints, but a legacy… That lives forever.”
Slade Wilson is the best mercenary in the DCU, and he’s been doing this a long time. Some might say too long. But they’ll learn: Never turn your back on Deathstroke the Terminator. He won’t quit, no matter how high the stakes. Kyle Higgins (BATMAN: GATES OF GOTHAM) and Joe Bennett (TEEN TITANS) team up to bring you the finest in mayhem and gore.


-An unknown writer, and the premise doesn’t fill me with confidence, anything that uses gore as a selling point is usually braindead, lowest common denominator tripe, but Joe Bennett (THE CREW) is a great artist, and I would like to be proven wrong on this one

LEGION OF SUPER-HEROES #1
Written by PAUL LEVITZ
Art by FRANCIS PORTELA
Cover by KARL KERSCHL
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T
The Legion of Super-Heroes has been decimated by the worst disaster in its history. Now, the students of the Legion Academy must rise to the challenge of helping the team rebuild – but a threat of almost unstoppable power is rising at the edge of Dominator space, and if the new recruits fail, the Legion Espionage Squad may be the first casualties in a war that could split worlds in half!

-solid creative team, so worth a look.

THE FURY OF FIRESTORM #1
Written by ETHAN VAN SCIVER and GAIL SIMONE
Art by YILDIRAY CINAR
Cover by ETHAN VAN SCIVER
On sale SEPTEMBER 28 • 32 pg, FC, $2.99 US • RATED T
Jason Rusch and Ronnie Raymond. These two high school students are worlds apart – and now they’re drawn into a conspiracy of super-science that bonds them forever in a way they can’t explain or control. The dark secrets of the murderous Dog Team and its Firestorm Protocol force them to put aside their differences to confront a threat so terrifying that it may lead to a new Cold War! Welcome to a major new vision of nuclear terror from writers Ethan Van Sciver and Gail Simone with astonishing art by Yildiray Cinar!

- I’ve seen some sample art by Cinar, and Gail Simone is a good writer and should keep Ethan’s ideas from imploding. Though from this premise sounds like this is a miniseries rather than an ongoing. Worth a look.

The Following are MAYBEs:

BATWING #1
Written by JUDD WINICK
Art and cover by BEN OLIVER
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T
Africa, a land of beauty – and of great horror. A land of creation and conflict. It is in desperate need of a defender, and from the ranks of Batman Incorporated comes a soldier to carry on the legacy of The Dark Knight in the most tumultuous region on Earth. Meet Batwing, the Batman of Africa!

I’m intrigued by this one, the premise sounds like a Bat take on Unknown Soldier, but I’m not sold on the art, and that costume is horrible. This one is a wait for the trade.

BATGIRL #1
Written by GAIL SIMONE
Art by ARDIAN SYAF and VICENTE CIFUENTES
Cover by ADAM HUGHES
On sale SEPTEMBER 7 • 32 pg, FC, $2.99 US • RATED T
Yes, it’s really happening!
Barbara Gordon is back as Batgirl – and she’s going to have to face the city’s most horrifying new villains as well as the dark secrets from her past. You won’t want to miss this stunning debut issue from fan-favorite BIRDS OF PREY writer Gail Simone!

Gail Simone has me interested, but not interested in the artists. I’ll wait for the trade.

CATWOMAN #1
Written by JUDD WINICK
Art and cover by GUILLEM MARCH
On sale SEPTEMBER 21 • 32 pg, FC, $2.99 US • RATED T+
Meet Catwoman. She’s addicted to the night. Addicted to shiny objects. Addicted to Batman. Most of all, Catwoman is addicted to danger. She can’t help herself, and the truth is – she doesn’t want to. She’s good at being bad, and very bad at being good. Find out more about what makes Catwoman tick in this new series from writer Judd Winick (BATMAN: UNDER THE HOOD) and artist Guillem March (GOTHAM CITY SIRENS)!

I do like the art on this one but not interested in the character. It’s a weak maybe.

Well those are the titles I think are worth a try, and you may agree. Try them and let me know.

Jason Aaron vs. Alan Moore vs DC Comics vs the History of Comics


I think most people are aware of this brouhaha.

But for those late to the game Alan Moore, was interviewed, as is wont to happen, and was asked about DC’s plan to do new stories in the WATCHMEN universe that he and Dave Gibbons created nearly 3 decades ago. Moore’s response was typical Alan Moore, both erudite and acidic and a bit tongue in cheek. Satire and epiphany are strengths not just of Moore’s writing, but his speaking.

Deconstruction is the term you typically hear in regards to Moore. But epiphany is more accurate. SWAMP THING and WATCHMEN and MIRACLE-MAN are often lumped under the lazy man’s term of deconstruction.

They are not.

Moore takes old tropes, and he twists it till you see it, in that rarest of ways, in a brand new light, until you get a moment of… clarity of purpose, not just about the character you’re reading about, but in some crazy way, you get a clarity of purpose about yourself.

Epiphany.

That’s what Moore does at his best, he gives you moments of epiphany.

And that Epiphany is in that interview he does with Adi Tantimedh.

Moore started his career with comedy, true comic strips, I would say he has forgotten more about humor than most people will ever know, except I don’t think he’s forgotten anything. So with this in mind, in the interview he responded to DC’s claim to be putting top-flight talent on these new Watchmen stories. He responded the way pretty much anyone would… with a bit of incredulity. But more than that with a valid question of, “if this talent is so top-flight, why don’t they create their own tales” (paraphrasing there), rather than try and retread Moore and Gibbon’s 25 year old tale.

I have to say, I think that’s a pretty valid question. You can read his post in Rich Johnston’s very nice summation of the issue here!

But when you do read it, you’re going to see it’s pretty typical Moore. And given his problematic history with DC, that they’ve treated him not exactly the greatest, for someone who has pretty much defined that company in the 80s, and his shadow, seemingly continues to define that company; it’s an understandable distrust/dislike he avows.

It’s hard to say, what building blocks if removed causes the house of cards to come tumbling down, but I would say for DC, that building block is named Alan Moore.

Alan Moore’s SWAMP THING, its success created Vertigo, buried the comics code, sanctified the idea of DCs hiring of British Talent, and his WATCHMEN would give birth to this idea of comic books as BOOKS. As Graphic Novels, as something worthy of true literary consideration. So arguably if Alan Moore’s SWAMP THING fails, then the idea of the British invasion fails with it, and you don’t get Neil Gaiman or Grant Morrison or Warren Ellis or Mark Millar or Garth Ennis, and DCs revitalization of the late 80s… is stillborn.

So even by the most jaded eye, what DC owes Alan Moore, cannot be overstated, or easily repaid. And even by the most jaded eye, DC has done a piss-poor job paying it.

So all that backmatter goes into Moore’s comments on DC ‘revisiting’ WATCHMEN.

And like stated Moore’s questioning of putting ‘Top-Tier’ talent on their WATCHMEN cash grab (let’s call it what it is) sounds like him quite rightly questioning what the hell that ‘catch-phrase’ means. Seemingly it’s a veiled attempt to placate users, that see messing with Moore’s opus may be a bit of heresy, by saying “we don’t have the original creators, but we’ll have top-tier talent”. To which, if it was my legendary property, I would have the same question Moore has, namely… “if they are such Top-Tier talent they surely have their own legendary story to work on. Don’t they?”

That’s the gist of Moore’s statement.

At no point does he mention any creator.

Yet Jason Aaron, gets so incensed, he states “Fuck You Alan Moore” and goes on a tirade. His tirade you can find at the link above. It is quite inexplicable. Since as pointed out, without Alan Moore you don’t get a Vertigo, which means you don’t get someone picking up Aaron’s THE OTHER SIDE, which means you probably don’t get Jason Aaron as a comic writer.

“F**k you Alan Moore”? seriously? Something in that article incensed anyone that much? Typically the only thing that gets people riled up that much, about an article their name is not in, is their conscience. They feel for whatever reason… the article is an attack on them. Seemingly they see a truth unspoken, except in their hearts. What truth Jason Aaron saw, what doubt or slight it called to mind, I don’t know. But whatever it was, I didn’t see it in the Moore article I read.


“Alan’s fight with DC Comics led to DC being much nicer to comic creators so as not to have a repeat performance. Their creator ownership/creator participant contract for certain titles, including Scalped, was a direct result of that. Indeed, Vertigo itself as a imprint owes more to Alan than any other creator. Without Alan, there wouldn’t be a Scalped – at least, not published by DC.

Alan generally does these kind of interviews in a very self deprecatory, ironic to[n]e. It’s the way he talks. I gave an example of that at the beginning of the interview, because I know how his words can be taken if read in a different manner. Try watching the video, then reading the piece again in that voice. When Alan is talking about the comics industry having no top flight talent – he’s including himself in that analysis. And I don’t think he’s blaming any creator for his problems, or the problems of a retro-looking industry, he’s blaming the companies.”— from BLEEDING COOL

Jason Aaron would perhaps be better served, by thinking clearly, and perhaps thoroughly, before he speaks, or types. Better yet, perhaps burying the hatchet with Alan Moore and apologizing would not be a bad thing for him to consider.

Being loud and outraged is easy. Being stand-up when you’re wrong is hard.

But it would win Aaron points in many people’s books, and I think even in his own.

I think Aaron, if he judges it quietly and well, must see he went off for no good reason, seeing an enemy where no enemy was. Aaron has proved he can be loud and think he’s right, unfortunately we all can do that (even Alan Moore who has had his own share of tirades); but can he be loud and admit when he’s been wrong?

I like Aaron as a writer. I thought his THE OTHER SIDE was great. I haven’t followed anything past the first trade on SCALPED, but have heard good things about it. And have caught his Marvel work sporadically.

He’s a good writer.

But I think you have to come to the plate with more than good, before you call down the thunder on someone who has done a lot better than good. Has done a lot better than great.

I’ve never particularly been a fan of the British invasion. I think people tend to forget that long before Moore or his ilk, writers like Doug Moench (hugely underrated writer) and Chris Claremont and Kraft and Giffen and Steve Englehart and Steve Gerber and Jim Shooter and Denny Oneil and JM DeMatteis were teaching the medium how to be better.

So I say the following, not being an Anglophile or British Invasion bandwagon rider, not being a particular fan of many British Writers. I say the following, being very glad we have great American writers like Brubaker, and Fraction and Hickman and Christos Gage, and Priest (get back to writing!) and Geof Johns and Greg Rucka and Joss Whedon and Johnathan Hickman and Robert Kirkman and… yes, Jason Aaron…, being very glad of all the aforementioned writers… I say: Alan Moore has been called the best writer in comics for one simple, undeniable reason… he is.

He has the work to back it up. Not everything he does is a home-run. His Avatar work… not a fan. But Moore’s missteps are few and far between, and his successes… will stand the test of time.

So bottom line, you don’t call out Stan Lee, until you’ve done what he’s done. And you don’t call out Alan Moore, until you’ve done, what he’s done.

So for one professional to go off like a crazy fan-boy to another professional, does nothing but put your own professionalism in doubt. If you thought he was slighting you personally, drop the man an email or give him a call, and get a clarification. But make sure you have reason to rant, before calling out an elder statesman of your medium.

It’s just common sense.

Perhaps not so common.