Today’s Webcomic of the day is GRAVEDIGGER, beautifully drawn noir tinged crime webcomic, starring a character that bears more than a passing resemblance to movie heist hardman Lee Marvin.
Well drawn and engagingly written. Check it out here!
Well drawn and engagingly written. Check it out here!
I watched the 1st episode and some of the Webisodes of a series called DOMINION, billed as a film Noir series, and enjoyed it.
I’m not typically a web-series type of guy, but I gave this one a shot and liked it. I’m waiting to hear back from the creators in regards to episode #2, but in the meantime view the existing episodes here.
Moonstone is a publishing company that most of you may not have heard of. Their specialty is pulp heroes and I’m a huge fan! Check out some pulp greatness that I bought from them today!
Rocking huh?! And to get those great issues check your local comic store, or pick all the SPIDER stuff collected here: The Spider: Judge, Jury & Executioner HC
Rather than the differences of these two films what strikes me is the similarities. Both are 1946 films. Both big budget A pictures for the time, with high profile directors (Lewis Milestone while a forgotten director today, for his time helmed many a top-tier film). Both successes, the films share that theme of young people and the great expectations the adults in their lives have for them, and what becomes of these children because of those… great expectations.
In David Lean’s seminal GREAT EXPECTATIONS the story is told from the boy’s perspective, (Pip played by Anthony Wager and John Mills) who meets a girl (Estella played by Jean Simmons and Valerie Hobson)who is also subject to…great expectations. Greater expectations even than his.
[A nice aside about the two young actors who played Pip and Estrella comes from Sean Axmaker of TCM. He writes:
'The most visually evocative scenes in the film, however, take place in Miss Havisham's shadowy mansion. [Pip] Summoned by the mysterious matron to her shuttered manor, he enters a Gothic haunted house that time forgot and finds an eccentric, possibly mad dowager in a rotting wedding dress, holding court in a musty throne room dominated by a decomposing wedding cake, a reminder of the day she was jilted at the altar. Havisham has sent for Pip to become a playmate for her ward Estella (Jean Simmons), an impertinent young beauty with whom Pip immediately falls in love. Apparently, young Anthony Wager [the Actor] also fell in love with [17 year old] Simmons (how could a thirteen-year-old boy with stars in his eyes not?) and even played the hero in real life. According to Simmons, her dress caught on fire from a candle she was carrying through a scene up a flight of dark stairs. “Everybody stood aghast, but Anthony came and tore it off me and put it out. This boy was the one who saved me.”]
In Lewis Milestone’s STRANGE LOVE OF MARTHA IVERS the story is told from the girl’s perspective, who (as in EXPECTATIONS) is molded by the expectations of a domineering matriarch who shapes her to marry for power and money.
“He wanted to make something of his son, and I was tied to them both from that time on… [He used my guilt to make me marry his son]. Sam you’re not going to go away again! I want you here, Sam! I’ve lived so much inside myself. So choked with wanting something else that lives and breathes, so desperate for air and room to breathe it in! Oh, please, oh please… stay here.”
—Barbara Stanwyck as Martha in THE STRANGE LOVE OF MARTHA IVERS
And in both films the course of those lives are neither easy nor straight, but undulating tales of loves deferred, and tragedies… born.
And both films were the first appearance of two future stars. GREAT EXPECTATIONS being the first film appearance of Alec Guinness, and STRANGE LOVE OF MARTHA IVERS being the first film appearance of Kirk Douglas.
[Guinness' performance is little more than a bit part, but Kirk Douglas is revelatory in his first screen role. Imbuing a difficult role, with a suffering that makes him neither hero nor villain... but something more sad, and memorable than both. But everyone gives strong performances in STRANGE LOVE, Heflin an oft dismissed leading man gives, perhaps his best performance here. Barbara Stanwyck adds some rare vulnerability to her tough as nails persona. However, arguably it's Lizabeth Scott's performance as Antonia Marachek, the one caught in the crossfire, that lets everything work in this film. That and the script of Robert Rossen (of ROARING TWENTIES and HUSTLER fame) that has to rank as one of his best.]
And finally the ultimate comparison, both films… come highly recommended. .
You can view THE STRANGE LOVES OF MARTHA IVERS online here.
And when ready to purchase there is a great Criterion DVD for David Lean’s film, loaded with special features. However, the various DVD versions of STRANGE LOVE OF MARTHA IVERS are, on the whole, bare-bones affairs, sporting no special features. Check the links below.
Hope you enjoyed today’s selections, and come back tomorrow for the much awaited next installment of… WEDNESDAY’S WORDS! Till then… be good.
‘When Bob [Robert Aldrich] was directing and he wanted me, he knew the best thing was to let me alone. He gave me the Mickey Spillane book KISS ME DEADLY (to adapt into a screenplay/movie) and I said, “This is Lousy. Let me see what I can do.” You give me a piece of junk, I can’t write it. I have to write something else. So I went to work on it. I write if fast, because I had contempt for it. It was automatic writing. You get into a kind of stream and you can’t stop.’
– A.I. Bezzerides, Screenwriter of KISS ME DEADLY–
I’m a huge fan of the film, and could never get into the Spillane novel. Spillane’s writing to me always seemed a ‘by-the-numbers’ take of the square jawed tough guy (and that might be an unfair assessment looking at his work from a 21st century perspective, perhaps his work just does not age as well as some other writers, however the movie is also of this period and I find it timeless), and what I like about the film is, between script and direction, it subverts all those tropes. However, try both film and book for yourself… and decide.
“DON’T TOUCH MY FEET!”
Andrew Stone’s 1953 film BLUEPRINT FOR MURDER
is a diabolical and surprisingly chilling film for the period, and still remains so. A subtle, understated film all the more effective and horrific for that understatement. Jean Peters gives a fantastic performance. And Joseph Cotton gives a typically compelling performance in a film that is unique by being not a “Who-Done-It” but a “How-to-Prove-It”. Tense and captivating, and builds to a riveting ending! Grade: B+.
John Ridley is one of the most versatile of writers, starting out doing writing for such shows as MARTIN and FRESH PRINCE OF BEL AIR he would follow that up with some of the most accomplished novels, screenplays, and films of the waning days of the 20th and new days of the 21st century.
For me his loose HARD LUCK pulp trilogy of STRAY DOGS, LOVE IS A RACKET and EVERYBODY SMOKES IN HELL are the books that made me a John Ridley fan. They are a series of exhilarating mystery novels, that share only a thematic sensibility but a successful one, of a hard luck or down on their luck protagonist, trying to navigate a world completely out of his control.
These would spawn two equally excellent films, Namely U-TURN based on STRAY DOGS and directed by Oliver Stone and starring Sean Penn and Jennifer Lopez, and COLD AROUND THE HEART written and directed by Ridley and starring David Caruso, Kelly Lynch and Stacey Dash, both excellent, intimate, dark noirs/neo-noirs in the vein of films such as BLOOD SIMPLE and THE POSTMAN ALWAYS RINGS TWICE.
Unfortunately both films were released in 1997, the year of Blockbusters such as TITANIC, GOOD WILL HUNTING, FIFTH ELEMENT, MEN IN BLACK, as well as the year of the crime film/neo noir JACKIE BROWN, LA CONFIDENTIAL, LOST HIGHWAY, THE GAME. It was just a case of bad timing, and these great movies getting squeezed out at the box office.
Unfortunately I think what the financial under-performance of the films, specifically COLD AROUND THE HEART robbed us of most, was more work from John Ridley as director. I think in any less big-budget heavy year, his COLD AROUND THE HEART would have done for him what ONE FALSE MOVE did for the career of Carl Franklin, or the aforementioned BLOOD SIMPLE did for the Coen Brothers.
As it is both films are available on DVD (unfortunately Director’s Commentary versions aren’t yet out there) and can be appreciated for the stylish and compelling films they are.
And they led into the next phase of John Ridley’s career.
-End of Part I-
For the sake of this article we’ll use the names Lacy/Zinberg interchangeably to discuss all his work. Because the same thread of conscience and passions are in his work throughout his career, and throughout his pseudonyms.
What separates Leonard (Len) Zinberg’s pulp fiction is his social conscience. A lifelong jazz lover, humanist, activist, and socialist, in addition to just thrilling fiction he also wrote on the social injustices of the day, even decades prior to donning the Ed Lacy moniker. His explosion on the pulp/mystery scene was an outgrowth of returning from the war to an America and a world, forever changed by atrocities human and atomic, and his need to support his family.
Being in a mixed marriage, a lover of Harlem night life, and a fixture of the music, literary and boxing scenes there, Zinberg’s mystery novels had an authenticity that many lacked. Like Chester Himes, he could speak on more than the tropes of the private eye medium, but use the medium to touch on larger insightful and incisive examinations of America.
In addition Leonard’s work was respected by some of the standout writers of the day, including voices as august as Ralph Ellison, who saw in Leonard’s writing someone with keen insight into the conditions and quality of Black life in America.
This is what Ralph Ellison had to say in 1940 about Leonard’s first novel WALK HARD, TALK LOUD-
“For several years Len Zinberg, a young white writer, has been producing short stories that reveals an acute and sympathetic interest in the Negro’s problems. In his first novel, WALK HARD, TALK LOUD Mr. Zinberg tells the story of a Negro Prize fighter. The writer is far more successful than most writers who approach Negro life from the outside, even those who command more art (Ernest Hemingway, for example, from whom Zinberg has learned much)…WALK HARD, TALK LOUD is an exciting first novel with plenty of action and suspense. Len Zinberg indicates how far a writer, whose approach to Negro life is uncolored by condescension, stereotyped ideas, and other faults growing out of race prejudice, is able to go with a Marxist understanding of the economic basis of Negro personality. That plus a Marxist sense of humanity, carries the writer a long way in a task considered extremely difficult: for a white writer to successfully depict Negro character.”
—Ralph Ellison, New Masses 17 Dec 1940
A prolific writer Leonard wrote numerous novels and hundreds of articles and short stories, however Zinberg is one of many writers whose work has all but been scratched from history, due in part to his socialist ties. A victim of the age of the red scare, his work has been little adapted, and has been largely out of print for decades. Though the rise of Ebooks are allowing this author and his body of work to start to reach a new generation, in an affordable manner.
Indeed to illustrate his new visibility, it’s become commonplace on the Internet to credit Ed Lacy with writing the ‘first credible Black PI’ for his Toussaint M. Moore character that appeared in 1957s ROOM TO SWING.
The only problem with that assertion is… it’s incorrect.
People online simply parroting an uninformed comment posted first, seemingly, on the MysteryFile website, and picked up by those who are perhaps a bit too lazy or too unprofessional to do due diligence to verify their borrowed ‘truths’.
Here’s the thing ‘First credible Black PI’? What exactly is that supposed to mean? Lacy/Zinberg didn’t create the first Black PI, credible or otherwise. Credible, seemingly code for ‘it was created by a White person’.
Being a bit facetious there, but the point is there were quite a few Black PI characters, by Black writers prior to Zinberg’s addition to the field..
Most notably Rudolph Fisher’s character of Dr. John Archer appearing in 1932s THE CONJURE MAN DIES:A MYSTERY TALE OF DARK HARLEM, which given Leonard’s interests he was probably very familiar with, and a fan of, before embarking on his own writing career.(no doubt not ‘credible’ because Archer in addition to solving crimes in his off time, is a Doctor? Hate to break it to you… you being the ‘credible’ crowd, but the Black gentleman who wrote the character of Dr. Archer was in addition to being a writer, also a Radiologist, and a Musician. He was if anything, more extraordinary than his fictions)
Rudolph Fisher, who’ll I’ll be doing an upcoming post on, was a true renaissance man, in his short life. The 1920s seeing the blooming of many a brilliant man of color, and Rudolph Fisher, a guiding light of the Harlem Renaissance, was certainly one of the pivotal figures of the 20s and early 30s.
So I just wanted to clear up that ‘credible PI’ comment. Which is really just denigrating double-speak for, ‘we’re going to give you (Zinberg- a socialist we don’t like anyhow) a backhanded compliment, and at the same time disparage Black writers who came before you because, they are Black and we don’t think anything they write is credible”, it’s just a staggeringly brain-dead comment, that insults Zinberg and writers as varied and acclaimed as Rudolph Fisher.
Preserve us from moronic catchphrases taken up by parrots; I’m reminded of the catchphrase ‘refugees’ that was on every newscasters teleprompter during Katrina. It just shows that we are perhaps more a propaganda nation, in line with Germany of the 30s, then we choose to recognize or admit. The bane and death of a free society, being a compromised mass media.
Okay, having taken umbrage with that comment and shot it in the heart, as it so richly deserves, let’s get back to Zinberg proper. By all means read the works of Leonard Zinberg/Ed Lacy and enjoy them, there is much to enjoy and he deserves to be rediscovered. But he deserves discovery not for the bs reasons the lazy and bigoted try to coin, but for the real reasons of he was a gifted writer, with a real social conscience, and something to say about folly and fools.
And surviving them.
Here’s an excerpt from his 1957 Edgar Award Winning novel ROOM TO SWING:
I BROKE par in Bingston. It’s a little town of a couple of thousand in southern Ohio and you can take in the entire town in about three minutes. It took me less than a minute to learn all I wanted to know—that I’d made a mistake coming here.
The main drag looks bigger than it should because they get a lot of trade from nearby farms. I parked my car in front of the largest store—a drugstore—and went in. The few people passing stared at me like I’d stepped out of a flying saucer. Okay, even though my Jaguar is an eight-year-old job I picked up for six hundred bucks, any foreign heap attracts attention. A fact which was worrying me nuts at the moment; attention was the last thing I needed.
I was a positive sensation inside the store—everything stopped dead still. The fat soda jerk stared at me with disbelief, a guy having breakfast at the counter spun around, toast in mouth, and made big eyes, the druggist was getting some mail from an old Negro postman and they both looked startled. It was a well-stocked place, more like a general store. I saw the phone booths and walked over. The Bingston phone book is about the size and thickness of a Broadway theater program. There wasn’t any May Russell listed.
Figuring there had to be more to the phone book than this booklet, I started toward the soda jerk to ask. He reacted like a ham actor, his round face showing horror, then a fat grin of relief as he glanced at the door. I turned to see a cop coming at me, coming fast. Some small-town cops sport musical-comedy uniforms. This one was a stocky, middle-aged joker in high-polished black boots, gray breeches with a wide purple stripe down the sides, leather wind-breaker with the largest badge I ever saw, and a kind of cowboy hat. There wasn’t any doubt as to why he was coming; his gun was loose in its holster and he was actually holding a billy in his right hand. I didn’t see how they could be looking for me so soon, but my stomach began turning somersaults. I got set; if I could flatten this cop and make the door I was safe.
The mailman was suddenly in my way, both hands on my right fist as he whispered, “Relax, son.”
“Get out of my face!” I said, pulling my hand away. The cop was on top of us. The mailman nodded at him and said, “Hello, Mr. Williams.”
“Hello, Sam. Anything for me?”
“I left a few letters at your office,” the postman said, still blocking me.
The cop asked me, “Stranger in town, boy?”
“Yeah.” I’d been called boy more times in the last half a dozen hours than in my whole life.
“That’s what I thought. I’d better explain a few things to you.”
“What things?” I said, my eyes on his billy hand. I pushed the mailman out of the way but the damn fool stepped right back in front of me.
“What you doing here, boy?”
“Looking in the phone book. That against the law?”
“Nope. I thought maybe you was thinking of eating in here. Being new, maybe you don’t know it ain’t the custom for colored to eat in here.”
I got a little mad and I relaxed, almost sagged with relief. I was still in the clear. The crazy thing that stuck in my mind was that this cop had a kind face, and if anything, he was talking very gently —with the billy ready for action. I told him, “I wasn’t planning on eating the phone book.”
— ROOM TO SWING by Len Zinberg (witing as Ed Lacy) 1957
Room To Swing: Only a Few Copies left in stock. Price your copy here!
It’s a good place to start, but definitely don’t neglect Zinberg’s other work, including his pre-war time stories and novel.
Now I love traditional books, it’s my preferred way of reading books. That said, for some books, specifically the vintage paperback with faded pages, a digital version, where you can adjust font size and brightness to your leisure… can be a boon.
On the PC I recommend Calibre. It’s a software ereader for your laptop that works great. For the tablet I recommend using Alkido Ebook reader. Both are pretty fantastic.
Use my links to see my recommended tablet, laptop, and software options.Your purchase through my links, give this blog additional pennies to keep me publishing. So I definitely appreciate those of you who help me out by ordering items through my links. It really does make all the difference.
Getting back on topic, here is today’s must read Ebook.
Whip Hand by W. Franklin Sanders/Charles Willeford (Gold Medal, 1961)- Well obviously no one is going to mistake a book with such a salacious cover for War and Peace, however that said this novel, credited to Franklin W. Saunders was actually ghost written by the acclaimed cult writer Charles Willeford, and the first chapter… surprisingly great. I just blew through it. If the other chapters are that solid, this is going to be a good read.
I think the first chapter may hook you as well.
BEST TABLET EREADER! Better than Kindle, more useful than an Ipad! Archos 101 G9 16GB – Turbo- To save money you can go for the G8 version, and/or get one with 8GB as opposed to 16GB. At $250 it’s a great deal!
HP ProBook 4530s XU015UT 15.6″ LED Notebook (2.1 GHz Intel Core i3-2310M Dual-Core Processor, 4 GB RAM, 320 GB Hard Drive, DVD+/-RW SuperMulti DL LightScribe, Windows 7 Home Premium 64-bit)- Laptops are potentially going to start climbing in price. Get a great one now. This HP is a particular winner in that it supports Linux better than most laptops.
Sure sign of the apocalypse… a blogger recommending other bloggers and related pop-culture sites.
But seriously my bookmarks tend to get very bloated over time, so this exercise is more than anything to help me define what sites I should keep, and that I need to visit more routinely. And if in addition to that stated purpose; this overview also comes as handy and helpful guide to one of you reading this… then so much the better.
Okay onto it:
SECRET DEAD BLOG- I have only read one thing by writer Duane Swierczynski, and that was his MOON KNIGHT annual of a year or so ago. What I read impressed me, and as his blog shows he has impeccable taste in all things pulp and horror, I try to remember to peek in on his site occasionally. Good stuff. Of his books, I think I’ll give his WHEEL MAN, THE CRIMES OF DR. WATSON INTERACTIVE BOOK, and MURDER AT WAYNE MANOR INTERACTIVE BOOK a try (I was a fan of those choose your own adventure books as a kid. So these sound like they would make good presents for nieces and nephews. I’ll have to read them and confirm they are age appropriate). But with a stack of books that includes 4 Chester Himes books, 12 Cornell Woolrich, 3 Charlie Huston, 1 Walter Mosley and my usual mountainous stack of comics and magazines…it may be a bit before I get to WHEEL MAN. We’ll see.
THRILLING DETECTIVE- This site covering all things noirish, hard boiled, and pulp-fiction inspired has for about ten years been a regular member of my bookmark lists. It is just a staggering and valuable resource for all mystery fans out there, whether your particular poison be radio, movies, tv, comics or dare I say it… novels. And with their extensive link section it really is your one stop shop for anything mystery related. Highly Recommended!
Hard-Boiled Forum recommendationsThis is actually an old Bulletin Board thread, but has some really nifty recommendations for Hard-Boiled books and films. I’ve tried a sizable # of the recommendations.
Woolrich TimelineI consider Cornell Woolrich to be one of the most phenomenal writers of the 20th century, his writing style transcends what he writes about, or transforms it… so that acts of murder or the mundane become instead, in his words, dizzying moments of grace, or alien acts of birth. He is the pragmatist as romantic, and thankfully his output (writing under 3 different names) was nothing short of staggering. And he was one of the few writers who was as good at the novel as he was with the short story, which gives me quite a body of work to sample. I find this page very helpful in determining the chronology of Woolrich, and therefore the next Woolrich story to go hunting for.
Paula Woods is a reviewer/editor turned acclaimed mystery writer. A few years ago (wait… has it really been 13 years?!), Paula Woods put together one of my favorite anthologies in 1995′s SPOOKS,SPIES, AND PRIVATE EYES: BLACK MYSTERY, CRIME, AND SUSPENSE FICTION OF THE 20TH CENTURY. Along with Harlan Ellison’s DANGEROUS VISIONS it’s one of the best anthologies I’ve come across, and long overdue. Long out of print it’s a title I always pick up copies of, when I come across them, usually to hand out as gifts. Both historically relevant, as well as plain intriguing you might find it an equally compelling gift for the Mystery Lover in your life. Highly Recommended!
And let me just wrap this surprisingly time consuming post up, with a recommendation on what I’m reading right now. I’m 59 pages into Charlie Huston’s first novel CAUGHT STEALING. In a word… phenomenal. Terse, effective, almost stream of consciousness in how information is presented, 1st person narrative, that toys with time and perspective, to gripping effect. So far CAUGHT STEALING is a home-run. that completely works.
Okay that’s all for now. More later!