Podcast of the Day: SIDEBAR interviews Artist Extraordinaire Thomas Blackshear

Podcast of the Day: SIDEBAR interviews Artist Extraordinaire Thomas Blackshear

I’ve praised SIDEBAR before. along with shows such as COMIC GEEK SPEAK, B-MOVIE CAST and 11 O’CLOCK COMICS, it’s a show that I’m always thrilled to get new episodes of.

And this Blackshear episode is a MUST listen. Just brilliant, informative and fun

(it does segue-way a bit into the artist’s faith and I, being a well-known heathen, that part of the conversation does nothing for me.

This idea that God’s going to listen to your request for royalties, or what painting to paint, in a world where he doesn’t give a damn if people get massacred in Rwanda, or children starve in Philadelphia, has always struck me as an uncomfortable combination of misplaced ego, conceit and bullshit.

But hey, I get the same reaction when football players or boxers or any athlete thanks God, for their win, as if God has nothing better to do in a world drowning in blood, than give a damn who wins a sporting event.

So yeah that bit of the conversation while I don’t embrace it, neither do I mind it, people believe what they believe, I let them, and take from the conversation what does work for me. And there is much to take away from this conversation.)

Listen to this 68 minute podcast here, and you can thank me, and them… when you’re done. :) Tell them HT sent ya!!

And you can subscribe to their great show by using this RSS feed in your podcast player of choice. :) !

TOP 15 FAVORITE DVD Commentaries! Part 3 of 3!

Completing (Yay! Finally!!) the list of 15 favorite DVD commentaries!! Here are selections 11-15.

THE LION IN WINTER- A seminal film, the finest performances of all involved and commentary by the director, Anthony Harvey. The Lion in Winter

T-MEN/RAW DEAL- Not a commentary per se, the excellent 2 part DARK REFLECTIONS audio/video essay by mystery writer Max Allen Collins is a must listen as it examines two of the best films by the legendary team of director Anthony Mann and Director of Photography John Alton. Very, very informative covering film noir, Dick Tracy, Eisner’s Spirit and more.Anthony Mann Film Noir Double Feature: Raw Deal/T-Men

DESCENT- 2 director commentaries, one with cast, one with crew. The crew commentary is more than a bit bland, the cast commentary is definitely more lively with a bunch of giggling, possibly tipsy, actresses, and it takes a bit to determine who is who, but still an enjoyable insight into this fantastic film. The Descent (Original Unrated Widescreen Edition)

SEVEN- no less than 4 great commentaries to choose from! Seven (New Line Platinum Series)-this is the only version that has all four commentaries

KING OF NEW YORK- great commentary by maverick director Abel Ferrara.King of New York (Special Edition)

Well that’s it! The wrap up of the 15 Favorite Commentaries!! The links to previous sections are below, and feel free to suggest your own favorite commentary!

Thanks for viewing and if you like this post, take the time to give a ‘like’ and also take the time to purchase using the links provided.

Thanks!:)!

Here’s Part I!

Here’s Part II!

TOP 15 FAVORITE DVD Commentaries! Part 1 of 3!


“She loved me. That’s the root of the business. But she knew… she knew I thought more of my wife’s footprint in the mud, than I did of her body and soul.”
— A fantastic performance by Ciaran Hinds as Jim Browner, telling Holmes about the sister-in-law who connived to destroy his marriage, with tragic results. From THE MEMOIRS OF SHERLOCK HOLMES adaptation of THE CARDBOARD BOX.

The Memoirs of Sherlock Holmes Collection
Sherlock Holmes: The Complete Granada Television Series

In this age of streaming and Netflix, the DVD/Blu-ray is still the format of choice for those who want to do more than ‘see’ the movie, but explore it and enjoy it. I’m speaking of special features.

Specifically Director’s Commentaries.

As a rule I don’t purchase DVDs/Blu-rays, unless it is a movie or series I intend to watch more than once. And as such a director’s commentary is an essential part of the DVD for a film fan such as myself.

I can watch the DVD once for the program, then go back and watch it for the cast/crew insights into the film. So that said, what are the best DVD/Blu-ray commentaries?

Best is a problematic designation, so let’s go with favorite… here are my 15 favorite DVD commentaries:

Images
The Long Goodbye

Robert Altman’s IMAGES/THE LONG GOODBYE- I put these two films together as one, because they are Robert Altman at his most experimental, and to my mind, while not his biggest or most lavish or most acclaimed films, IMAGES and THE LONG GOODBYE are his most interesting and stylish and surreal films (and they also sport two of the most amazing, experimental scores).

They are my favorite Altman films. And while endlessly watchable on their own, the excellent special features push them over the top. While not really a commentary, the films instead sport brief interviews with Robert Altman, but such informative and formative interviews. Altman gives a great insight into the division of labor between Director/Writer and Actor, and how as a writer a work is 2D, and it is incumbent on the actor and others to make it 3D, to bring it to life. Between the film and the interviews, it’s a class on film-making, for the price of a DVD.

And next…

Michael Mann and Tony Scott are two of my favorite directors, they make fantastic films, and their commentaries are full-on clinics in film-making. So just about any movie they make, I purchase as much for the commentaries… as the film. So you can easily fill a top ten or twenty list with just these two directors.

But for the sake of brevity we’ll limit each director to just one:

Michael Mann’s MANHUNTER [There are numerous DVD and Blu-ray versions of this film, but the link below is the only DVD that sports the Michael Mann DVD commentary.]
Manhunter (Restored Director’s Cut Divimax Edition)

[And as honorable mention check out Michael Mann's COLLATERAL, from covering using the digital camera to the landscape of mercenaries, to the actors, it is just a riveting commentary. Collateral (Two-Disc Special Edition)]

Tony Scott’s MAN ON FIRE showcases two excellent commentary tracks.
Man on Fire

Another one of my favorite directors is Werner Herzog, and his commentaries are always things of high drama and art onto themselves. Everyone of his films are worth owning as much, and in some cases more for his commentary. Just a fascinating director, and a fascinating man.

Like Mann and Scott, every one of his commentaries could fill a best of list, but again for the sake of brevity we’ll narrow it to one.

AGUIRRE WRATH OF GOD- cause it’s always entertaining hearing him discuss Klaus Kinski

Werner Herzog and Klaus Kinski: A Film Legacy

Werner Herzog Collection

DEVIL IN A BLUE DRESS- Put together a novel from one of my favorite writers, a few of my favorite actors, and one of my favorite directors in Carl Franklin, and you have a movie that makes anyone’s purchase list. Add a riveting commentary from director Carl Franklin, and you have DVD as film and film-experience.

Devil in A Blue Dress

And rounding out the first five for this list of 15 Favorite commentaries is

THE COMPLETE FARSCAPE- People who are fans of this show, a show that at its heart is this great love story, are fans because they are so connected to the characters that the actors and writers bring to life. Outside of possibly BABYLON 5, FARSCAPE is the most emotional and best acted show of the fantastic (Browder giving wrenching, award worthy performances). So the chance to reconnect with these shows, especially by listening to Ben Browder and Claudia Black, who obviously have as much chemistry off screen as they do on… is just a joy. Even lukewarm episodes of FARSCAPE, rare but they do exist, are made ‘must-haves’ by the commentary. A fantastic series, adorned with fantastic commentaries.

Farscape: The Complete Series [Blu-ray]
Farscape: The Complete Series

So that’s it for the first five favorite commentaries. Join me in the next installment as we cover #s 6-10! And in the interim feel free to leave comments about your favorite commentaries.

WIZARD WORLD Philadelphia 2012 Convention! Pt 2 of 2!

Well finally the much prophesied final part of my Wizard World Philadelphia 2012 coverage is here. You can see the first part here.

First some sights of us gassing up and on the road to Philly:

So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!

One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :) )

So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.

So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.

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Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.

This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.

On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.

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My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.

With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)

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One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.

Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.

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I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ‘em HT sent ya!

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One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.

You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :) ) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.


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Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! :)

Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. :)

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In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!

And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.

Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.

Podcast of the Day: Agony Column interview with Walter Mosley!

Podcast of the Day: Agony Column interview with Walter Mosley!

A great interview by Rick Kleffel with Walter Mosley in full on brilliant mode discussing his new GIFT OF FIRE omnibus novels. Covers everything from Philip K. Dick to Hegel to Christ to creation myths to Darwinism to Jazz to the American Prison System. Listen to it here and thank me and the Agony Column later! :)

Subscribe to the Agony Column podcast here.

PODCAST OF THE DAY: SIDEBAR CAST EPISODE #177

PODCAST OF THE DAY:

SIDEBAR CAST EPISODE #177: Interview with Storyboard Artist Warren Drummond- Fantastic and fun interview he covers entertaining anecdotes and stories touching on everyone from Denzel Washington to Harrison Ford to Ron Howard to John Singleton to Bruce Lee to Kathryn Bigelow! It’s just great.

Listen to it here!

MONARCHS OF MAYHEM April LineUp!!

I’m really happy to bring you guys over the next week and weeks… incredible insights into some of the industries premier talents and creators.

I provided a questionnaire, that was suitably HEROIC TIMES insane and some amazing writers and artists picked up the gauntlet and made time in their VERY busy schedules to provide you, lucky reader, with must-read responses!

I’ve read some of the responses. WoW. They are pretty darn great! As well as being intriguing looks at each creator, they also introduce you to their loves and influences and recommendations. It’s just fantastic stuff from some of the most exciting creators of pulp and weird fiction.

So far we’ve done MONARCHS OF MAYHEM interviews with LR Giles, Derrick Ferguson, and Maurice Broaddus. Applause to all of the writers for their time and their wit,

Here’s the schedule for the writers coming up in the next couple weeks:

RICHARD GAVIN 3 April 2012

DAVID ANTHONY DURHAM 10 April 2012

RON FORTIER 17 April 2012

WRATH JAMES WHITE 24 April 2012

Additional writers and interview dates will be posted as they are ready.

Also the nest WEDNESDAY WORDS is 4 April 2012. Yep that does not leave me a lot of time.

So lots of great content coming up.

Mark the dates down, and come back and have some fun! And if you can, please utilize the links in previous WEDNESDAY WORDS segments to a/get great stuff and b/help support this blog. Every referral penny keeps the doors of Casa Heroic Times open. Thanks!

DVD Review: THE CAPTAINS written & directed by William Shatner

I just watched William Shatner’s THE CAPTAINS. Oh My God!

It is jaw dropping unbelievable. It’s like a god damn train wreck. Avery Brooks either has dementia or is on a different dimension (and I say that with no joy, being a huge Avery Brooks fan, but yeah his portions are cringe inducing), Shatner is attacking and trying to make Kate Mulgrew and Patrick Stewart cry. He’s openly jealous and arm wrestling Chris Pine. The only one he kinda gets along with is Scott Bakula, and mostly because Bakula feeds into his ego, and the rest of the episode is William Shatner going down memory lane and shamelessly looking for compliments at every turn.

It really is painful to watch at times, and I say that, also being a huge fan of William Shatner. That said, when Shatner’s ego and showmanship gets out of the way, it’s good viewing. The convention riff at the end is a lot of fun. And there is some good moments between Stewart and Shatner. And good revelations between Mulgrew and Shatner.

All in all, train-wreck moments aside, it’s incredibly important what Shatner has written and directed here. The cringe worthy moments accepted, endured, fast forwarded… at the end of the day, we’re all better for Shatner having immortalized these reminisces. In many ways it’s William Shatner’s last word on the iconic character he created.

Shatner a man perhaps feeling distinctly his mortality, making a concrete capper to his career and his life. Much of this is a vanity project, an auto-biography of self, window dressed as an interview with others. William Shatner utilizes the other actors to tell his story.

William Shatner trying to immortalize his place in this enduring mythology called Star trek, to not be lost in this new Christopher Pine age. So on that level, THE CAPTAINS is at heart a very selfish vanity project.

However, that said, Shatner does his homework, and does allow actors to come to terms and discuss arguably the most iconic role of their respective careers. And it does, by weight of just the actors involved, become a bit of cinematic history, as none of the actors are getting any younger and this film is arguably the last time all six of the actors who played the role of Captain will ever share a film together.

And to have William Shatner helm such a meeting, well… all things said… who has more right to do so.

It deserves at least a rental, and for those who count themselves as fans, possibly a purchase. It’s worth a look and has by its very nature become something that will, its relative quality issues aside, stand the test of time. Forty years from now when only Chris Pine, and the captains that follow him remain, people will dig out this film, to find out who Shatner and Stewart and Brooks and Mulgrew and Bakula were.

And if that is Shatner’s gift to himself and his family, at the end of the day, it’s also a gift to us, a gift to posterity. There are worse gifts to get.

MONARCHS OF MAYHEM: AN INTERVIEW WITH DERRICK FERGUSON


“Fortune nodded pleasantly at those who acknowledged his presence. There were many who did not. A significant number of who had enjoyed the hospitality of Fortune’s gambling ship and had drunk champagne with him and laughed at his jokes. But here, they looked right through him as though he simply were not there.

Fortune wasn’t offended. Despite his wealth, his obvious culture and intelligence, he was still a Negro and therefore, even though his wealth afforded him access into company such as this, he would never be truly accepted by them.

And showing up at a function such as this, even though he was invited…well, most here would treat him as a novelty and others as a bounder. And as for having a white woman on his arm…there were some here in their finery and jewels and aristocratic bearing who cheerfully would have hung Fortune from the nearest tree for such an insult to their delicate sensibilities. But the bottom line was this: he was providing them a service. An outlet to indulge themselves at night but deny in the light of day. And providing that service discreetly was armor more protective than any forged by the finest of iron workers.”
The Adventures of Fortune McCall

Derrick Ferguson hails from Brooklyn, NY which as all right thinking people know is the true and proper Center Of The Universe. The son of Leroy and Corine Ferguson, he was introduced by them to movies and books which soon became the twin passions that ignited his desire to tell stories of his own. Inspired to become a rule-breaking writer, he dedicated himself to learning the rules so that he might break them more fully and artistically. Derrick’s manic obsessions are carefully monitored by his wife, Patricia.–Bio


What impresses me about Derrick Ferguson is just the broadness of his interests and passions, and how all of that informs his work.

With interests that range from old radio shows to classic pulps to comic books to science fiction to movies, as well as being a pioneer in the fields of pod-casting (as co-host of the fun film pod-cast BETTER IN THE DARK with Thomas Deja) and E-books, Derrick Ferguson is a writer and creator who combines the best of the old, with the sophistication of the new.

And I was honored to have him consent to the following. He is a wealth of knowledge, and it all comes across in the great answers provided below. Check the links as he gives a clinic on great writers, books, and films for you to search out and get. Enjoy!!

“Written in the fashion of the classic pulp novels made popular by characters such as Doc Savage and The Shadow, author Derrick Ferguson has created a new adventure hero whose toughness and bravado will be long remembered after you finish reading this book.”- GOOD READS on the Dillon Books

HT: What is your favorite genre or genres?
DF: Well, quite naturally, given the stuff I write my favorite genre is pulp action adventure. I’m also a lover of science fiction, western and detective/spy fiction.

HT: What is the favorite thing you’ve written?
DF: Right now I’d have to say that “Dillon and The Judas Chalice” which is in the anthology FOUR BULLETS FOR DILLON is my current favorite. I’m usually not entirely satisfied with my work but that story I point to with pride and say without any hesitation that it’s a damn good story.
Four Bullets for Dillon

HT: Name 5 classic or genre writers who inspire or impress or influence you?
DF: Lester Dent. Robert R. McCammon. Charles Saunders. George C. Chesbro. Robert E. Howard.

[Lester Dent created and wrote pulp hero DOC SAVAGE, some books by or about him are:

The Revised Complete Chronology of Bronze

Doc Savage Omnibus, Vol. 1: The All-White Elf / the Running Skeletons / the Angry Canary / The Swooning Lady

Honey in his Mouth (Hard Case Crime)

George C. Chesbro is known for:
Shadow of a Broken Man

And for more Charles Saunders greatness see our coverage here!-- HT]

HT: Name some current or new writers, whose work you’ve recently read or discovered that impressed you.
DF: Wayne Reinagle: He’s emerged as one of the truly distinctive voices of New Pulp. He writes truly epic stories spanning generations of adventure. He writes the New Pulp equivalent of “Gone With The Wind” and as good as the books he’s already written are, I believe that he’s got even better books ahead.

Paul Bishop and Mel Odom: These two gentlemen are singlehandedly bringing back the boxing pulp genre with the FIGHT CARD series. When most people think of Pulp, they think of characters such as Doc Savage, The Spider, Conan or The Phantom Detective. But a multitude of genres came under the umbrella of pulp adventure and boxing pulp was one of the most popular.

Milton Davis: a writer and editor of enormous drive, talent and passion who I feel is the natural successor to Charles Saunders in the field of Sword and Soul. For those of you who don’t know, Sword and Soul is heroic fantasy fiction based on African culture, history and mythology. In recent years Milton Davis has been tireless in expanding this genre and bringing it to mainstream attention.

Meji Book One
Meji Book Two
Griots: A Sword and Soul Anthology

Valjeanne Jeffers: she’s an important voice that has brought me back to reading science fiction which I’ve been neglecting for some time now. But her work isn’t just science fiction. She blends fantasy and horror in a wonderful mixture of truly well-written and compelling prose.
Immortal

HT: Going along with the above name an author or authors (either new or old) who you think don’t get the attention they deserve, and everyone should be reading?

DF: Robert R. McCammon has never gotten the credit he deserves. He is quite simply one of the most amazing writers I’ve ever read. His SWAN SONG is easily just as good as Stephen King’s THE STAND. STINGER is a book I’d have sold a kidney to be able to write. And THE WOLF’S HOUR is one of the best pulp adventures written in the past fifty years.

Swan Song
Stinger
The Wolf’s Hour

George C. Chesbro is a writer who through his own work which blends the hardboiled detective/spy genre with mysticism, science fiction, mystery, martial arts and the supernatural taught me not to be afraid of mixing genres together.

Charles Saunders is a creative powerhouse that I frankly am in awe of. His IMARO series should be required reading for anybody who wants to write heroic fantasy/sword-and sorcery.

HT: Name 2 or 3 of your favorite horror short stories.
DF: Robert E. Howard’s “Pigeons From Hell”
Stephen King’s “The Jaunt”
Ray Bardbury’s “Mars Is Heaven”

HT:Name 5 Favorite films, horror or otherwise.
DF: I’ll give you my five favorite horror films first:
“House on Haunted Hill” (1959)
“The Haunting”
“Night of The Hunter”
“Angel Heart”
“Phantasm”

And here’s my five favorite films. At least for right now. Ask me the same question a couple of days from now and you’ll probably get a completely different list. Here goes:
“The Ten Commandments”
“Indiana Jones and The Temple of Doom”
“Once Upon a Time In The West”
“Blazing Saddles”
“Jackie Brown”

HT: What do you think can or should be done to get more writers producing genre fiction?
DF: First and foremost, writers should write whatever they feel compelled or driven to write. To do otherwise would not be true to the desire of their particular creative muse. And there is a considerable number of writers… who are producing genre fiction. It’s just that readers aren’t reading it. And that’s not an indictment against readers at all. Money is tight and times is even tighter. Writers… are struggling against other forms of entertainment such as video games, the Internet, cable/satellite TV with 500 channels, Netflix, Hulu… you get my point.

HT: And finally in closing with a little less than 11 months left in 2012, what are you looking forward to?
DF: Sleeping less and writing more.


I want to thank Derrick Ferguson for some excellent insight into the medium, and introducing myself and others to voices we might otherwise have missed. And please show your support as well, by using the links and treating yourself to some great films and books including the following:

Dillon and the Voice of Odin

The Adventures of Fortune McCall

Dillon and the Legend of the Golden Bell