Deal / Collectibles of the Day!! CABINET OF CURIOSITIES!


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Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions

Cabinets of Wonder

Diableries: Stereoscopic Adventures in Hell

Diableries: Stereoscopic Adventures in Hell Hardcover – October 19, 2013
by Brian May (Author) , Denis Pellerin (Author) , Paula Fleming (Author)

A devilish 1860s sensation – finally unleashed on the 21st century! In France, around 1860, from the loins of a traditional national fascination with all things diabolical, was born a new sensation – a series of visionary dioramas depicting life in a strange parallel universe called ENFER – Hell – communicated to an eager audience by means of stereoscopic cards, to be viewed in the stereoscopes which had already become popular in the 1850s. This 3-D phenomenon, which fascinated a nation for 40 years, is now yours to share. This book, the fruit of half a lifetime’s study by three impassioned authors, brings every one of the published Diableries into the 21st century for the very first time. Some of them are so rare that at the time of writing there is no known complete collection of the originals of these masterpieces. But this book enables all but two of the 182 scenes to be enjoyed just as their creators intended, in magnificent 3-D, using the high-quality patent OWL stereoscopic viewer supplied.

Product Details
Hardcover: 280 pages
Publisher: London Stereoscopic Company, The; Hardcover slipcased with 3D viewer edition (October 19, 2013)
Language: English
ISBN-10: 0957424604
ISBN-13: 978-0957424609
Product Dimensions: 12.6 x 9.7 x 1.6 inches
Shipping Weight: 5.3 pounds


I read the above description, and being a huge stereoscopic fan had to get this book. If you feel the same way, go here: Diableries: Stereoscopic Adventures in Hell

Podcast of the Day : THE DAILY SPILL

I’m listening to this podcast the Daily Spill right now, it is hilarious and informative. Listen now here!

These guys quicky jump on my list of this week’s FAVORITE PODCASTS:

THE DAILY SPILL
11’OCLOCK COMICS
B-MOVIE CAST
COMIC GEEK SPEAK
WTF
SIDEBAR
FATMAN ON BATMAN
HORROR ETC
WORD BALLOON
WNYC’s RADIOLAB

Director Spotlight : The Films of Kasi Lemmons

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With the perhaps unnecessarily color titled BLACK NATIVITY headed to theaters this November, I thought now was the perfect time to take a pictorial gander at the films of its director Kasi Lemmons; a director who unfortunately like too many directors, particularly directors of color, does not get a chance to work enough.

Her 1997 debut film EVE’S BAYOU remains a personal and perennial favorite, being equal parts coming of age story and southern gothic tinged horror and magical realism. In the nearly 20 years since that film’s debut she has managed to make 4 feature films and one short, which is good to have at least that much work from a unique and talented director, and is also a tragedy to only have had that much work from a talented and unique director.

I do think the economics of making a theatrically viable film in Hollywood has kept her from truly exploring the promise of her first film; as I would have loved to see a dozen movies from Kasi Lemmon’s in her unique and dangerous southern gothic magic realism vibe. In the directorial genes of Kasi Lemmons, you had the promise of a director with the unique output of a David Fincher or Nicolas Winding Refn.

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However the films we do get from her, even hampered by the constraints of producing more accessible and conventional movies, still are never completely… conventional. There are stylistic choices and decisions that in places, take your breath away. Particularly she has never shied away from strong Black protagonists, and Black male protagonists as heroes, leading men, rather than comedy relief or the sexless partner.

Kasi Lemmon’s cinematic viewpoint of Black Masculinity, even when that masculinity is dangerous or flawed, is never less than riveting and dignified and hopeful, and as such is a viewpoint that is virtually forbidden/extinct in Hollywood films. I doubt BLACK NATIVITY will be likewise blessed, but I will still support the film and go see it, in the hopes a respectable opening gets Lemmons back to making films, that transcend… convention.

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Eve’s Bayou

The Caveman’s Valentine

Talk to Me

Today’s recommended FREE Roku Movies: ZOMBIE AHOLE and SCARLET WORM

Courtesy of the MIDNIGHT PULP Roku on demand channel you can view, this week, two pretty out there cult/weird/grindhouse films; namely:

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Stick with both of them, most requiring of that patience is ZOMBIE A-HOLE as it becomes by the end a far better film than the title or opening minutes would lead you believe (Quite a few times I had to almost turn the thing off for fear someone I respected would catch me watching it :), but resist that impulse, get past the first 15 minutes and you’ll find the movie actually has a plot).

And no, I am not a zombie fan, this film works by being very much a tongue in check homage to the grindhouse films of yesteryear. With a reputed budget of only $3000 the sheer amount of creativity in this injoke of a film is awe inspiring. If you’re a fan of homage films such as BLACK DYNAMITE and horror films such as the original EVIL DEAD, give ZOMBIE A-HOLE a watch.

SCARLET WORM- is also a micro-budget film, but doesn’t come across as one. It’s of that ilk of films, born out of the spaghetti western absurdities of the 70s that can best be described as the existential western, think EL TOPO meets DEAD MAN. And the film is very good, and one deserving of repeated viewings.

Sample both movies for free here!

And if as impressed with them as I am, buy them here:

Scarlet Worm, The

Zombie A-Hole

ON-DEMAND Viewing Guide: The best and worst Roku

If you have a Roku Box and are looking to explore the world of ON-DEMAND viewing, the challenge is always to find quality free channels, with good content and no ads or limited and unobtrusive ads.

That is always a fluid hunt, as channel offerings vary from month to month, and in some cases week to week.

So without further ado my list of best and worst of Roku Channels this October.

If you have a Roku I do recommend supplementing free channels with at least one provider such as AMAZON PRIME or NETFLIX just because the Roku Free Channels, by themselves, you will find hard-pressed to fill your TV watching needs. However pair the free channels with AMAZON PRIME or NETFLIX and you can safely kiss your cable bill goodbye.

So what are, the free channels that are worth your time?

Well I’ll start with the disappointing, CRACKLE. When I first started using Roku this channel was great, however in a scant month their ad usage has become so excessive (you get ads before movies, you get ads if you fast forward or rewind, you get ads every 15 minutes, and you are unable to fast forward ads) and so annoying and obtrusive that it is not worth the frustration of dealing with.

So CRACKLE from a channel that was initially one of the best, has become absolutely one of the worst. (Their XBOX ads are so annoying as to be an assault) . Avoid this channel and I recommend everyone unsubscribe from it, and as their numbers drop it should spur the Sony owned CRACKLE to do the right thing and reduce the # of ads, and stop having ads any more often than once every 30 minutes, and remove the automatic ads should you fast-forward or rewind, because that’s just idiotic.

So yeah CRACKLE gets our Worst Channel mention, they should be ashamed of themselves. Okay that negative over now onto the good stuff.

Today’s channel worth your time is:

THRESHOLD+ – Has a good if not great selection of B movies, with a heavy dose of classic Horror and scifi movies. From the alien movies of the 50s to the low budget exploitation films of the 80s. The quality of the video ranges from good to mediocre, since much of this seems to be sourced from public domain or TV prints so no HD quality here. However it makes up for this in the lack of ads. Some notable films available for viewing on this channel are:

BOOGEYMAN (2005) – Not getting the IMDB derision and hate for this film as I find it stylishly and inventively directed, and better acted than most films of the genre. A film of poetical horror, which perhaps is too subtle for the blood and gore crowd. However if you are a fan of atmospheric slow burn films like the recent WOMAN IN BLACK, you may find this film a worthwhile watch.

And thanks to THRESHOLD+ you can view it for free and decide for yourself.

And other notable films available on THRESHOLD+ are:

MESSIAH OF EVIL
I MONSTER
SCARECROWS (1988)
THE BELL OF HELL (1973)
ASYLUM
THE AWFUL DR. ORLOF
SHE
4D MAN
X: THE UNKNOWN

More recommended on-demand channels next installment!

30 Years of Jean-Claude Van Damme Films

30 Years of Jean-Claude Van Damme

According to AMG (courtesy of Fandango), Jean Claude’s first film was 30 years ago in 1983 with the romantic french comedy MONACO FOREVER.

So to celebrate 30 film years of Jean Claude Van Damme we’ll start with this simple article listing his filmography over these thirty years, along with random notes.

MONACO FOREVER (1983)

BLACK EAGLE (1986)

NO RETREAT, NO SURRENDER (1988) – The film that put the world champion kick-boxer turned actor on the map, here playing a villain

BLOODSPORT (1988)- His first starring/hero role
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CYBORG (1989)- A panned film when not being overlooked, this sci-fi flick mixing a dystopian future with lots of action, while undeniably low budget and of its time, I personally am a huge fan of.

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KICKBOXER 1989
DEATH WARRANT 1990
LION HEART 1991
DOUBLE IMPACT 1991
UNIVERSAL SOLDIER 1992
HARD TARGET 1993
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NOWHERE TO RUN 1993
TIMECOP 1994

STREET FIGHTER (1994) -With the under-performance of this film is where the brakes on Van Damme’s skyrocketing popularity and career (already lessening a bit from NOWHERE TO RUN) began getting applied

SUDDEN DEATH (1995) – A good movie, perhaps one of his best from that period, it possessed a ‘DIE-HARD’ premise to it, it nevertheless underperformed at the theaters.

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THE QUEST (1996) -

MAXIMUM RISK (1996) – His first of many impressive collaborations with Director Ringo Lam, Lam was the first director to get a real performance out of Van Damme, and a fantastic and very nuanced and heart-felt performance it is. It would signal the changing of the guard for Van Damme’s career as his drawing power as a mainstream action star would start drying up, and smaller budget, direct to video films would be the order of the day, but Van Damme as actor would increasingly emerge. MAXIMUM RISK is one of my favorite Van Damme films.

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DOUBLE TEAM (1997)- Tsui Hark, following in the footsteps of fellow country-men John Woo and Ringo Lam, chooses Van Damme to make his Hollywood directorial debut. Unfortunately the film is a creative and commercial misstep, that would signal the beginning of the end to Hollywood’s love-affair with Van Damme.

DESERT HEAT (1998) -
KNOCK OFF (1998) -
LEGIONAIRRE (1999) -
UNIVERSAL SOLDIER:THE RETURN (1999) – For all intents and purposes the end (for a time) of Van Damme’s Hollywood Career.

REPLICANT (2001)- The 21st century has arrived, and the rise of home video and DVD makes direct to video (DTV) productions possible. Alternative avenues to get your movie out there for studios that cannot get or afford theatrical distribution. DTV would allow Van Damme, and other abandoned once Hollywood darlings (such as Seagal and Snipes)to continue making movies. REPLICANT, a merely serviceable film, is the first of Van Damme’s next phase of his film career.

THE ORDER (2001) -
DERAILED (2002) -

IN HELL (2003)- A fantastic Van Damme performance and film, helmed by Ringo Lam

WAKE OF DEATH (2004) – Another fantastic DTV film. This and IN HELL showing the older Van Damme not just a better actor than in his youth, but making better films. As both of these films are better than anything he produced in his Hollywood years, with the exception of MAXIMUM IMPACT and SUDDEN DEATH.

SECOND IN COMMAND (2006) -
THE HARD CORPS (2006) -
SINAV (2006) -

UNTIL DEATH (2007)-
THE SHEPHERD: BORDER PATROL (2007)

JCVD (2008) – This is the movie that really revitalized Van Damme’s image, and by so doing, his career. Part action/heist flick, part psuedo-documentary, part bio-pic, it’s a deeply personal film that uses innovative 4th wall breaking cinematography and exciting story and action, and a wrenching performance by Van Damme to make it one of Van Damme’s most critically lauded films.

In many ways JCVD signals the third phase of his career, his return to mainstream prominence while continuing to also do his DTV work, a two pronged ‘best of both worlds’ approach where Van Damme is increasingly the action equivalent to Brando (in terms of longevity) to younger actors’ Pacino. He brings the name and gravity and they bring the youth and the bulk of fight scenes. Most notably this dynamic is seen in his very successful, recent collaborations with the amazing Scott Adkins.

UNIVERSAL SOLDIER: REGENERATION (2009)- A direct result of JCVDs popularity, sporting an exciting new director in John Hyams and littered with brutally talented young MMA performers, this is a sequel that completely improves upon its inane and mediocre predecessors. It is, without reservation, a great action film.

THE EAGLE PATH (2010)-
KUNG FU PANDA 2 (2011)-
ASSASSINATION GAMES (2011) -Another fantastic action/thriller co-starring Scott Adkins.

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SIX BULLETS (2011)-A strong first half, goes off the rails at the end with the parents unbelievably becoming Mr and Mrs Rambo.
DRAGON EYES (2012)-
EXPENDABLES 2 (2012) – A rare return to villain status for Van Damme. Good to see him back, thanks to Stallone, in Hollywood’s good graces.

UNIVERSAL SOLDIER:DAY OF RECKONING- Van Damme’s third collaboration with John Hyams, while sporting very little Van Damme, is a home-run and illustrates a bit of that passing of the torch that is going on between him and Scott Adkins (with that whole Apocalypse Now vibe running through it). I loved REGENERATION and DAY OF RECKONING is even better. Part Horror, part sci-fi, part thriller, part action, it is some of the most exciting film-making I’ve seen in a while. Really quite impressive.

And 2013 and 2014 has other projects in the pipeline for Van Damme, and whether these projects are met with accolades or are derided, the given is Van Damme himself shall continue to be a charismatic and watchable screen presence, that gives his all.

I look forward to seeing the work yet to come.

Brought to you by my MONARCHS OF MAYHEM Indiegogo campaign.

If you like this blog, definitely go view and support our MONARCHS OF MAYHEM campaign. There are only a few days left and we only need a 147 of you to contribute at the $35 level to make the book happen! We can do it! :)

Go view it and support it here! Thanks!

http://igg.me/p/437605/x/2628928

MONARCHS OF MAYHEM Cover Draft

I’m still toying with cover ideas for MONARCHS OF MAYHEM, below is one. the photo was taken by yours truly. I’m relatively proud of it. I’ll post more ideas as they pop up.

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MONARCHS OF MAYHEM is a book full of interviews with writers of the weird and pulp and strange. From the pulp stylings of Ferguson to the subtle horror of Gavin to the breakneck thrills of Olden.

It takes the existing five interviews you can find here, updates and expands them, and adds five more interviews not previously published, and combines it with extensive photos of the authors own works but more than that their inspirations, their loves, their peers to bring a strange and evocative book filled with posters, book covers, DVD and CD recommendations and much more. 96 pages, hardcover, limited edition.

Sounds really intriguing? I think so.

To make it happen I need you (yes you! :)) to swing by the Indiegogo page linked to below, take some of your friends and support the project at the $35 level. At that level you get the hardcover book.

You make it happen here!

http://igg.me/p/437605/x/2628928