Artist Website of the Day: Adam Hughes’ AH!

Artist Website of the Day:
JUST SAY AH!

Adam Hughes was one of the artists who exploded onto the scene in the 80s, and three decades later has only grown better and more acclaimed with time. A quick browse of his website emphasizes why he remains one of the most sought after artists of his time.

From the website:


“[Adam Hughes] is best known as a cover artist. He pencils, inks and colors his own covers, using both traditional and digital mediums. His artwork can be seen on an amazing assortment of comic book covers as well as many places outside the comic book industry. His work can be found in magazines like Imagine FX and Playboy and on trading and sketch cards for sets like Indiana Jones, Star Wars, and many others. He also published his first coffee table book in 2010, collecting his more than 20 years of artwork for DC Comics. Cover Run: The DC Comic Art of Adam Hughes debuted at number 2 on the New York Times Best Sellers list when it was released, and is currently in its third printing.

As of July 2011, Adam is the monthly cover artist to DC Comics title Batgirl. He tours, appearing at close to a dozen conventions a year (see the appearances list of this years shows), and when he isn’t drawing or attending comic cons, he likes to relax with his best girl by his side, his wonderful 2 Old English Sheepdogs, and what he calls “his 2 crummy cats”.”

I highly recommend picking up his art-book COVER RUN! Price and/or Buy it here: Cover Run: The DC Comics Art of Adam Hughes (Adam Hughes Cover to Cover)

You get yourself a GREAT hardcover art-book, AND support this fun blog as well! That’s what we call a win-win!! :)

Review: BATMAN THE COURT OF OWLS Vol I by Snyder and Capullo

So as this comic book was coming out in periodical/single issue form, I heard nothing but ringing praise from all corners for Scott Snyder’s BATMAN. But I waited until the trade/hardcover was out, and I’m glad I did.

The series, finally read in one nice 6 issue chunk, is good, but not great. Certainly not the accolade ridden masterpiece the reviews would have led me to believe.

Much like Snyder’s AMERICAN VAMPIRE, Snyder is a very slow burn type of writer. Book One of AMERICAN VAMPIRE, I didn’t like and didn’t find engaging at all.

BATMAN: THE COURT OF OWLS Vol I, however, is interesting, and engaging, and in places very good. It just never really feels great or all that essential to me, but it is definitely good.

The manga tinged art of Greg Capullo, takes some getting used to as it doesn’t always work for me. His Batman is great, it’s just characters, outside the mask, particularly Bruce and the rest of the Bat family just come off looking very Speed Racerish to me. A slight style/expectation clash, that I try not to let bug me. That and having read as much Batman stories as I have, the ‘broken bat’ approach can’t help but feel familiar.

So I’m not sold on this title enough to recommend it as a buy, however overall both the writing and the art, have enough of a hook and an edge to definitely recommend this as a read. Grade: B-.

Batman Vol. 1: The Court of Owls (The New 52)

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

Robert S. Duncanson, 19th century Black romantic painter (The Sigma Pi Phi series)
Parks, James Dallas.
ROBERT S. DUNCANSON: 19th Century Black Romantic Painter.
Washington, DC: Associated Publishers, Inc., A Division of the Association For The Study of Afro-American Life and History, Inc., 1980.
x, 60 pp., 25 b&w illus., chronol., catalogue of works. Appendices include letters from Duncanson and note from Mrs. Ruth E. Showes, “A Relative”; letter concerning Duncanson’s illness from his wife Phoebe. 8vo (24 cm.), cloth.

When the Death-Bat Flies: The Detective Stories of Norvell Page

When the Death-Bat Flies: The Detective Stories of Norvell Page- Best known for his Spider pulp stories, scribe Norvell Page was a master mystery writer as well. This 800-page book collects over 30 of Page’s detective stories from the pages of DETECTIVE TALES, THE SPIDER, DETECTIVE FICTION WEEKLY and STRANGE DETECTIVE MYSTERIES, most of which have never been reprinted before. Includes an all-new introduction by Will Murray.

Dead Dolls Don’t Talk / Hunt the Killer / Too Hold to Hold

Three short thrillers that offer variations on the theme of the innocent person caught up in murderous events. Dead Dolls Don t Talk (1959) allows a juror to find out what it s like to be on the other side of the law. Hunt the Killer (1951) is the story of a man just out from prison who is newly framed for a killing he didn t commit. And Too Hot to Hold (1959) is a case of mistaken identity that escalates when greed takes the place of common sense.


City of Corpses: The Weird Mysteries of Ken Carter

“Reading Page is like grabbing a live electrical wire. . . . Once you take hold, you can’t let go until the story comes to an end. Page paced his stories at one speed only-runaway locomotive.

“When it comes to writing grab-your-throat and hurtle-you-along at a hundred miles an hour fiction, there’s nobody better.”

—Robert Weinberg, from his introduction

From the author of The Spider, here are seven tales of weird mystery and strange crime. Follow Ken Carter as he unravels seven strange cases.

Bonus: Also included is a 1935 article by Norvell Page explaining his approach to writing.

With an introduction by Robert Weinberg.

Cover art by Walter M. Baumhofer.

Stories include:

Hell’s Music
City of Corpses
Statues of Horror
Gallows Ghost
The Devil’s Hoof
The Sinister Embrace
Satan’s Sideshow
“How I Write” by Norvell Page

Hank & Muddy


In steamy Shreveport, Louisiana, two musical legends-in-the-making come together: a whiskey-soaked country singer named Hank Williams and blues artist Muddy Waters. What they’ve got in common over several hectic days of drinking, singing and whoring is an interest in staying alive despite local mobsters, bent cops, and a truckload of Ku Klux Klansmen. Then there’s the bankrobber’s daughter.


The Spider VS. The Empire State: The Complete Black Police Trilogy [Paperback]
Norvell Page – THEY SAID IT COULDN’T HAPPEN HERE. THEN THEY SAID ONE MAN COULDN’T STOP IT! Richard Wentworth spent his vigilante career as The Spider always in the shadows. Now evil acted in broad daylight. The Party of Justice swept into office, rewriting the laws of New York state overnight to benefit their criminal backers and make slaves of its people. This American Reichstag gave itself sweeping powers and raised a private army to exert its malevolent will. How could The Spider hope to stop a criminal conspiracy as big as the state itself? This time The Master of Men would go beyond taking the lives of evildoers… by bringing Hope to the tyrannized citizens of the Empire State! The “Black Police Trilogy” is author Norvell Page’s classic pulp fiction Nazi allegory from 1938. Originally published in three consecutive months of The Spider Magazine, the novels “The City That Paid To Die”, “The Spider at Bay”, and “Scourge of the Black Legions” are collected in book form for the first time! The Spider VS. The Empire State: The Complete Black Police Trilogy


The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

Artist of the Day: Alex Ross!!

The only reason I started rereading comics or graphic novels or slims, is because of Alex Ross. I had turned my back on the medium, just tired of the juvenile art, the storytelling style, everything. Then Alex Ross exploded onto the scene with the one-two punch of the graphic novels MARVELS then KINGDOM COME.

Self contained, stand alone, complete stories, told with jaw droppingly astonishing painted art. People immediately began calling him the Norman Rockwell of comics, and that term is not quite undeserved.

Like Norman Rockwell, Alex Ross is able to imbue his scenes with a sense of homey Americana, that calls back a yearning to better, simpler days now passed… or perhaps never existed.

But he does more than imbue scenes with nostalgia, he does something Rockwell never did, perhaps never dreamt of doing, Alex Ross imbues his scenes with a sense of awe, of scale, of grandeur.

Of myth.

It has become habit these days for people without a fraction of Ross’ talent or vision to take his work for granted. To call his effort: extremism, and to call his meticulous paints: stiff, over rendering… I see nothing stiff or over-rendered in the work of Alex Ross but people are allowed their opinion, though the criticism always struck me as uninformed opinion.

It always struck me as the voices of jealous ants trying to deride an elephant. People disparaging Alex Ross, simply because he was that good.

Alex Ross is a meticulous perfectionist, who paints worlds that never were, but should be, and populates them with the stuff of faith…rewarded. Long before Hollywood made a habit of making our marvels real, Ross reached out to the lightning, and called down the thunder, and put it on paper, and gave us all a vision… to aspire to.

Many a painter has come on the sequential art scene since Ross’ mainstream debut, and they all bring something wonderful to the mix. But it’s a testament to Alex Ross’ skill, his understanding and his love for the heroic… that none of the numerous painters now in the medium, quite grasp that sense of grandeur that Ross brings to even the least of his creations.

All his creations look out at you with eyes that have seen the worst, yet still seem to say… “endure, be better.”

And end of the day, I figure… that’s not such a bad message for an artist and his art to leave us with. So for all these reasons Alex Ross is our Artist of the Day.

Check out all his work at the links below:

Site for Alex Ross Art and Info!

Mythology: The DC Comics Art of Alex Ross

Rough Justice: The DC Comics Sketches of Alex Ross

The Dynamite Art of Alex Ross HC

The World’s Greatest Super-Heroes

Absolute Justice

Absolute Kingdom Come

Uncle Sam: Deluxe Edition

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.


Sketchtravel [Hardcover]
Gerald Guerlais (Foreword), Daisuke “Dice” Tsutsumi (Foreword) Sketchtravel

The Sketchtravel is a unique international charity art project. This red sketchbook was passed from one artist’s hand to another like an Olympic torch in an artistic relay through 12 countries over 4 and half years.

A total of 71 artists, over the course of 4.5 years, contributed to this traveling museum, including Bill Plympton, Enrico Casarosa, John Howe, James Jean, Scott Campbell, Dice Tsutsumi, Peter de Seve, character designers Carter Goodrick and Nicolas Marlet, veteran animators like Glean Keane and even Koji Morimoto and Hayao Miyazaki.

Can you say “an easy and essential purchase at the price”? Something of a one of a kind collectible.

The Frazetta Sketchbook [Hardcover]
Frank Frazetta (Author), J. David Sopurlock (Author) The Frazetta Sketchbook

It’s Frazetta, and it’s an artbook. What more do you need?

Big John Buscema: Comics & Drawings [Hardcover]
Publication Date: July 3, 2012 Big John Buscema: Comics & Drawings

John Buscema has been called one of the finest comic artists who ever put pen to paper. His work for Marvel Comics on The Avengers, Thor, The Fantastic Four, and Silver Surfer are all classics, highly regarded by fans from around the world. The same is true for his definitive rendition of Conan the Barbarian – Buscema breathed life into Robert E. Howard’s legendary creation in a manner that has rarely been rivaled. IDW is proud to announce the first American publication of John Buscema: Comics & Drawings, a special edition of the fine art catalog created for the most extensive exhibition of Buscema’s art ever staged. Weighing in at nearly 300-pages, this gorgeous hardcover book is a dream come true for fans of the visual mastery of John Buscema, an artist who’s ilk we are unlikely to see again.


Prometheus: The Art of the Film [Hardcover]
Mark Salisbury (Author), Ridley Scott (Foreword)Prometheus: The Art of the Film

Visionary filmmaker Ridley Scott returns to the genre he helped define, creating an original science fiction epic set in the most dangerous corners of the universe. The movie takes a team of scientists and explorers on a thrilling journey that will test their physical and mental limits and strand them on a distant world, where they will discover the answers to our most profound questions and to life’s ultimate mystery.

With an introduction by Scott himself, this lavish book will be the only publication to accompany Prometheus. Stunning production art and behind the scenes photos will grant the reader a window on the process of creating this astounding new epic.

I’m not really a fan of movie art books. In fact I own a grand total of zero, but I am quite impressed by the visuals on this film. Enough to make this art-book a definite possibility.

Genius, Illustrated: The Life and Art of Alex Toth [Hardcover]Genius, Illustrated: The Life and Art of Alex Toth

Dean Mullaney and Bruce Canwell continue their comprehensive review of the life and art of Alex Toth in Genius, Illustrated. Covering the years from the 1960s to Toth”s poignant death in 2006, this oversized 9.5″ v 13″ book features artwork and complete stories from Toth”s latter-day work at Warren, DC Comics, Red Circle, Marvel, and his own creator-owned properties, plus samples of his animation work for Hanna-Barbera, Ruby-Spears, and others, as well as sketchbook pages, doodles, advertising art, and other rarities provided through the cooperation of Toth”s family and his legion of fans.

Two of Toth”s best stories are reproduced complete from the original artwork: “Burma Skies” and “White Devil… Yellow Devil.” A full-length text biography will chart the path from Toth”s increasingly-reclusive lifestyle to his touching re-connection to the world in his final years. Fans of comics, cartoons, and all-around great artwork revere Alex Toth. See why Genius, Illustrated – along with its companion volume, 2011”s Genius, Isolated – are being praised as the definitive examination of the life and art of The Master, Alex Toth. Volume 2 of a definitive three-volume series.

Graphistes World Artbook 01- This artbook (223 pages) edited by Oracom Editions is a fine selection of francophones digital artists! The book is available in a lot of bookstores and of course on line via Amazon or FNAC. This is a really handsome object full of inspirations and talented artists. French language book.

Listen to me. Listen to me as if I’m Cerberus, barking with all his heads. Buy this Book. If you love art. Specifically of the Beksinski/dark surrealism variety, this is an art-book for you! (And yes that opening line is from KISS ME DEADLY :) . If you have issues finding this book leave me a comment and I can help you with that. )

The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!


Artbook Review: MIDDLE EARTH:VISIONS OF A MODERN MYTH by Donato Giancola

Another art-book I wanted to give attention to is MIDDLE-EARTH:VISIONS OF A MODERN MYTH by Donato Giancola.

Now I have no interest in the subject matter, being not a fan of Tolkien’s mythology. I enjoyed the audio books well enough, and loved Peter Jackson’s first LORD OF THE RINGS film, while disliking the last two. And generally have no interest in the upcoming Hobbit movie. So yeah the subject matter of this art book leaves me cold, and had anyone else done it, I would have avoided the book.

However, Donato Giancola is an artist/painter of unrivaled, awe-inspiring talent, whose work yearly in the SPECTRUM Art Book, is always the most memorable and striking of a celebrated field. Unfortunately very few collections of his brilliant artwork is available, outside of his self published collections/chap books.

So any chance to see Donato’s Caravaggio/Classicist style in one place, in one book, in one quality hardcover book, is a collection to be sought after… and to attain.

Having done that with this book, while the subject matter still underwhelms, Donato’s artistry does not. It’s a wonderfully constructed tome, with a solid stitched binding, slipcover, and lavish glossy pages, deserving of showcasing Donato’s oils. It’s a scant 80 pages, with very little text, but the images speak for themselves.

Shifting between his penciled roughs, and his finished paints. Not all the drawings grab me (again my disinterest in the subject matter) but the ones that do… make the whole book worthwhile.

And did I mention the book smells great!? I’m a bibliophile, what can I say, things like smell and touch and presentation mean something to me. Yet another reason art-books have nothing to fear from digital. :)

So until there is a better collection of Giancola’s work available, for less than $25 this is not just an enjoyable purchase, but I think a must have one to any true fan of this artist. At these prices buy two. One to own, and one for resale value. :) .

Final Grade: The subject matter is not my cup of tea, and the selections chosen are hit and miss, sometimes coming off as filler, but that said the ones that do work… work well, work majestically.,,, Are the stuff of modern myth. Recommended! B+!

Middle-Earth: Visions of a Modern Myth – Support this blog. Buy this item here and this blog gets a few pennies on every sale made through this link! Thanks!

GRAPHIC NOVEL Review: OLD MAN LOGAN HC

OLD MAN LOGAN- One of the reasons I’m just now getting around to reading this graphic novel has to do with Marvel Comic’s piss poor pricing. The individual issues of Marvel Comics I gave up reading/caring about years ago when most of them…

A/ reached $3.99 in price for less than a couple dozen pages of story and

B/filled the issues with ads that broke up the story (rather than the Independent comics way of placing ads, if any, at the back of the magazine) and

C/ did away with the letters pages/backmatter.

So generally speaking I take a wait and see approach to anything coming from this company. If the buzz/hype is positive I’ll check the book out in trade, providing even in trade format I’m not paying more than $3 per issue. The OLD MAN LOGAN hardcover at $35 retail, clocks in at nearly $4.50 per issue. I call shenanigans on that.

So I basically refused to buy the book until I could get it at a price point I was willing to pay, or rent it from the library. In this case the former scenario popped up, allowing me to purchase OLD MAN LOGAN for $14. At that price, the book is worth every penny.

Now getting beyond the politics of pricing, what did I think of the book itself? It’s AWESOME!!! I am not a Mark Millar fan, being not a fan of his previous ENEMY OF THE STATE Wolverine storyline, I find he can be a very hit and miss writer. Often sensationalism for sensationalism’s sake. but when he dials it back a bit, and stops trying to be the shock jock, and plays in a more mainstream pool, he can tell good stories.

And OLD MAN LOGAN is case in point. It is by no means anything deep, and at times goes too ludicrous, but overall he tells a big grandiose, absurd, post apocalyptic story, Superhero tale as a western of all things, and it just works. Particularly to someone like me who came up on the same stories that informs Millar’s work, his crazy quilt dystopian future hits all the right buttons to garner much ‘gosh’ and ‘oh gee’ enthusiasm. The art by Steve McNiven is rough, stocky, almost off-putting, but it serves the story.

It’s a loud boisterous unsubtle tale, that while nothing new under the sun, works because it gives us familiar characters in unfamiliar situations. Yet another variation of Star Trek’s MIRROR MIRROR or X-Men’s DAYS OF FUTURE PAST, and those variations, more often then not are enjoyable.

And OLD MAN LOGAN, flaws acknowledged is enjoyable.

And to speak on its flaws a bit, the biggest flaw with this book, is the big flaw most writers make, be it Millar or Jason Aaron, when writing Wolverine. They think character and cool translates into ever more egregious ways of showing Wolverine mutilated. All that type of ‘storytelling’ shows me is, the character of Wolverine is a piss poor soldier, that relies too much on the crutch of a healing factor.

What is cooler… a buffoon who gets shot in the face every other page, or a fast fluid killer who you can’t touch, and you don’t even know he has a healing factor, cause that’s how rarely he needs it? I’d vote for the latter. The latter seems the more formidable protagonist. A protagonist that… when on the rare occasions he does get tagged and comes back, it is a moment with real weight.

All these writers in trying to outdo each other in more, more, more, gives the character of Logan/Wolverine nowhere to go. And unfortunately Millar is as guilty of that as every writer since Claremont in trying to make the character of Wolverine into some unkillable badass, who can kill every other superhero. It’s a bit lazy, and bs.

Let’s put it in the perspective of the fictional conceit that has been setup, he’s a dude with claws, and a temper. An interesting character, a scrapper to be sure, but trying to define him as more than that, in a world of God’s and Giants doesn’t ring true (he’s a Spiderman or Daredevil level hero, not in the league of a Thor or Hulk or IronMan). When Claremont was writing him in his Miller and Paul Smith days, as a secret agent/ronin, is the Wolverine character at his best, and most relateable.

Millar’s take on the guy as someone who is by himself going to take out a room full of heroes or villains is bs. But that said, you go into the story accepting the conceit, go with the outlandish premise, just turn your higher brain functions off, and it’s an enjoyable enough romp as a standalone story.

All in all this tale of an older Wolverine in a world where the villains have won and he has hung up his claws. Is imaginative, if absurd entertainment. Grade: B+.

OLD MAN LOGAN HC— Price your copy Here!

The Annotated Sword 1-24 by Luna Brothers or how these issues kicked my ass!

Okay, you know how I was championing the collected edition of the Luna Brother’s GIRLS. Brilliant book by the way, proudly displayed on my bookshelf.

Okay I just made it all the way through THE SWORD. All 24 issues, I have both the issues and the collected edition but I do feel you get something out of reading the letters-pages, plus I like the sense of temporality (yes I did just invent that word :) ) it gives to the story, the definite sense of cliffhangers and pacing, that is felt when you have to close one book and transition to the next. I think it works surprisingly well in those 22 page chunks. So my first time through I’m reading the issues as opposed to the big honking collected edition.

I have to say as good as GIRLS is, and it is very good, THE SWORD is head and shoulders better.

Well, I just finished all 24 issues, and gone through the collected edition(I love that they include the original covers to break up the chapters… take note Robert Kirkman, that’s how you’re supposed to do a collected edition!… definitely helps with the sense of temporality), over two years of story and art… my verdict?

Well first, let’s back up and be petty for a bit.

The title, brilliant title, very simple, very to the point… THE SWORD.

How can you mess that up?

Well you’d be surprised! I need to call a couple people out, while it is spelt SWORD, the W is silent, it is pronounced ‘sord’. So unless you’re effing Arnold Schwarzenegger, you don’t pronounce the damn W. When in doubt check the effing dictionary! Damn podcasters! I’m looking at you!!! You know who you are! :) . (Oh and don’t get all riled I love podcasters. In fact my 2010 Best of Podcast Retrospective will probably be up next posting!)

And it’s not ‘supposibly’, the word is supposedly. I swear everyone who comes from a certain close by state, that will remain nameless, pronounces it ‘supposibly’, drives me up the frigging wall.

Do you feel the hate? I Know, I’m sorry, I’m usually in such a good mood when I do these blog updates.

But I’m in really an odd place right now, after reading THE SWORD.

Okay for those who haven’t read it, all you need to know is… it is brilliant! Go buy it now!

I do highly recommend reading it, because it is one of the most brilliant works in its construction and its audacity, that you are going to find. And because they offer the original covers to denote chapter breaks, the collected edition will work brilliantly as most peoples first, and only, introduction to the work.

Check here to purchase the individual issues.

Check here to purchase the massive, bludgeon your neighbor, beautiful collected edition of THE SWORD.

Check here to purchase THE GIRLS huge, honking collected edition!.

I appreciate if you use these links as they help make a few pennies for this blog. So it’s a great way to get a great item for yourself or a loved one, and also help me continue bringing you these mad blog posts! So thanks in advance! And if you do buy via the links drop me an email, or leave a comment here saying you bought it or what you thought of it, and I’ll send you a freebie for supporting. Now back to our regularly scheduled program… :)

So go, buy the collected edition, say uncle HT sent ya, then come back and read the rest of this. Because beyond this point there be Dragons! Spoilers abound as I give a play by play of my run through the series, to the ending, to the odd place I am right now.

You’ve been warned. Okay, without further ado…

The Annotated Sword 1-24 or how these issues kicked my ass!

#1- If you’re not familiar with the Luna Brother’s the art can at first seem simplistic, stiff. But trust me it is anything but. What you’ll get in-tuned to, almost immediately, is the brothers are masters of conveying emotion through these lines on paper. The facial expressions are amazing and convey an almost palpable sense of who these characters are. And that emotion transcends the seeming minimalism of the artwork. Also they make the art breathe, mostly Jonathan in terms of the finished art, Joshua is credited with Layout and Lettering, and they both do the story. A big part of why the artwork works is the coloring and lighting and shading and perspective and focus and variety of other effects Jonathan uses to imbue these 2 D images with life. Another part is shot selection, and the use of panels against a black background. You become that much more funneled in, due to the images of light bound by that darkness. I’ve heard cinematic used to describe the effect, it works as well as any, though sensual is perhaps more accurate. This issue introduces us to Dara Brighton, a nice introduction, a meaningful one, before all meaning leaves her life; or more accurately, before her life becomes hijacked, forfeit, to greater meanings. It’s a great first issue with a cliffhanger to set the stage, for many to come.

#2-2nd issues can often be difficult, as they are oft the exposition heavy portion of the story. The great thing you learn in this issue, and that continues throughout the series is the Luna Brothers ability to make their talking scenes as compelling and captivating as their action sequences. The silences in the hands of the Lunas are as deafening as the explosions.

#3- Speaking of explosions this is where we learn what the Sword, and a young woman called Dara Brighton, picked by fickle fate to survive… can do. Phenomenal, jaw-dropping (in more ways than one) issue! The first “shout-out-loud” great cliffhanger of the series. A+.

#4- What amazes me is the Luna Brothers art. No one is going to mistake their art for Kevin Nowlan, or Art Adams, or Alex Ross or Gil Kane or JH Williams III or any of the masters of the medium, technically they are not draftsmen of that level, however what they are is masterful storytellers. I said it before it comes down to expression and shot selection, and using those two tools, they’ve created an issue that moves, and compels you to turn pages! They rivet you with just how masterfully they invest their characters into the story, and you into the characters. Add to that their ear for dialog, the naturalistic amidst the absurd. This issue is a chase, and at the end of it Dara Brighton, wielder of the sword… makes a choice that puts her at the mercy of a world that cannot understand her. B+.

#5 The thing that strikes you about this issue is just how solid and strong the storytelling is. From Dara waking up to see herself chained in a mirror, to her breakdown as the agent makes her consider her father’s culpability in her family’s murder, to the perspective shot of her leaping over the agents. Just great visual storytelling to go with a great story. A-.

#6- Dara is reunited with her fugitive friends, and a history lesson is told. Very engrossing. B+.

#7- This issue flows between riveting storytelling and laugh-out loud moments. “Girl pants”, “bus trip”. And the Luna Brothers are masters of the final page. Of that iconic last image/line that makes you go “Damn!”. I own the SWORD COLLECTED EDITION but the best way to initially read this series, and the way I’m doing it, is reading the singles with letter pages. You really need that moment between issues, to recognize that down-time, that transition. Great issue. A-.

#8- Another winner “Reached into the bowl” Great issue, but you know what I said previously about the Lunas being the masters of the last page. If this last page doesn’t make you cackle out loud, there is something wrong with you. Masterful cliffhangers. Plus that’s a fantastic cover. A-.

#9-If the ending of this issue doesn’t make you go…”Aww Sh*t!!!!” , then I repeat… There is something wrong with you. Yeah bring it!!!! Frigging awesome storytelling. Dara at the mercy of the monster that killed her sister.A+.
.

#10- Woah. Like the protagonist you suddenly realize this is a lot harder than you thought it was going to be. A-.

#11- It’s a LOT! LOT!! HARDER! Man, what a throwdown, and it’s getting worse. You can almost say shes on her last… legs? Doh! It’s compulsive page turning entertainment. A-.

#12 The first year or thereabouts of the SWORD comes to an end, and the Luna Brothers could not have ended it better. Dara is 1/3rd of the way through her ordeals, and it has taken much. It primes you, as does the last page, primes the remaining two thirds with simple question… what next? Great issue. A-.

#13- Coming off the powerhouse first 12 issues, this issue was more a lull before the storm. Didn’t really captivate or emotionally resonate with me like previous issues, on first read, but still good. B.

#14- Is back on stride, as Dara and friends… storm the house of an elder god. Great “Bring it!” Cliffhanger! B+.

#15- Efffing INSANE! There are no words! Just read the audacious lunacy that is this issue! Man! They are putting this girl through a lot. A+.

#16- Dara goes toe to toe with an elder God. Nuff said. A+.

#17- Dara vs Giant Rock Elder God! More, more, more. B+/A-.

#18- What a frigging AWESOME final page! Cackling my head off like a loon. Absolutely brilliant. And just the expressions the Luna Brothers put on everyone, but especially Dara as a woman driven beyond all limits of man or god, to exact revenge. Brilliant. A-frigging +.

#19- Wow. How is it possible the Luna Brothers can follow up one of their most action packed issues, with a contemplative one, of mostly talking heads and make it one of the best issues of the run? I’m in awe, as Dara and Friends discuss the future and the past on the way to meet the last of the gods. A+.

#20- Dara lands in New York… and mayhem ensues. Absolutely great series. A-.

#21- Do you know what it is that makes these issues, this story so great. The Luna Brothers have an unerring grasp of both the naturalistic, who we are in our everyday failings and strivings to succed, and the iconic, and their ability to switch between those two poles of our existence… powers what is best about THE SWORD. Once again the last few pages made me go… OH YEAH! And that by itself deserves an A+.

#22- Ouch! That was effing harsh. I don’t even have that particular organ, and it hurt me to watch. I can’t even grade this issue, kinda painful. Double ouch.I go into the last two issues, and I who have known the world… am afraid, That’s pretty damn good storytelling.

#23- Okay. Did not see that coming at all—- brain overloading– too much data! Danger Will Robinson! Danger! Series is blowing my mind.

This is MAJOR SPOILER territory, so read only after reading the whole series.

#24- And now we come to the end. God that was fucking depressing. Talk about a crucifixtion. That’s no way for anybody to die. To go through all that pain, save the world, and then to end like that. Man you Luna Brothers are some cruel SOBs. Uhhh… so depressed, must open vein now.

Over 2 years of story… brilliant, but why oh why would the Luna Brothers let the story of Dara end so brutally, so… unfairly. I know, I know… cause life isn’t fair. Efff that!!! You save the world multiple times you should get more for it than… that. I’m on record as wanting an epilogue to this story to give Dara the happy ending she deserves. I’m looking at you Luna Brothers! I’M LOOKING AT YOU! Call me a hopefull romantic, but I like to believe in happy endings.

“When you strip everything away from the Batman, you’re left with someone who doesn’t want to see anybody die!”–from Ross and Waid’s KINGDOM COME

Unlike the above quote I understand that all life ends in death, but I guess if you strip everything away from me you’re left with someone who doesn’t want anyone to die badly. Who believes that lives of honor, should warrant a little bit of happiness or at least deaths of honor.

It is a dark end to a brilliant book. However I would like to imagine an unseen end to Dara Brighton, where she was acknowledged for her great deeds, and given a gift for those deeds. A boon.

It’s a dream… I have.

And who knows, much like David Peterson of Mouse Guard… who let famous writers and artists do a take on his characters, maybe the Lunas could do a similar one-shot epilogue issue where various creators give their take on Dara Brighton’s end or resurrection or salvation, etc.

Well that’s it for now. Luna Brothers’ are taking a break from joint work, to pursue individual projects, so nothing on the horizon (beyond possible movie talk) to followup THE SWORD. But whatever the future brings for these talented young men (have you seen them? They look like they are ten. To be that young and that talented is mind blowing!) they have left a body of work that will long be admired, enjoyed, and ultimately emulated.

The ending did not make me a happy camper, but the ride is not to be missed. THE SWORD by The Luna Brothers gets my highest recommendation… A-.

I saw this poster, and this young lady would make the perfect Dara Brighton. The combination of beauty, a certain foreboding, a certain vulnerability, and a certain resolve, all captured in a look. Her face is impossible to look away from. With lips that men in ages past built temples to. Alluring on levels that words do barely touch.

GIRLS:THE COMPLETE COLLECTION OVERSIZED HARDCOVER by The Luna Brothers

Greatness following greatness, in addition to receiving the gorgeous ABSOLUTE JUSTICE HC, I also received the stunning, sumptuous oversized GIRLS:THE COMPLETE COLLECTION OVER-SIZED HARDCOVER written and drawn by the amazing Luna Brothers.

I’m going to be brief. If you don’t own this… I feel great sympathy for you.

It’s brilliant.

Absolutely brilliant. As much as I like and adore ABSOLUTE JUSTICE, superhero books are an acquired taste. GIRLS is something else all together, a dark, disturbed, and at times cackle out loud funny, fantastic fable, as at home sitting beside Poe as it is King. No one is going to dismiss this gorgeous $100 tome… as kid’s entertainment.

A masterful work by the Luna Brothers, that you really should own before it sells out. Check here to purchase it.

Highest Recommendation.

ABSOLUTE JUSTICE HC by Alex Ross, Krueger, Braithwaite: First Impressions Review!

I received THE ABSOLUTE JUSTICE oversized HC book in the mail today. Listed in my posting of 100 Greatest Graphic Novels, my thoughts upon finally viewing it were odd, and perhaps not quite human. I wondered… If in 1000 years either God or Man would make something as fine as this?

Hyperbole to be sure. But hyperbole spawned from a very impressive product.

More to come.