Today’s Webcomic of the day is GRAVEDIGGER, beautifully drawn noir tinged crime webcomic, starring a character that bears more than a passing resemblance to movie heist hardman Lee Marvin.
Well drawn and engagingly written. Check it out here!
Well drawn and engagingly written. Check it out here!
MOVIE TRAILER AND UPCOMING MOVIE ROUND-UP
THE GHASTLY LOVE OF JOHNNY X- I gave this trailer a download. It’s a send up of 50s movies, especially of the drive-in, monster, teen angst variety. Not my beverage of choice. And it just wasn’t interesting at all. Save yourself the viewing time… avoid.
PACIFIC RIM- I keep watching this trailer, and I keep being impressed. “Today we are canceling the APOCALYPSE!!” Delivered as only Idris Elba can deliver it! This summer blockbuster hits screens in July. And I’ll definitely be in the crowd.
NOW YOU SEE ME- “First rule of magic, always be the smartest guy in the room.” A stellar cast, and an inventive and surprisingly original feeling trailer (no small feat for a film to seem original, given how many caper and heist films I’ve seen) makes this film one that I’m interested in seeing on the big screen when it hits on 31 May.
MAN OF STEEL- The latest full trailer is out and looks very good, though I have to be honest it doesn’t excite me the way the SUPERMAN RETURNS trailer of several years ago did. And I know it’s envogue these days to hate on that movie, but the young and foolish forget how well received that trailer and the movie initially was. That plane sequence alone having people cheering in the theaters. And while the pimply set in hindsight dismiss SUPERMAN RETURNS because of some pacing issues and I think some weaknesses with the casting, particularly the Lois character, it was, warts acknowledged, a good movie, with a great trailer. So far MAN OF STEEL merely has a good trailer, let’s hope that translates into a great movie. Being a fan of Zack Snyder (not so much Christopher Nolan) I’ll be in the theaters to find out.
THOR II- I’m watching the 1st trailer for this film and I’m not particularly gripped by the ‘story’ of the trailer, but I’m thinking how awesome it is that we can produce movies on this scale. Super-hero movies are possible due to CGI and advances of technology that can make a man swinging around and hitting things with a big hammer prop look awesome rather than stupid. That said,the absence of Branagh as director worries, as I couldn’t find anything close to an interesting story in the trailer. But it is just an early trailer, perhaps the movie has more depth to it than the trailer hints at. This one is a wait and see.
ELYSIUM- This scifi trailer is for a film by Neill Blomkamp ,the director of DISTRICT 9, and starring Matt Damon. That is strike 1 and strike 2. I disliked DISTRICT 9 for its pretty blatant Nigerian bashing, and am not a fan of Matt Damon. ELYSIUM is based on a great short film by Ricardo De Montreuil’s THE RAVEN, which sports a Black/Hispanic protagonist, almost a christ parable, taking the fight to the powers that be in a drone plane/terminator oppressed future, ELYSIUM seemingly takes everything edgy and original and challenging about THE RAVEN, and literally whitewashes it with a Dutch/South African director and a White savior in the form of Matt Damon. Compare the short film THE RAVEN (my review and a link to the film here) to the ELYSIUM trailer and I think it is clear which one is the far more interesting. ELYSIUM is a definite wait for DVD, if that, and is yet another glaring example of the bigotry and programmatic and exclusionary nature of Hollywood sanctioned films.
THE MAN OF TAI CHI- Keanuu Reeves is one of those actors like Nicolas Cage who takes a huge amount of crap from Western critics for his acting style, or perhaps more precisely utilizing the same style regardless of project. Whether that assessment oh his acting ability is true or false, in Asia Keannu Reeves is HUGE, again like the aforementioned Nicolas Cage. And that Pan-Asian popularity seemingly has to do with their looks (since their acting/voices are dubbed by Asian actors). Asians being a, seemingly, very homogeneous society like supporting their own, and both Reeves and Cage are of the necessary dark hair and build and perhaps presence to be adopted by Asian audiences. So it makes perfect sense that Reeves’ directorial debut should be geared to that part of the world market that has always embraced and made profitable his films. The trailer for THE MAN OF TAI CHI is out and it sports glimpses of impressive fight choreography. Whether there is a story to go with it remains to be seen, but it definitely interest me enough to look for it on DVD
Okay that’s all for this segment. Join us next time for more!
Well one of my passions in these first 50 days of the new year, has been classic movie serials. The inspiration for filmmakers such as Steven Spielberg and George Lucas, to name a prominent two, movie serials were the pre-television answer to moving pictures’ sequential entertainment. Inspiration for films such as STAR WARS and INDIANA JONES.
Unlike a standard big budget film,that offered a big complete story, the serials were about giving viewers bite-sized and tasty morsels of thrills and adrenalin inducing entertainment to keep viewers coming to the local movie-house on a weekly basis. And the hallmark of the serial’s formula of thrills was the cliffhanger. A formula that has only relatively recently been put to good effect on television in shows such as 24 and BREAKING BAD.
But to see this formula at its best you have to experience it via the best of classic movie serials. Unfortunately given the formulaic nature of serials, and the challenges of strict deadlines, and limited budgets, movie serials could often fall into the rut of inane writing, insipid direction and repetitive and sloppy cliffhangers.
The majority of serials I have so far tried, fall victim to the foibles outlined above. However five that do not, that stand out as GREAT serials of the 20th century, that I find incredibly entertaining being introduced to them here in the 21st, are….
ADVENTURES OF CAPTAIN MARVEL -Wow. Just wow. This is not your father’s Superman. This dude has no compunction about killing bad guys. And it is just a plain entertaining thrill ride.
SPY-SMASHER- Add World War II, A masked crimefighter against the Axis, and add some of the best fight scenes and most energetic cliffhangers and you have this serial. The best of the best.
MYSTERIOUS DOCTOR SATAN- How cool is this villain? So cool that he gets top billing in this serial over the costumed hero?!! A great serial.
THE CALL OF THE SAVAGE- Tarzan eat your heart out! Some jaw dropping animal stock footage highlights a fun serial that imagines a different kind of jungle boy. Fun and entertaining with great cliffhangers!
FLASH GORDON:SPACE SOLDIERS- The original 1936 serial (originally just called FLASH GORDON, followed by two sequels the 1938 MISSION TO MARS, and the 1940 FLASH GORDON CONQUERS THE UNIVERSE) has everything that later versions aspired to but never quite achieved. It is imaginative, fun, audacious, manic, sexy, thrilling and generally balls to the wall good.
Despite the limitations of the day as it relates to special effects, men in suits, lizards with bits added to stand in as dinosaurs, wobbly ships on strings, this serial has something that transcends all these glaring flaws, it is just popcorn chewingly fun! With Flash and his compatriots racing from one hair-raising, adrenaline inducing adventure after another. A combination of insanely imaginative and compelling writing, married to breakneck direction, and whole-heartedly embraced performances adds up to a whole that transcends the admittedly suspect sum of its parts.
And did I mention sexy? Flash at any given time has at least three gorgeous and scantily clad females vying for his attention. The most gorgeous of who appears but briefly in the abode of the Shark Men. Latin and clad in white, you’ll know her when you see her.
And getting back to the jab about men in suits. This serial has one of the scariest men in a monkey suit ever put to film! (and I’ve seen my share!:)) It really is awesomely impressive, and a hugely thrilling and memorable cliffhanger. If there was an academy award given for monkey acting, this guy should have got it. .
All in all, I have to say one of the best things I’ve seen in this two thousand and thirteenth year of our lord, is this throwaway weekly serial from 73 years ago!! I highly recommend it!
So there you go. In no particular order five of the greatest movie serials ever!
These 12 to 15 part serials are some of the best examples of a medium, of a type of cinematic entertainment that the ascension of the age of television in the 50s brought to an end. However, much like Old Time Radio of the same period,the late 30s to the early 50s, these shows may be past, but thanks to the digital age they are not forgotten and more… are readily available (if you know where to look) so the lucky newcomer is able to sample these treasures of a bygone age at their leisure.
Sample yours today… here:
For great ones, I would say yes.
MP3 is a great sampling medium, a very good compression medium, but it should not be considered an end onto itself, especially where music is concerned.
There is some value in the physical medium, when it comes to a great album. A great CD that stands up from first song to last, is worthy of the process.Of listening to that music in high-fidelity without the compression of MP3. Is worthy of the cover art and liner notes, and more is worthy of the tangible, tactile experience of engaging with that physical medium as a touchstone to the process and enjoyment of the physical medium.
From LPs to CDs, their is something as vital in the form of the medium as well as the function, something in the beauty of interacting with a great LP presentation or a great CD presentation in a physical space, that is not replicated in a digital download.
But it has to be a CD/Album worthy of putting on and listening and enjoying from first song to last. Something with sporadic good songs isn’t going to cut it. For that you might as well stick with the Itunes model of downloading random songs.
But for those CD and LP releases of music as functional and vital novel, as compelling art, the medium matters, has value.
Without further ado, here is a list of 5 essential CDs and/or LPs worth owning in the age of Itunes, where increasingly we own nothing:
IN COLD BLOOD – One of the seminal and ground-breaking movie soundtracks of all time. Quincy Jones’ finest work. Last I looked only available on LP.IN COLD BLOOD (ORIGINAL SOUNDTRACK LP, 1968)
BACH THE GOLDBERG VARIATIONS:GLENN GOULD – This album began my love and appreciation for the piano and remains one of the great classical recordings.
JIMI HENDRIX:THE ULTIMATE EXPERIENCE- Lives up to its name. One of the pivotal and formative icons of modern Rock and Roll.
SPEAK YOUR PEACE:TERRY CALLIER- Overlooked during the heyday of Soul, Terry Callier was rediscovered by a British promoter in the early days of the 21st century, which lead to his old albums being reissued, and Terry Callier producing new albums. SPEAK YOUR PEACE is one of those albums, and more it is one of the great Albums of all time. Terry Callier being a devastatingly beautiful and poetic songwriter, easily on par with the best of Dylan, with a voice far superior to just about anyone’s.Speak Your Peace
SNAKES AND LADDERS- This Alan Moore and Tim Perkin’s helmed spoken word CD in many ways is a reworking of an earlier and no less mind-blowing Alan Moore CD, THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS. However SNAKES AND LADDERS manages not only to be its own thing, but manages to be a great and compulsively listenable experience in its own right.Alan Moore and Tim Perkins – Snakes and Ladders
Well that’s this installment’s picks. Come back next time for five more. And if you are moved to buy the CDs and add them to your collection, please you the supplied links to do so. Thanks and go out there and hug somebody today. (but ask first )
But before Fulci, by his own estimation became a maker of z-grade garbage to pay the bills, he aspired to more. He aspired to be a filmmaker.
And I am here to say he was one. And I would go further to say he was a great director. An extremely versatile director, leaving his mark on everything from Comedies to Westerns. However, it was in the new Italian form of thriller, the Giallo that his skills would reach their zenith, and his star shine the brightest.
In his heyday creative period, when the muses of inspiration were upon him (approx from 1966 to 1977), he made seven influential, stylish, challenging and even ground breaking films.
Tempi di Massacro/Massacre Time (Would predate and arguably inspire the dove laden, blood ballets of John Woo)
Una Sull’altra/Perversion Story/One On Top Another (even hampered by a poor title, and an awkward, even clumsy soft-core opening, this reworking of Hitchcock’s Vertigo builds to something great. Beautifully filmed it is Fulci’s best looking film, and is a clinic in style. It is a film I consider even better than its inspiration, and that is saying a lot.)
A Lizard in a Woman’s Skin
Don’t Torture a Duckling
Four of the Apocalypse
Sette Notte in Nero/Psychic
None of the above films were adequately appreciated upon release. However with the advent of DVD you have the chance to reevaluate Fulci’s largely pre-gore work (before he gave completely into his excesses and the lowest common denominator) and see these films for what they were and are, visually stunning landmarks of a time and a place.
— to be continued
FIFTEEN movie remakes that are superior to the original.
John Carpenter’s THE THING
Daniel Craig in CASINO ROYALE
Francis Ford Coppola’s DRACULA
Tony Scott’s MAN ON FIRE
David Cronenberg’s THE FLY
Zack Snyder’s THE DAWN OF THE DEAD
Al Pacino in Brian DePalma’s SCARFACE
Sturges’ MAGNIFICENT SEVEN
Scorsese’s THE DEPARTED
Branagh’s HENRY V
Eddie Murphy’s THE NUTTY PROFESSOR
Bogart’s MALTESE FALCON (The third film attempt, finally got it right!)
I AM LEGEND, while I have a lot of respect for the Vincent Price and Charlton Heston versions, Will Smith’s I AM LEGEND moves it into big scale territory with out losing the intimate horror inherent
THE MAN WHO KNEW TOO MUCH Hictchcock Improves on himself in this Stewart and Day remake of his earlier film