TRAILER NEWS: After Dark Action presents DRAGON EYES & TRANSIT!!

After Dark known for its film festival VOD horror movies, has expanded into the action genre. And films DRAGON EYES and TRANSIT are two of their first films. And from the trailers they look pretty darn good. DRAGON EYES is a fun 80s tinged Marital Arts film that guest-stars Jean Claude VanDamme.

TRANSIT looks to be a white-knuckled crime/pursuit thriller. Both are really action-packed trailers, and if the movies are as good as the trailers, should be a fun view.

Check the trailers here:

TRANSIT
DRAGON EYES

And if you like what you see you can view the films on demand, and possibly the DVD may already be out.

TRAILER NEWS: James Bond SKYFALL Teaser Trailer

TRAILER NEWS: James Bond SKYFALL Teaser Trailer!

It’s a teaser trailer, so it’s okay, but not really as riveting, exciting as the previous Craig Bond Trailers. A bit difficult to get a read on the film from such a subdued trailer, but definitely still looks interesting, and will hold audience attention till a better trailer lands.

Blog News Update

Quick update on some of the stuff this blog has percolating:

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I was quite pleasantly surprised to receive Oracom Editions GRAPHISTES WORLD ARTBOOK 01, beautiful French language art-book in the mail today. Just in time for tomorrow’s WEDNESDAYS WORDS. Mentioned in a previous WEDNESDAY WORDS, I’ll be bringing you a full review of this art-book of the fantastic.

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I’m rounding the bend on finishing Norvell Page’s pulse pounding SPIDER novel, THE CITY DESTROYER. So far Page’s prose lives up to its hype. It’s intense and ambitious and writ large and moves at a breakneck pace. However, I’ve read warnings that that intensity comes at the price of the endings tending toward the train-wreck nonsensical variety. I’ll see if THE CITY DESTROYER avoids that pitfall, and then toss up my review.

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I haven’t forgotten the MONARCHS OF MAYHEM posts, I’m trying to elicit funding to keep these posts coming. To that end you can do your part by utilizing the purchase links and patronizing the sponsor links. And definitely purchase the Epub articles when you see them listed ( such as the Sherlock Holmes one to your left)

In addition to the MONARCHS OF MAYHEM installments, funding would also allow this blog to pursue short story audio recordings of specific under-appreciated writers.

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The comic book cover postings have been very popular, so I’m working up another one that should go up tonight.

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And I’m working up a favorite podcast post that should go up this week.

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And I’m working on a comic strip for the blog, a bit unlike any other strip you’ve seen.

So lot’s of fun stuff on the agenda! Keep checking in and supporting! Thanks!

Podcast of the Day: Agony Column interview with Walter Mosley!

Podcast of the Day: Agony Column interview with Walter Mosley!

A great interview by Rick Kleffel with Walter Mosley in full on brilliant mode discussing his new GIFT OF FIRE omnibus novels. Covers everything from Philip K. Dick to Hegel to Christ to creation myths to Darwinism to Jazz to the American Prison System. Listen to it here and thank me and the Agony Column later! :)

Subscribe to the Agony Column podcast here.

UPCOMING COMIC CONVENTION: Wizard World Philadelphia Comic Con!

UPCOMING COMIC CONVENTION: WIZARD WORLD Philadelphia Comic Con!

Join tens of thousands of fans as they converge on the Pennsylvania Convention Center at Philadelphia Comic Con Wizard World Convention to celebrate the best in pop culture. Philadelphia Comic Con brings it all – Movies, Comics, Toys, Video Gaming, Games, TV, Graphic Novels, Horror, Wrestling, MMA, Original Art, Collectibles, Anime, Manga & More! Philadelphia Comic Con is brought to you by the group who produces the most widely attended Comic Con tour!

“Bringing together the five Captains from the iconic ‘Star Trek’ series, capped with the addition of the legendary Sir Patrick Stewart, is a once-in-a-lifetime opportunity for our fans,” said John Macaluso, Wizard World CEO. “They and other standout guests like Chris Hemsworth, William Shatner and Stan Lee make Wizard World Philadelphia Comic Con a can’t-miss event.”

A four day event that runs Thursday, Friday, Saturday, and Sunday (31 May 2012 to 3 Jun 2012) at:

PENNSYLVANIA CONVENTION CENTER
1101 Arch St.
Philadelphia, PA 19107.

I’ll probably do Saturday, to catch all the actors panels, Q&As I’m interested.

View full list of programming here!

Why do you care if Avengers, or Dark Knight Rises, or Prometheus in Imax 3D makes a boat-load of Money?

As I’m wont to do, I tend to keep abreast of the entertainment news, specifically film. One thing I’ve been hearing quite a lot in the wake of the Avengers film is talk of it making over a billion dollars. And I listen to the fervor and sense of ownership all these writers and pod-casters are going on with about this financial mark. And I have to ask ‘Why’?

I mean I enjoy the Avengers movie, as much as anyone, arguably more than most people will in 6 months. By that I mean it’s an interesting hive mind approach that occurs in popular films as well as other things, where people’s steadfast belief in whether a movie is good and bad fluctuates with the slightest derision or the popular opinion of the day.

AVENGERS was and is a great movie full stop. Pacing wise, action, wise, story wise. But now barely two weeks into its release you hear a few people say, “oh well the first half was slow”, and people I heard broadcast not even a week ago how great the film was, begin to backpedal and parrot “Oh well the beginning was a little slow”. We live in a monopolized society where the individual is so scared to have an unpopular opinion, to the point that a lot of their opinions generally are not worth the breath they take to say it, or the paper they take to write it.

They have the spineless nature of slugs.

Same change of opinion (but to both a lesser and greater degree) happened to the Bryan Singer film SUPERMAN RETURNS. First week, people came out raving and loving that film. The Airplane scene, the bullet to the eye. It was a solid very good movie. But less than a week later, people began picking up the mantra of ‘why’s the kid there’ and ‘lex again’ and ‘Lois’. And you could see the ship of public opinion so to speak, turn. And people who initially were overjoyed about the film, started backpedaling, “Well, yeah I didn’t really say it was good.”. Until now a few years later people routinely call that movie awful and one of the worst.

It’s something I’ve noticed, Something that is not just American, because I’ve listened to enough British pod-casters do the same thing. So many are seemingly so afraid to hold an opinion derided or frowned upon or be seen cherishing something not embraced by their ‘friends’ or even their ‘enemies’.

It’s a lack of conviction, to anything you believe. Obvious symptoms of a propagandized population, so used to embracing any lie, that will keep it from having to alone, look at uncomfortable truths.

So yeah, when I say I enjoy the AVENGERS more than most people will in 6 months, that’s not me having you on, it’s just a fact. I’m not swayed by the mob.

I thought SUPERMAN RETURNS was a fun, solid B movie when I first saw it, and I still think so. I think AVENGERS is a brilliant, surprisingly so, Grade A movie today, and will think the same thing 5 years from today, when most of you have been pushed far afield of any opinion you may have had on the film.

I mean there’s nothing wrong with changing your opinion, if it’s your change, your growth, your adaptation. But that’s not what’s happening. What’s happening is a propagandized population taught by the media to have no constants, no ideals, no values, that will not be torn down; have learned to make their opinions on shifting sands, always ready to be remade at the slightest rise of the tide.

Superman Returns [Blu-ray] 2008 Remastered Version

Which brings us back to the original concern. Why are you celebrating or in any manner cheering the AVENGERS making over a Billion dollars?

Beyond just financial interest, I could care less if the movie breaks even, does 400 million, or does a billion. Honestly I don’t really have a stake in it if it loses money.

Of course liking the film, it’s nice if it doesn’t bomb, for the simple fact it would be nice to see more films by a competent director like Joss Whedon.

But it’s not a passion, I don’t have a dog in this fight. If I’m the studio, or someone with a percentage share in the film, hell yeah I’m celebrating every dime it makes. Or in the days when people from your neighborhood actually owned movie theaters and that blockbuster money actually cycled locally, rather than just getting funneled out of the community to make fat cats fatter, I might be happy.

But none of that is the case. I don’t personally know a single person who is in any way going to profit, by making a monopolized studio and theatrical system a billion dollars richer. All this did is take a billion dollars from a lot of little pockets, and put it into a very few big pockets.

Now I’m not making a deal on that. I went to see the movie like everyone else, but you can be damn sure I’m not celebrating this state of affairs either.

AVENGERS makes a billion dollars, okay. I accept it as a fact. But honestly, until such time as those funds and profits get distributed to real theaters and real people (a billion dollars, hell you can afford to hire real projectionists, pay the ushers, and ticket takers a real wage, get real popcorn and healthy drinks, etc, etc…but you’ll drop dead waiting for that money to trickle down. In fact all the studios can talk about is reducing costs at the local level and maximizing profits by digitizing everything), I have no interest in celebrating billionaires becoming bigger billionaires.

Beyond a movie breaking even to keep a good director or actor I like viable, that’s where my interest in what a film makes or does not make… ends. Some people were complaining because TRANSFORMERS:DARK OF THE MOON was a box office success. Who cares? I personally don’t get the Michael Bay hate, but as we’ve established I don’t follow the crowd.

Michael Bay is a talented director who puts bodies in seats. Some films of his I like, some I don’t. I loved his first film BAD BOYS, and loved his last film DARK OF THE MOON (which the end of the AVENGERS was more than a little like) and in-between like any other director he has been hit and miss. But even the movies I don’t like I don’t wish them ill at the box-office. What sense does that make?

If you don’t like a movie, does that mean everyone has to wish it ill and hate it as well? Does that mean you have to begrudge it its success?

I personally hated Nolan’s first Batman movie, and thought his DARK KNIGHT while better, was still flawed and over-hyped. So not really a Nolan fan, but I don’t begrudge his films their success. As stated, what Billionaires do or don’t make.. not concerned.

When some of that tremendous profit begins cycling back into the communities, well then that will be something to feel pride and ownership of.

PODCAST OF THE DAY: A Group Interview on A Wizard Of Earthsea by Ursula K. Le Guin

“So it came to my imagination, that Fantasy has been so lily-white, so northern European, let’s just turn it on its head. That’s the simplest way to reverse a train, turn it inside out…it’s only quite recently…that I’ve heard from people, some of them are just kids, some of them are remembering back to when they first read the Earth Sea Books. People of color telling me that was the first fantasy they ever felt included in, and what it meant to them. And I tell you, it moved me very much.” — Ursula K. Leguin

Podcast of the Day: National Endowment for the Arts Presents: Big Read: A Group Interview on A Wizard Of Earthsea by Ursula K. Le Guin

For more on the National Endowment of the Arts and EarthSea, go here!

“Earthsea is a creation of Ursula K. Le Guin. The original Trilogy was composed of A Wizard of Earthsea (1968), The Tombs of Atuan (1971), and The Farthest Shore (1972). The fourth book, Tehanu: The Last Book of Earthsea was published in 1990. A number of stories have now been published as Tales from Earthsea (2001) and a fifth novel, The Other Wind, also came out in late 2001. The first published story in the Earthsea world was The Word of Unbinding, which was originally published in Fantastic (1964) and later reprinted in The Wind’s Twelve Quarters (1975). The series has won a number of awards.”–scv.bu.edu

“It consists of three short novels, the longest just over 200 small pages in my old Puffin edition. And, though adults can read it without feeling at all out of place, it is written for children — “For readers of eleven and over” the covers say, though it could be read by, or to, very much younger children. But the Earthsea trilogy is still the first work that comes to mind when I’m asked “The Lord of the Rings, yes, but what then?”

A Taoist conception of “Balance” underlies Earthsea: the use of magic is dangerous, and can destabilise the natural order. And there are many patterns and parallels in the trilogy. A Wizard of Earthsea is about a young man’s coming of age, in which he attends an all-male school for wizards, and much of it is set at sea; The Tombs of Atuan is a young woman’s coming of age in an all-female temple complex, and much of it happens underground. And so forth. None of this is explicit, however, nor is conscious understanding of it at all necessary for appreciation of the novels. They are, first and foremost, spellbinding stories, with memorable characters.

There are now sequels to the Earthsea trilogy. Fifteen years later Le Guin wrote Tehanu, which is often coupled with these three novels to form an Earthsea “Quartet”. Tehanu is different in many ways, however — it is not a children’s book, for one thing — and I consider its inclusion in one volume with the trilogy to be misguided. More recently has come The Other Wind and a book of short stories, Tales From Earthsea.

I would not normally have considered reviewing the Earthsea books: they have received plenty of academic criticism and have been set texts in schools, so they should need no promotion. (Though the cynical might argue quite the opposite.) I keep running into people, however, who rave about Harry Potter and claim to be fantasy fanatics, but who haven’t heard of Earthsea.”— Danny Yee of Danny Reviews

“The Sci-Fi channel aired a 2-part, 4-hour miniseries based on the first two books in December, 2004… Ursula Le Guin… railed against it [Leguin discusses eloquently the whitewashing of her novel here] and I can not in any way recommend it… this is an absolute travesty against a wonderful piece of fantasy literature.” —scv.bu.edu

“I reread the whole thing once a year. Kid’s fantasy doesn’t get better than this. Actually, grownup fantasy doesn’t get better than this. The whole series is a virtuous performance from one of the greatest writers ever to work in the genre. The Tombs of Atuan (vol. 2) is probably my personal favorite; it has a special magic both because of the Borgesian labyrinth setting, and because it’s one of the first and greatest feminist subversions of epic fantasy. But A Wizard of Earthsea (vol 1) is probably the single most perfect fantasy book ever written. It distills the essence of epic fantasy into its purest form and restates it in deceptively simple prose that rises to the level of poetry.”— Chris Moriarty at GOOD READS.com

The Earthsea Quartet (Puffin Books)


So take a listen to the audio (don’t listen to the whole thing until after you read the books, you’ll know when to stop. Around the 17 minute mark), avoid the SciFi/SyFy channel series and all work by its director Robert Lieberman :), and pick up a copy of Ursula’s four book series here.

And generally just enjoy the source, the progenitor for later fictions such as HARRY POTTER and the MAGICIANS.

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