All Superheroes Must Die
Release Date: January 4, 2013
Director: Jason Trost
Writer: Jason Trost
Cast: Jason Trost, James Remar, Lucas Till, Lee Valmassy, Sophie Merkley
Plot: Four Super Heroes find themselves abducted by their Arch Nemesis and are forced to compete in a series of challenges in order to save an abandoned town full of kidnapped innocent civilians.
Update: This was originally a 2011 shoestring film entitled VS, released on the After-Dark film circuit. A totally ignored film, and possibly justifiably so, it looks like it is getting a rename, and a new marketing push for a 2013 DVD release.
The premise of ALL SUPERHEROES MUST DIE sounds like a mashup of a bad SAW sequel and a really bad FOX super-hero movie. Which could have merit if done well, but figure the odds of that.:)
However I’m more than willing to be proven wrong. HANCOCK going by the trailers and premise looked awful, and turned out to actually be a very good flick with a great ending. It would be nice if this movie was more than a straight to VOD disaster.
But I’m not betting on it. .
What I’m reading! Quick ratings!
BATMAN AND ROBIN BORN TO KILL by Peter Tomasi and Patrick Gleason- After reading one disappointing ‘NEW 52′ book after another (ACTION COMICS by Grant Morrison comes to mind) I went into this read with some trepidation, but it was unwarranted. Tomasi crafts a solidly engaging read that is good from first page to last and complimented by great art by Gleason and Gray. Strongly Recommended! B+.
Batman & Robin, Vol. 1: Born to Kill (The New 52)
SUPERMAN BATMAN SORCERER KINGS- Is a hodge-podge of four different stories, none of which really ever rises to become anything more than tedious. D.
What I’m watching:
Just finished watching Michael Moore’s SICKO and CAPITALISM A LOVE STORY back to back, and they are both powerful, essential, if not always easy viewing.
CAPITALISM A LOVE STORY is particularly brilliant, has been called Moore’s Magnum-Opus and I concur. It’s a courageous, informative, and well put together film. Sometimes Moore has a way of perhaps working a theme into the ground, and beating us over the head, and I felt that in SICKO, acutely. ‘Yeah, okay I get it, other countries have better healthcare than the US, how many examples are you going to show me? Move on to solutions.’.
Somewhere in most of Moore’s films that thought process rears up, however it didn’t in CAPITALISM A LOVE STORY. Potentially Moore’s last film it is undeniably his best. And both films, will make you want to make real, hard changes in your life. As it makes clear that the people you entrust with your well being… don’t care about that… at all. Both films should really be seen, and CAPITALISM must be seen.
Capitalism: A Love Story
This is a special Wednesday Words Review as opposed to our normal coverage. Enjoy:
SUPERMAN ACTION COMICS by Grant Morrison- Starts off impressively, but true to just about everything I’ve tried by Grant Morrison it loses its way in the middle, and completely falls apart into uninteresting storytelling by the end. The first chapter is very strong. The second chapter is strong till the last few pages. The third chapter, again strong, but loses it in the last few pages as Morrison tries to build his overarching story, which I’ve come to the conclusion he’s not really good at. He’s a great idea guy, but going from imaginative idea to compelling and satisfying storyline/wrap-up is a leap Morrison has always, in my estimation, failed at doing. He’s the X-FILES of comics.
From issue #4 up is all the over-arching, high-idea storyline, and the problem with it is… it is incredibly uninteresting. And it stays uninteresting till it limps to what has come to be a norm for Grant Morrison, a poorly told, to the point of near incoherence ending. And it is not a point of not getting Grant Morrison, as his cult is quick to jump to, it’s a point of his writing stops being in anyway a compelling and fun story, and feels like a chore and dissertation that the writer himself has long lost any interest in. And the variable art quality doesn’t help. Another Morrison D-. The only real saving grace of the series is the enjoyable, exquisitely written and beautifully drawn backup strips by writer Sholly Fisch and artists Brad Walker and ChrisCross. The backup strips are an easy B+. I wish Sholly Fisch had written the main story rather than Grant Morrison.
Final Grade: D- for the main Grant Morrison storyline. B+ for the Sholly Fisch back up stories. So can’t recommend buying the book but if you can get it for free from a friend or the library, the backup strips are worth a look.
So as this comic book was coming out in periodical/single issue form, I heard nothing but ringing praise from all corners for Scott Snyder’s BATMAN. But I waited until the trade/hardcover was out, and I’m glad I did.
The series, finally read in one nice 6 issue chunk, is good, but not great. Certainly not the accolade ridden masterpiece the reviews would have led me to believe.
Much like Snyder’s AMERICAN VAMPIRE, Snyder is a very slow burn type of writer. Book One of AMERICAN VAMPIRE, I didn’t like and didn’t find engaging at all.
BATMAN: THE COURT OF OWLS Vol I, however, is interesting, and engaging, and in places very good. It just never really feels great or all that essential to me, but it is definitely good.
The manga tinged art of Greg Capullo, takes some getting used to as it doesn’t always work for me. His Batman is great, it’s just characters, outside the mask, particularly Bruce and the rest of the Bat family just come off looking very Speed Racerish to me. A slight style/expectation clash, that I try not to let bug me. That and having read as much Batman stories as I have, the ‘broken bat’ approach can’t help but feel familiar.
So I’m not sold on this title enough to recommend it as a buy, however overall both the writing and the art, have enough of a hook and an edge to definitely recommend this as a read. Grade: B-.
Yeah, yeah.. it’s pretty stupid, and horrible. But I have to admit… it made me chuckle.
As far as why… Well I’ve been meaning to put up a couple strips for a while. And have been trying to network, collaborate with a couple of artists, but I’ll let you in on a secret, artists aren’t really the most reliable bunch for collaborating or networking with… at least the ones I’ve been dealing with.
So rather than wait on people to grow up, I decided to just ‘what the heck’ it, and just go ahead and create and post something that would make me laugh.
Hence this very brief, very juvenile ‘cut and paste’ cartoon courtesy of one of the free cartoon generators out there, The art is crude, but the insane story and words and madness is all me. Hope you enjoyed it. If you do, leave a comment and some likes!
It’s a work in progress experiment, that will improve if you guys will stick in there with me. Thanks!!