GRAPHIC NOVEL Round-Up : Bendis’ UNCANNY X-MEN

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ALL NEW X-MEN VOL 2 HERE TO STAY – Collecting issues 6 to 10 of the series this is an interesting and fun premise for a miniseries, namely have the X-men of the past interact with the present. However for a series, it is a gimmick, an in-joke, that runs the risk of staying around too long, and outliving its sell by date. For the moment Marquez and Immonen art keeps it interesting, but already the premise is getting to feel belabored.

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UNCANNY X-MEN VOL 1 REVOLUTION – Collecting issues 1 to 5 of the series the pluses are a strong, witty and fun script by Brian Michael Bendis, and some gorgeous art by Chris Bacchalo. The weaknesses are the layouts can be lost under muddy finishing/coloring, and a tendency, unsatisfying tendency, to end the very slight collections on a cliffhanger. It is a weakness that both volumes share.

Add to that the outrageous price of $24.99 for only 5 issues ($5 an issue!!!), a hundred thirty plus pages of story and the absence of a complete, standalone story becomes even more insulting.

It is a very petty and miserly and obscene ‘bleed your audience’ policy that Marvel has undertaken here, that does not deserve to be rewarded by purchasing these overpriced volumes. That said, I do feel the writing in these volumes is fun and entertaining and action-packed and worthy of a read if not a buy.

Just be aware that the cliffhanger ending, appropriate for a $3 monthly serialized comic, is wholly inappropriate for an overpriced $25 collected edition ; that you should be able to enjoy on its own without waiting months for the next volume.

GRADE : B-. Until the ending I was enjoying both volumes, but without an ending the volumes are very much like a great parallel bar routine where the athlete fails to stick the landing. Pretty, but ultimately disappointing and forgettable.

And add that exorbitant price point of $25 for 5 issues of material (and yes I realize the trade can be had for a little bit cheaper, but that is still overpriced as well) and it becomes a case of look, do not buy.

Borrow or rent these puppies for a quick read, then move onto something else, that you would not have any problems paying retail for; something you would not mind proudly adding to your bookshelf such as BATWOMAN VOL 1 HYDROLOGY. A book that I have also recently read.

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DC publishing (the other big comic book company besides Marvel) has their own problems, however producing satisfying collections is generally not one of them.

DC hardcover collections, offer an issue more and two dollars less retail, and offer a contained story, something that Marvel’s new publishing initiative MARVEL NOW may want to take note of.

Marvel writers generally are currently doing good work (far better than their esteemed competition that with few exceptions is self-destructing due to editorial hubris), so to have that sabotaged by ghetto collections… possibly not the route Marvel wants to go.

To try the books and decide for yourself or to hunt them down for less than retail use the below links and this blog earns a couple pennies. If I’ve helped turn you on to something you would have otherwise missed (BATWOMAN HYDROLOGY is a must have for any art lover’s collection. It is exquisite), then please use the links below. Thanks:

All-New X-Men, Vol. 2: Here to Stay

Uncanny X-Men, Vol. 1: Revolution

Batwoman Vol. 1: Hydrology (The New 52)

Batwoman: Elegy

GRAPHIC NOVEL Round-Up! Mark Waid’s THE INDESTRUCTIBLE HULK!

GRAPHIC NOVEL Round-Up! Mark Waid’s THE INDESTRUCTIBLE HULK Vol 1 and Vol 2

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THE INDESTRUCTIBLE HULK Vol 1 – Collects issues 1 to 5, written by Mark Waid. The first three issues do a nice job of introducing Waid’s status quo of a Banner utilizing SHIELD to help him achieve the scientific greatness that being the Hulk has denied. The cost? Making the Hulk into an agent of SHIELD. So lots of interesting ideas in the first three issues, unfortunately the last two issues stumble. The art by Leinil Francis Yu is exotic, intriguing, chaotic and all this combines to be sometimes impressive, sometimes muddy and confusing. Grade : The hardcover at a retail of $24.99 for 5 issues, translates to $5 per issue. So grossly overpriced even if the book was great, and great it isn’t. So worth renting or reading it from your local library, but not worth buying. C+.

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THE INDESTRUCTIBLE HULK Vol 2 – Collects issues 6 to 10, and suffers from the opposite issue of Vol 1, here the first three issues, drawn by Walter Simonson I found uninteresting, and the artwork a far cry from Simonson at his best. Completely forgettable. The final 2 part story stars Daredevil and sports far better art by Matteo Scalera and a far more intriguing story. GRADE : C-. Worth reading for the last two issues, if you can borrow it for free, otherwise just pass.

If you disagree with my assessment and want to try or buy it yourself, especially to find options to buy it well below retail go here:

Indestructible Hulk, Vol. 1: Agent of S.H.I.E.L.D.

Indestructible Hulk, Vol. 2: Gods and Monster

Favorite AVENGERS Comic Book Covers! Pt 3 of 3: The Years 1977 to 1996

Working on the next MONARCHS OF MAYHEM in-between real life stuff, it’s going to come out tomorrow 14 Mar 2012, just because it’s going to take more hours to get ready. These posts take a LONG time, In the interim enjoy the following:

Podcast of the Day: John’s Old Time Radio Show #9! It’s a great podcast. After listening swing by John’s site leave him some good words and tell him where you heard about him. Thanks! -HT

And wrapping up my favorite AVENGERS covers from the original series, is pretty easy. Because after 1977, with very few exceptions the covers are just uninteresting at best and plain awful at worst. Much like the book itself, it was just stumbling from weakness to weakness.

Here then are the best covers in the last 20+ years of the books original run:

George Perez’s finest AVENGERS cover, and one of the most iconic covers of all time. Would make a great poster! This is the last GREAT A+ Cover of the AVENGERS!


Memorable.


Fun.

It says a lot that the numbers jump over a hundred issues, before I list another cover. And this is gimmicky mess, but it was better than all the previous 100 covers. It just clarifies how bad the book got.


A mercy post.


The last one I could find even something remotely interesting in.

So needless to say you want great AVENGERS covers (and comics) stick to issues #181 and before. At least for the first Volume.

In 1998 creators Kurt Busiek and George Perez would launch a new AVENGERS series that largely just pays homage to the great years of the series, You can look at them almost as a remake of the Jim Shooter and George Perez run, that I mentioned in the previous post. But it’s done well enough by Busiek and Perez to be entertaining in its own right.

And then later would come the Bendis’ years, But that is a story for another installment. :)

Revisit the earlier posts here:

PT 1 of 3
PT 2 of 3

Favorite AVENGERS Comic Book Covers! 2nd Decade Pt.A 1973-1977!

Per the previous post, in keeping with the upcoming AVENGERS movie, I’ve decided to cover my favorite AVENGERS comic book covers of all time. And this is part 2:

Okay I had intended to tackle all the great covers in the 2nd decade of AVENGERS comics, however that’s not going to happen, there are just too many great covers. So this post will cover the first five years of the 2nd decade of AVENGERS comics. The years from 1973 to 1977.

Enjoy!

AVENGERS 117- I believe this cover is by Sal Buscema. He was drawing the DEFENDERS and this issue is part of a great AVENGERS/DEFENDERS crossover.

AVENGERS 127- Another great Gil Kane cover.

AVENGERS 131- Fun LEGION OF THE LIVING Frankenstein monster cover is pretty fun. At a guess I’d say this is also a Gil Kane cover.

AVENGERS 134- Gil Kane up to bat again, with this cover featuring the always popular golden age Human Torch.

AVENGERS 136- The floating heads is always a nice touch. And even without Gil Kane signing his work, those elbows at jaunty fighting angles even in repose, screams Gil Kane. :) (turns out the floating heads are done by a different artist, John Romita, and that’s what was making some of these covers hard to call as completely Gil Kane)

AVENGERS 139- Here’s another example, the main drawing with that exagerrated action (somebody gets hit and their knees fly into their chest, and elbows shoot out)is vintage, powerful Gil Kane. But those floating heads are by Spiderman artist John Romita. A favorite comic as a kid, so that may be swaying my appreciation for the cover, which is not Kane’s best. I’m going to have to start grading harder or I’m going to end up listing every cover Gil Kane does. :)

AVENGERS 141- There have been many face off covers, this is one of the standout ones. A nice Gil Kane cover, his typical hard angles, lessened a bit, being inked by Jazzy John Romita.

AVENGERS 142- I promise you I’m grading harder, but what can I tell you, 1975 and Gil Kane was just knocking these covers out of the park. Add cowboys to it, or people in normal clothes and Gil was in his element. Notice the difference between this cover and the previous. The inker here was more faithful to Gil Kane’s hard angles and musculature, which I think looks more striking. Great cover.

AVENGERS 145- What?! Do you see this cover? I’m trying to avoid anymore Gil kane covers but that’s like trying not to give the MVP to Michael Jordan when he’s playing. It can’t be done. Great Kane cover, inked by Dan Adkins. Wonderful use of word balloons and typography. Something you don’t see too much in modern comics.

AVENGERS 146- Tell me this cover doesn’t have ‘buy me’ all over it? It’s a great design. However you notice how it’s rounded a bit, inked by Al Milgrom, you lose some of the angularity and power that Kane’s pencils are full of. But even subdued Kane is great.

Don’t worry Gil stops doing covers with this issue, so we should be able to jump ahead a few years before we get any more covers this good right? WRRRRRROOOOONNNGGGGG!! Cause the artist they bring in to replace him on covers is…..

AVENGERS 147-148 Last time he made this list was all the way back in issue #20, Jack the King Kirby is back doing the covers! Definitely with 148! 147 however is attributed to Buckler and Adkins, but what I’m seeing in 147 is Kirby and Milgrom.

So I’m going with my gut and attribute the penciling on both of these to Jack the King Kirby. He’s not as sophisticated as Gil Kane or John Buscema, but there is just so much life and energy in these covers, so much going on, that they are just a joy to a young kid stumbling across these issues in the libraries back issue bins or on newsstands.

And the interiors were done by Steve Englehart and Jim Shooter on scripts and George Perez and John Byrne on pencils, from this point till issue 166, almost twenty issues, they are mostly home-runs. I guess the best way to put it in perspective is… all of the comics I’ve mentioned previously… I’ve sold. This run from 147 to 166, are not for sale. In the age of digital these are the comics that are worth having as paper. :)

I won’t list all those covers here are the standouts:

As mentioned 147-148 are great, we bypass 149-150 (these are credited to George Perez, possibly George Perez’s earliest work. Look nothing like his great work now, quite frankly they are not good) and from 151-158 we get great Jack Kirby Covers. The best being the following:

158 being Kirby’s last cover for the AVENGERS and he goes out with one of my favorites of his run!

159 So Kirby leaves or is let go, it’s unclear which, who the heck can they bring in till a new regular cover artist is chosen. Who else but the best? Gil Kane returns, and like he always does… he blows the doors off the place! Look at what he’s doing in this cover. It’s just a clinic on great art. Add to that the interior art by George Perez and story by Jim Shooter and you have… classic defined.

162-163 After a couple lackluster covers, George Perez steps in to knock it out of the park with great covers to match his great interior art.

164-166 There’s a lot of nonsense about great comics out there. Here’s the straight dope… this three part storyline, issues 164-166, is the best AVENGERS storyline. Full stop. With Jim Shooter as writer, George Perez on covers, and John Byrne on interior art, they together created the throwdown for the ages. People like to use the term wide-screen entertainment to define something blockbuster in scope, these three issues from the summer of 1977… were wide-screen entertainment before the term existed. If you own only three Avengers comics… make them these three. Highest recommendation. Now that said, while all three of the covers are at least good, only one is great. This one:

AVENGERS 164- And with that cover the legendary John Byrne created the last great AVENGERS cover of 1977!

Come back next time as we finish off the 2nd decade of AVENGERS comics. the years from 1977-1983, and we also tackle the third decade, the years from 1983 to 1993.

Ya’ll come back now ya here!

p.s. As far as purchasing issues, per my previous post (scroll down) Marvel has the first 30 issues available in their oversized hardcover format they call an omnibus. It’s a good deal. However they don’t have omnibuses out for issues 31-164, so getting these issues is a little more difficult. You would think with Marvel’s AVENGERS movie due out this year they would capitalize on interest and release Omnibuses for most of these early issues. But… Noooooo. So failing that look at the links in the first post and this:

Essential Avengers, Vol. 7 (Marvel Essentials)

Essential Avengers – Volume 8

The above two are black and white collections, which is just about sacrilege, the color being such a part of these issues, but if you can’t afford the original issues, and can’t wait for the expensive hardcovers or omnibuses… they are a cheap way to read a bunch of issues.

Hold the presses!!! Here are some better color options to read these issues:

Avengers: The Coming of the Beast – Avengers (1963) #137-140, #145-146

Avengers: The Serpent Crown – Collecting AVENGERS (1963) #141-144 and #147-149.

Avengers: The Private War of Dr. Doom- contains Avengers 150-156, Annual 6; Super -Villain Team – Up 9

If you do choose to buy, please support this blog by using the links provided. This blog generates a couple dimes from each sale, so you guys using the links is definitely appreciated and definitely necessary to keep the blog going. Thanks!

Favorite AVENGERS Comic Book Covers! The First 10 Years 1963-1973!

Well with the AVENGERS movie on the horizon, I thought a nice posting would be on (come’on you can guess) my favorite AVENGERS comic book covers. And plus it’s a nice look at how typography and art styles change over time.

What typically defines a great cover for me is, is it something I would pay to have as a poster. Surprisingly enough, most covers fail this criteria.

Take a gander at the ones that don’t :) :

AVENGERS 20- While you can make an argument for a lot of the early issues because of nostalgia, this one I think stands out, primarily because of Jack Kirby’s great use of perspective to make for an exciting cover.

AVENGERS 44- This is the next standout issue, by big John Buscema.

AVENGERS 63- Excellent Gene Colan Cover!

Avengers 66- Beautiful John Buscema cover. Dig that crazy perspective. :)

AVENGERS 92- I used to own this issue. Early cover art by Neal Adams.

AVENGERS 96- Another great Neal Adams cover.

AVENGERS 99- Another great cover, mixing excellent typography with the artwork of Big John Buscema.

AVENGERS 107- Great Rich Buckler cover.

AVENGERS 110- And cometh Gil Kane. A series known for its great covers and artists, and here was Gil Kane blowing them all out of the water. Decades later and it still remains one of the great covers of all time.

AVENGERS 113- The art isn’t the greatest here, but the typography and storytelling of the scene makes this an attractive and attention getting cover by Rich Buckler and Joe Sinnott.

The Avengers Omnibus, Vol. 1- This collects the first thirty issues of the AVENGERS in a deluxe hardcover format. These tend to sell out quickly.

More omnibuses are not available as of yet, so if you want to get issues 31 to 113, outside of buying individual issues (prohibitively expensive for most of us) the two ways to get the issues are:

I. MASTERWORKS- Masterworks are highquality hardcover (and lately sc) books that collect on average 6 issues on quality, glossy paper. So can be a bit pricey trying to get a lot of issues in that format, so it’s best for just getting specific must have issues.

Such as these:

Marvel Masterworks: The Avengers Volume 10 (Marvel Masterworks) Deluxe hardcover edition collecting The Avengers, nos. 89-100. These guys tend to sell out as well, and prices can go up when that happens

Marvel Masterworks: The Avengers Volume 11- This volume of the Avengers Masterworks reprints issue numbers 101-111, and Daredevil #99, from July 1972 to May 1973, Including issue#110 mentioned above

II. DIGITAL COMICS

40 years of the Avengers on DVD Rom- These tend to sell out quickly as well. So pick them up before they sell out and the price goes up

Well that’s all for this installment. Come back next time as we tackle the years from 1973 to 1983!

The Annotated Sword 1-24 by Luna Brothers or how these issues kicked my ass!

Okay, you know how I was championing the collected edition of the Luna Brother’s GIRLS. Brilliant book by the way, proudly displayed on my bookshelf.

Okay I just made it all the way through THE SWORD. All 24 issues, I have both the issues and the collected edition but I do feel you get something out of reading the letters-pages, plus I like the sense of temporality (yes I did just invent that word :) ) it gives to the story, the definite sense of cliffhangers and pacing, that is felt when you have to close one book and transition to the next. I think it works surprisingly well in those 22 page chunks. So my first time through I’m reading the issues as opposed to the big honking collected edition.

I have to say as good as GIRLS is, and it is very good, THE SWORD is head and shoulders better.

Well, I just finished all 24 issues, and gone through the collected edition(I love that they include the original covers to break up the chapters… take note Robert Kirkman, that’s how you’re supposed to do a collected edition!… definitely helps with the sense of temporality), over two years of story and art… my verdict?

Well first, let’s back up and be petty for a bit.

The title, brilliant title, very simple, very to the point… THE SWORD.

How can you mess that up?

Well you’d be surprised! I need to call a couple people out, while it is spelt SWORD, the W is silent, it is pronounced ‘sord’. So unless you’re effing Arnold Schwarzenegger, you don’t pronounce the damn W. When in doubt check the effing dictionary! Damn podcasters! I’m looking at you!!! You know who you are! :) . (Oh and don’t get all riled I love podcasters. In fact my 2010 Best of Podcast Retrospective will probably be up next posting!)

And it’s not ‘supposibly’, the word is supposedly. I swear everyone who comes from a certain close by state, that will remain nameless, pronounces it ‘supposibly’, drives me up the frigging wall.

Do you feel the hate? I Know, I’m sorry, I’m usually in such a good mood when I do these blog updates.

But I’m in really an odd place right now, after reading THE SWORD.

Okay for those who haven’t read it, all you need to know is… it is brilliant! Go buy it now!

I do highly recommend reading it, because it is one of the most brilliant works in its construction and its audacity, that you are going to find. And because they offer the original covers to denote chapter breaks, the collected edition will work brilliantly as most peoples first, and only, introduction to the work.

Check here to purchase the individual issues.

Check here to purchase the massive, bludgeon your neighbor, beautiful collected edition of THE SWORD.

Check here to purchase THE GIRLS huge, honking collected edition!.

I appreciate if you use these links as they help make a few pennies for this blog. So it’s a great way to get a great item for yourself or a loved one, and also help me continue bringing you these mad blog posts! So thanks in advance! And if you do buy via the links drop me an email, or leave a comment here saying you bought it or what you thought of it, and I’ll send you a freebie for supporting. Now back to our regularly scheduled program… :)

So go, buy the collected edition, say uncle HT sent ya, then come back and read the rest of this. Because beyond this point there be Dragons! Spoilers abound as I give a play by play of my run through the series, to the ending, to the odd place I am right now.

You’ve been warned. Okay, without further ado…

The Annotated Sword 1-24 or how these issues kicked my ass!

#1- If you’re not familiar with the Luna Brother’s the art can at first seem simplistic, stiff. But trust me it is anything but. What you’ll get in-tuned to, almost immediately, is the brothers are masters of conveying emotion through these lines on paper. The facial expressions are amazing and convey an almost palpable sense of who these characters are. And that emotion transcends the seeming minimalism of the artwork. Also they make the art breathe, mostly Jonathan in terms of the finished art, Joshua is credited with Layout and Lettering, and they both do the story. A big part of why the artwork works is the coloring and lighting and shading and perspective and focus and variety of other effects Jonathan uses to imbue these 2 D images with life. Another part is shot selection, and the use of panels against a black background. You become that much more funneled in, due to the images of light bound by that darkness. I’ve heard cinematic used to describe the effect, it works as well as any, though sensual is perhaps more accurate. This issue introduces us to Dara Brighton, a nice introduction, a meaningful one, before all meaning leaves her life; or more accurately, before her life becomes hijacked, forfeit, to greater meanings. It’s a great first issue with a cliffhanger to set the stage, for many to come.

#2-2nd issues can often be difficult, as they are oft the exposition heavy portion of the story. The great thing you learn in this issue, and that continues throughout the series is the Luna Brothers ability to make their talking scenes as compelling and captivating as their action sequences. The silences in the hands of the Lunas are as deafening as the explosions.

#3- Speaking of explosions this is where we learn what the Sword, and a young woman called Dara Brighton, picked by fickle fate to survive… can do. Phenomenal, jaw-dropping (in more ways than one) issue! The first “shout-out-loud” great cliffhanger of the series. A+.

#4- What amazes me is the Luna Brothers art. No one is going to mistake their art for Kevin Nowlan, or Art Adams, or Alex Ross or Gil Kane or JH Williams III or any of the masters of the medium, technically they are not draftsmen of that level, however what they are is masterful storytellers. I said it before it comes down to expression and shot selection, and using those two tools, they’ve created an issue that moves, and compels you to turn pages! They rivet you with just how masterfully they invest their characters into the story, and you into the characters. Add to that their ear for dialog, the naturalistic amidst the absurd. This issue is a chase, and at the end of it Dara Brighton, wielder of the sword… makes a choice that puts her at the mercy of a world that cannot understand her. B+.

#5 The thing that strikes you about this issue is just how solid and strong the storytelling is. From Dara waking up to see herself chained in a mirror, to her breakdown as the agent makes her consider her father’s culpability in her family’s murder, to the perspective shot of her leaping over the agents. Just great visual storytelling to go with a great story. A-.

#6- Dara is reunited with her fugitive friends, and a history lesson is told. Very engrossing. B+.

#7- This issue flows between riveting storytelling and laugh-out loud moments. “Girl pants”, “bus trip”. And the Luna Brothers are masters of the final page. Of that iconic last image/line that makes you go “Damn!”. I own the SWORD COLLECTED EDITION but the best way to initially read this series, and the way I’m doing it, is reading the singles with letter pages. You really need that moment between issues, to recognize that down-time, that transition. Great issue. A-.

#8- Another winner “Reached into the bowl” Great issue, but you know what I said previously about the Lunas being the masters of the last page. If this last page doesn’t make you cackle out loud, there is something wrong with you. Masterful cliffhangers. Plus that’s a fantastic cover. A-.

#9-If the ending of this issue doesn’t make you go…”Aww Sh*t!!!!” , then I repeat… There is something wrong with you. Yeah bring it!!!! Frigging awesome storytelling. Dara at the mercy of the monster that killed her sister.A+.
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#10- Woah. Like the protagonist you suddenly realize this is a lot harder than you thought it was going to be. A-.

#11- It’s a LOT! LOT!! HARDER! Man, what a throwdown, and it’s getting worse. You can almost say shes on her last… legs? Doh! It’s compulsive page turning entertainment. A-.

#12 The first year or thereabouts of the SWORD comes to an end, and the Luna Brothers could not have ended it better. Dara is 1/3rd of the way through her ordeals, and it has taken much. It primes you, as does the last page, primes the remaining two thirds with simple question… what next? Great issue. A-.

#13- Coming off the powerhouse first 12 issues, this issue was more a lull before the storm. Didn’t really captivate or emotionally resonate with me like previous issues, on first read, but still good. B.

#14- Is back on stride, as Dara and friends… storm the house of an elder god. Great “Bring it!” Cliffhanger! B+.

#15- Efffing INSANE! There are no words! Just read the audacious lunacy that is this issue! Man! They are putting this girl through a lot. A+.

#16- Dara goes toe to toe with an elder God. Nuff said. A+.

#17- Dara vs Giant Rock Elder God! More, more, more. B+/A-.

#18- What a frigging AWESOME final page! Cackling my head off like a loon. Absolutely brilliant. And just the expressions the Luna Brothers put on everyone, but especially Dara as a woman driven beyond all limits of man or god, to exact revenge. Brilliant. A-frigging +.

#19- Wow. How is it possible the Luna Brothers can follow up one of their most action packed issues, with a contemplative one, of mostly talking heads and make it one of the best issues of the run? I’m in awe, as Dara and Friends discuss the future and the past on the way to meet the last of the gods. A+.

#20- Dara lands in New York… and mayhem ensues. Absolutely great series. A-.

#21- Do you know what it is that makes these issues, this story so great. The Luna Brothers have an unerring grasp of both the naturalistic, who we are in our everyday failings and strivings to succed, and the iconic, and their ability to switch between those two poles of our existence… powers what is best about THE SWORD. Once again the last few pages made me go… OH YEAH! And that by itself deserves an A+.

#22- Ouch! That was effing harsh. I don’t even have that particular organ, and it hurt me to watch. I can’t even grade this issue, kinda painful. Double ouch.I go into the last two issues, and I who have known the world… am afraid, That’s pretty damn good storytelling.

#23- Okay. Did not see that coming at all—- brain overloading– too much data! Danger Will Robinson! Danger! Series is blowing my mind.

This is MAJOR SPOILER territory, so read only after reading the whole series.

#24- And now we come to the end. God that was fucking depressing. Talk about a crucifixtion. That’s no way for anybody to die. To go through all that pain, save the world, and then to end like that. Man you Luna Brothers are some cruel SOBs. Uhhh… so depressed, must open vein now.

Over 2 years of story… brilliant, but why oh why would the Luna Brothers let the story of Dara end so brutally, so… unfairly. I know, I know… cause life isn’t fair. Efff that!!! You save the world multiple times you should get more for it than… that. I’m on record as wanting an epilogue to this story to give Dara the happy ending she deserves. I’m looking at you Luna Brothers! I’M LOOKING AT YOU! Call me a hopefull romantic, but I like to believe in happy endings.

“When you strip everything away from the Batman, you’re left with someone who doesn’t want to see anybody die!”–from Ross and Waid’s KINGDOM COME

Unlike the above quote I understand that all life ends in death, but I guess if you strip everything away from me you’re left with someone who doesn’t want anyone to die badly. Who believes that lives of honor, should warrant a little bit of happiness or at least deaths of honor.

It is a dark end to a brilliant book. However I would like to imagine an unseen end to Dara Brighton, where she was acknowledged for her great deeds, and given a gift for those deeds. A boon.

It’s a dream… I have.

And who knows, much like David Peterson of Mouse Guard… who let famous writers and artists do a take on his characters, maybe the Lunas could do a similar one-shot epilogue issue where various creators give their take on Dara Brighton’s end or resurrection or salvation, etc.

Well that’s it for now. Luna Brothers’ are taking a break from joint work, to pursue individual projects, so nothing on the horizon (beyond possible movie talk) to followup THE SWORD. But whatever the future brings for these talented young men (have you seen them? They look like they are ten. To be that young and that talented is mind blowing!) they have left a body of work that will long be admired, enjoyed, and ultimately emulated.

The ending did not make me a happy camper, but the ride is not to be missed. THE SWORD by The Luna Brothers gets my highest recommendation… A-.

I saw this poster, and this young lady would make the perfect Dara Brighton. The combination of beauty, a certain foreboding, a certain vulnerability, and a certain resolve, all captured in a look. Her face is impossible to look away from. With lips that men in ages past built temples to. Alluring on levels that words do barely touch.